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05/25/2002:
"THE CASE OF THE REFRIED BEANS"

Photo of Bruce Kimmel

bk's notes II

Well, dear readers, here we are, writing our 201st BK’s Notes. Isn’t that exciting? Isn’t that just too too? We have had our celebration and we have worn our pointy party hats for far too long and now it is time to get back to the daily grind. And yet, it is not time to get back to the daily grind because this, dear readers, is a holiday weekend, Memorial Day weekend to hit the nail on the head, foot, or even butt cheek. Yes, we have hit the proverbial nail on the proverbial butt cheek and we are the better for it. I wonder if we could have hit the nail on the antiverbial head, foot, or even butt cheek? Yes, that is what I wonder, and I wonder as I wander and, conversely, wander as I wonder. Won’t somebody put me under so when I wonder as I wander I won’t go asunder? Well, the 201st BK’s Notes have begun in fine fashion (little pink poodle skirt with matching blouse and pumps). The only question that needs be asked is the following: What the hell am I talking about?

I have many things to do on this long weekend. For example, today I will be going to yet another rare book fair, with my rare friend, Mr. Grant Geissman. After that, I will be going to see the rare Miss Nancy Dussault at the Gardenia. First, I will sup at the Gardenia, because you can’t get a fershluganah table at the Gardenia unless you sup. So, sup I will, damn them all, damn them all to hell. Tomorrow night, I shall be attending a “bad movie night” with a group of people who have a private e-mail chat thing – I am providing the bad movie and it is Mr. Alfred E. Green’s Invasion USA, which I spoke of in these here notes just a few short weeks ago. On Monday, I shall sit on my couch like so much fish and contemplate the world at large. When I am through contemplating the world at large I shall eat a sardine, just because one should eat a sardine once every forty-three years.

Well, dear readers, you know what today is, don’t you? Of course, you do, because you are loyal and true Hainsies/Kimlets and we do have our routine here at haineshisway.com. Today is our Unseemly Trivia Contest question and I shall be asking it quite quite soon.

I have decided that what I should really be doing this weekend is surfing because my hair now has so many blonde bits in it that I look like a surfer dude. I am tan and toned and buff with abs and buns of steel, and don’t you think I should be showing off to one and all and also all and one? Don’t you think I should be showing off whilst wearing my cut-off jeans and tight t-shirt? Of course, why should I show off? Has off ever showed me? I’ve had it with off frankly, and I am now swearing off off. Damn off. There, I have sworn off.

Have you thought about refried beans? Now, that is a segue if I’ve ever heard one. Do you suppose they fry the beans and then fry them again? Wouldn’t that just kill those beans dead. Wouldn’t that just be Frijoles Muerte? I mean refrying beans is redundant, isn’t it? I don’t think they refry those damned beans, I think that is a publicity ploy to try to make fried beans seem interesting. So they put that little “re” in front of “fried” so people will think, “Wow, they went to all the trouble to fry these beans twice – I’d better buy and eat these beans”. On top of all that, those refried beans certainly don’t look like they were fried, do they? They don’t look like fried chicken, or French fries or even Swedish fries. No, they look like plain old beans is what they look like. I think this whole refried beans thing is a sham of a fake of a lie, that’s what I think. I think they are having us on, refried bean-wise. I say we boycott the refried beans until the truth comes out, because the truth is out there – yes, let us boycott the beans until they own up to the fact that they are pulling the wool and even the cotton and the silk over our collective eyes. Well, baby, fool us once, fool us twice, but you will never fool us thrice, because that’s not nice to fool thrice. Excuse me, but can someone tell me if I’ve really just written an entire paragraph about refried beans?

Well, there is no way to follow a paragraph about refried beans, so the only thing left to do is click on the Unseemly Button below. Yes, that is the only thing left to do, although we could look for something right to do. Oh, the hell with it, let’s click and be done with it before someone tries to foist some refried beans on us.

Well, I must hurry and finish these here notes because Mr. Grant Geissman is on his way to my very own home and I shall not be ready when he arrives. So, let us get right to the Unseemly Trivia Contest question, shall we?

As far as I know, in the world of musicals there have only been two that were written by pop songwriters who were known for an incredible string of top-ten hits. Now, I mean book musicals, not revues such as Smokey Joe’s Café. And I want to put an emphasis on top-ten hits. In other words, while Randy Newman’s Faust would be a fine guess, Mr. Newman really hasn’t had any top-ten hits or if he has he certainly hasn’t had an incredible string of them. Name the pop songwriters and the two book musicals they wrote. One of them is obviously very easy, the other a bit less so. Bonus question: One of the two musicals has another major connection to the top-ten pop world. What is the connection? Good luck to one and all and also all and one.

