Replies: 14 Unseemly Comments
My favorite dance number is one I've never seen but based on the cast album it is one I have imagined hundreds of times: "Game of Dance" from Ben Bagley's THE LITTLEST REVUE. I often wonder if the real thing could come close to what I imagine.
Posted by William E Lurie @ 05/25/2002 10:22 AM PST
Well, let's see. The entirety of Chicago, especially All That Jazz (I'm working from the revival here, just so everyone knows). I loved Susan Stroman's Madame Librarian number. And her curtain call. I love Onna White's Shipoopi and Seventy Six Trombones (the ones from the movie, anway).
Posted by Lolita @ 05/25/2002 11:38 AM PST
Oona White's Consider Yourself and Who Will Buy from Oliver!. She won the oscar for that.
Put on Your Sunday Clothes, Before the Parade Passes By and the Waiter's Gallop (Hello, Dolly!)Michel Kidd
Mame (Mame) Oona White again
The Saga of Jennie from Lady in the Dark (Star!) Michael Kidd again
Roller Skate Rag (Funny Girl) Herbert Ross (I know this wasn't in the stage version that made it to Broadway, but it was in the tryouts)
Do Re Mi (The Sound of Music) Marc Breaux & Dee Dee Wood
Aquarius (Hair) Twyla Tharp
Hand Me Down those Can of Beans (Paint Your Wagon)
Although sometimes Bigger isn't all ways better
Posted by Michael Shayne @ 05/25/2002 11:40 AM PST
"Shall We Dance" -- "The King & I"
"The Telephone Song" -- "Bye- Bye, Birdie"
"All I Need is the Girl" -- "Gypsy"
"Here's Rose" -- "Gypsy"
"Oom-Pah-Pah" -- "Oliver"
"America" -- "West Side Story"
"Marian the Librarian" -- "The Music Man"
Since BK listed "Money" from "Cabaret" (which was written for the movie), I'll list "Sparkles, Spangles and Dreams" from "Billy Rose's 'Jumbo'", also written for the film by the great Roger Edens. This is a lengthy production number and wonderfully choreographed.
Posted by Ron Pulliam @ 05/25/2002 01:20 PM PST
Offhand, my top 5
1. All the numbers in Li'l Abner
2. Consider Yourself from Oliver
3. Shall We Dance from King and I
4. Trouble from The Music Man
5. Cool from WSS
Posted by Craig @ 05/25/2002 01:47 PM PST
and guilty pleasure...
Downtown from Little Shop of Horrors
Posted by Craig @ 05/25/2002 01:48 PM PST
Clarifications galore: First, for today's topic of discussion -we're talking about FILM musicals which were adapted from Broadway shows. Second, trivia contest. As usual you people are trying to outsmart me, you wiseacres. So, let me be more specific: Most of you, as I knew you would, are guessing one of the songwriting teams. But no one has guessed the other, although there have been many good and some might say even proper guesses. However, here's the way I feel about them: Paul Simon's The Capeman, in my opinion, is not a traditional or strong BOOK musical. Roger Miller did not have the kind of incredible run of top-ten hits that I'm talking about. And Elton John's Aida is also not a traditional musical comedy book, at least in my opinion. But I'll make it easier for you - the show I'm looking for was written in the in the sixties or seventies. And don't necessarily confine yourself to Broadway. And while Bob Merrill had several number one hits, the pop era I'm thinking of is late fifties on. Whew!
Posted by bk @ 05/25/2002 02:42 PM PST
Oops. How embarassing. Nevermind about Chicago, then.
Money, Money and Mein Herr from Cabaret...
Consider Yourself, Who Will Buy, and You've Got to Pick a Pocket or Two from Oliver
:)
Posted by Lolita @ 05/25/2002 04:20 PM PST
Well, methinketh Mister Bruce fudgeth a bit... But be that as it may, I hope this doesn't lead to a discussion of the merits of Aïda and Capeman.
I do love Shirley McClain in "If My Friends Could See Me Now" from the film of Sweet Charity, but it's still inferior to the Verdon version, which I saw only on TV.
Posted by William F. Orr @ 05/25/2002 09:49 PM PST
I can now list all the ones I thought of yesterday.
All of "The Music Man" -- "Shipoopi" being one of my favorites.
"Dancing" (one of my all-time favorites)and "The Waiters' Gallop" from "Hello Dolly"
The Dream Ballet from "Oklahoma"
Mitzi Gaynor's dance on the beach to "Wonderful Guy" in "South Pacific"
"Once A Year Day"- Pajama Game. Definitely "Steam Heat" also.
"Rich Man's Frug" is pretty great, too.
"Who's Got the Pain?"- Damn Yankees
Not quite a dance number, more a comedic number and splashy showgirl bit, but "the Beautiful Bride" (or whatever it's called)number from "Funny Girl"
"Gotta Lotta Livin' To Do"- Bye Bye Birdie" (conjures up a whole era)
"Consider Yourself"- "Oliver!"
And yes, "Shall We Dance?" from King and I is one of the most moments of sheer satisfaction (however brief).
Posted by Kerry @ 05/25/2002 11:16 PM PST
WFO: It will not, because Aida (unaccented) and Capeman had no merits. I made it all the way through Aida, but was out of Capeman in fifty (50) minutes. As I left, all orchestra eyes seemed to turn to me because people were so bored by what was not occurring onstage.
Posted by freedunit @ 05/26/2002 12:47 AM PST
Re: Capeman... though that may be, I adore the score. As a live theatre experience I can understand it didn't work. Just the same, I feel just the opposite for Capeman, as a recording and peice of music.
Oh yeah, and you're all crazy!
Posted by Mr. Mark Bakalor @ 05/26/2002 12:53 AM PST
How exciting! I just found Benjamin Kritzer. He's a smart lad, as he is on the Honor Roll at William Penn Middle School (Grade 6)in Philadelphia. A google search is worth it's weight in gold.
Oh I know he isn't the Benjamin Kritzer, but I am sure his parents are just as proud!
Posted by Craig @ 05/26/2002 08:56 AM PST
I’m eleven! Leave me be!
And you, too, brilliant-crazy Mister Mark Bakalor! I am sure it is just a dandy album, but I wonder if songwriter Simon will ever allow its release?
Posted by Benjamin Kritzer, Honor Roll Student, William Penn Middle School, Philadelphia, PA @ 05/26/2002 10:53 AM PST