Remember: DO NOT POST YOUR ANSWERS HERE AT HAINESHISWAY.COM. e-mail them to me by using the handy-dandy Ask Bruce button, or by sending it to bruce@haineshisway.com. You have until Monday at midnight to submit your answers. And remember, the Highest Winner will receive a sparkling prize. Also, we’ll have a brand spanking new The Broadway Radio Show up tomorrow, with special guest, composer/lyricist Wayne Moore, who will do what I did two weeks ago, and choose twelve favorite showtunes. Having seen his list, I think you’ll find it most interesting and most strange, which is, of course, the fun of such things.

Have I mentioned that I do not understand the refried bean, that the refried bean is a mystery to me? The Case of the Refried Bean by Erle Stanley Gardner. Did you know that Meltz and Ernest wrote a song about Mr. Erle Stanley Gardner’s Perry Mason? It was at the height of the televsion show, which starred Raymond Burr. Here it is.

I FEEL LIKE PERRY MASON Music by Hinky Meltz Lyrics by Ernest Ernest

You’re a mystery to me, dear,
Do you like me? Do you hate me?
Will you ignore me? Will you date me?
Yes, you’re a mystery to me, dear
And I’d like to solve the case
So that we can then embrace…

I feel like Perry Mason
When he’s chasin’ those clues.
I’m sleuthing for a true thing
That will give me the news
Whether you’d like to come and hug me
Or have somebody drug me
And throw me in the ocean with the scrod
Yes, I feel like Perry Mason and that’s odd.

I feel like Perry Mason
When he’s facin’ the judge.
I’m sweating but I’m betting
That the judge will not budge.
I need to know if you adore me
Or if you just abhor me
And want me to be like a missing shoe
Oh, I feel like Perry Mason, yes, I do.

But Perry’s very good
He doesn’t lose a case.
So, come and take my hand
And forget about the mace.

I feel like Perry Mason
When he’s racin’ the clock.
He prizes those surprises
And delivers a shock.
And the shock is, babe, I love you
I’m only thinking of you
So marry me and move into my place.
And this Perry Mason will have won his case
Yes, this Perry Mason will have won his case!

Isn’t that a fine Perry Mason song? Meltz and Ernest never cease to amaze me.

In any Perry Mason case, I must away now, I must take the day, I must do the things I do. Today’s topic of discussion: Yesterday we had favorite dance numbers from original film musicals – today, let’s have favorite dance numbers from film musicals which are adapted from Broadway shows. I’ll start: America from West Side Story, Onna White’s brilliant Seventy-Six Trombones from The Music Man, Bob Fosse’s Money, Money from Cabaret, Bob Fosse’s Rich Man’s Frug from Sweet Charity, and Mr. Grant Geissman has arrived so I must stop. Your turn, and remember don’t post the trivia answer here on the site. I shall return later to see your excellent posts.

- Bruce Kimmel



Replies: 14 Unseemly Comments


My favorite dance number is one I've never seen but based on the cast album it is one I have imagined hundreds of times: "Game of Dance" from Ben Bagley's THE LITTLEST REVUE. I often wonder if the real thing could come close to what I imagine.

Posted by William E Lurie @ 05/25/2002 10:22 AM PST


Well, let's see. The entirety of Chicago, especially All That Jazz (I'm working from the revival here, just so everyone knows). I loved Susan Stroman's Madame Librarian number. And her curtain call. I love Onna White's Shipoopi and Seventy Six Trombones (the ones from the movie, anway).

Posted by Lolita @ 05/25/2002 11:38 AM PST


Oona White's Consider Yourself and Who Will Buy from Oliver!. She won the oscar for that.

Put on Your Sunday Clothes, Before the Parade Passes By and the Waiter's Gallop (Hello, Dolly!)Michel Kidd

Mame (Mame) Oona White again

The Saga of Jennie from Lady in the Dark (Star!) Michael Kidd again

Roller Skate Rag (Funny Girl) Herbert Ross (I know this wasn't in the stage version that made it to Broadway, but it was in the tryouts)

Do Re Mi (The Sound of Music) Marc Breaux & Dee Dee Wood

Aquarius (Hair) Twyla Tharp

Hand Me Down those Can of Beans (Paint Your Wagon)

Although sometimes Bigger isn't all ways better

Posted by Michael Shayne @ 05/25/2002 11:40 AM PST


"Shall We Dance" -- "The King & I"

"The Telephone Song" -- "Bye- Bye, Birdie"

"All I Need is the Girl" -- "Gypsy"

"Here's Rose" -- "Gypsy"

"Oom-Pah-Pah" -- "Oliver"

"America" -- "West Side Story"

"Marian the Librarian" -- "The Music Man"

Since BK listed "Money" from "Cabaret" (which was written for the movie), I'll list "Sparkles, Spangles and Dreams" from "Billy Rose's 'Jumbo'", also written for the film by the great Roger Edens. This is a lengthy production number and wonderfully choreographed.

Posted by Ron Pulliam @ 05/25/2002 01:20 PM PST


Offhand, my top 5

1. All the numbers in Li'l Abner
2. Consider Yourself from Oliver
3. Shall We Dance from King and I
4. Trouble from The Music Man
5. Cool from WSS

Posted by Craig @ 05/25/2002 01:47 PM PST


and guilty pleasure...
Downtown from Little Shop of Horrors

Posted by Craig @ 05/25/2002 01:48 PM PST


Clarifications galore: First, for today's topic of discussion -we're talking about FILM musicals which were adapted from Broadway shows. Second, trivia contest. As usual you people are trying to outsmart me, you wiseacres. So, let me be more specific: Most of you, as I knew you would, are guessing one of the songwriting teams. But no one has guessed the other, although there have been many good and some might say even proper guesses. However, here's the way I feel about them: Paul Simon's The Capeman, in my opinion, is not a traditional or strong BOOK musical. Roger Miller did not have the kind of incredible run of top-ten hits that I'm talking about. And Elton John's Aida is also not a traditional musical comedy book, at least in my opinion. But I'll make it easier for you - the show I'm looking for was written in the in the sixties or seventies. And don't necessarily confine yourself to Broadway. And while Bob Merrill had several number one hits, the pop era I'm thinking of is late fifties on. Whew!

Posted by bk @ 05/25/2002 02:42 PM PST


Oops. How embarassing. Nevermind about Chicago, then.

Money, Money and Mein Herr from Cabaret...
Consider Yourself, Who Will Buy, and You've Got to Pick a Pocket or Two from Oliver

:)

Posted by Lolita @ 05/25/2002 04:20 PM PST


Well, methinketh Mister Bruce fudgeth a bit... But be that as it may, I hope this doesn't lead to a discussion of the merits of Aïda and Capeman.

I do love Shirley McClain in "If My Friends Could See Me Now" from the film of Sweet Charity, but it's still inferior to the Verdon version, which I saw only on TV.

Posted by William F. Orr @ 05/25/2002 09:49 PM PST


I can now list all the ones I thought of yesterday.

All of "The Music Man" -- "Shipoopi" being one of my favorites.

"Dancing" (one of my all-time favorites)and "The Waiters' Gallop" from "Hello Dolly"

The Dream Ballet from "Oklahoma"

Mitzi Gaynor's dance on the beach to "Wonderful Guy" in "South Pacific"

"Once A Year Day"- Pajama Game. Definitely "Steam Heat" also.

"Rich Man's Frug" is pretty great, too.

"Who's Got the Pain?"- Damn Yankees

Not quite a dance number, more a comedic number and splashy showgirl bit, but "the Beautiful Bride" (or whatever it's called)number from "Funny Girl"

"Gotta Lotta Livin' To Do"- Bye Bye Birdie" (conjures up a whole era)

"Consider Yourself"- "Oliver!"

And yes, "Shall We Dance?" from King and I is one of the most moments of sheer satisfaction (however brief).

Posted by Kerry @ 05/25/2002 11:16 PM PST


WFO: It will not, because Aida (unaccented) and Capeman had no merits. I made it all the way through Aida, but was out of Capeman in fifty (50) minutes. As I left, all orchestra eyes seemed to turn to me because people were so bored by what was not occurring onstage.

Posted by freedunit @ 05/26/2002 12:47 AM PST


Re: Capeman... though that may be, I adore the score. As a live theatre experience I can understand it didn't work. Just the same, I feel just the opposite for Capeman, as a recording and peice of music.

Oh yeah, and you're all crazy!

Posted by Mr. Mark Bakalor @ 05/26/2002 12:53 AM PST


How exciting! I just found Benjamin Kritzer. He's a smart lad, as he is on the Honor Roll at William Penn Middle School (Grade 6)in Philadelphia. A google search is worth it's weight in gold.

Oh I know he isn't the Benjamin Kritzer, but I am sure his parents are just as proud!

Posted by Craig @ 05/26/2002 08:56 AM PST


I’m eleven! Leave me be!

And you, too, brilliant-crazy Mister Mark Bakalor! I am sure it is just a dandy album, but I wonder if songwriter Simon will ever allow its release?

Posted by Benjamin Kritzer, Honor Roll Student, William Penn Middle School, Philadelphia, PA @ 05/26/2002 10:53 AM PST





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