haines his way

06/20/2002:
"RANKLED IN A LEOPARD-SKIN DICKIE"

Well, dear readers, here we are on a fine Thursday, ready to answer your excellent questions of yesterday. Yesterday was another busy day, with much running around, talking on the phone and opening some brand spanking new products that arrived. I got a Nudie Musical clock, a Nudie Musical car mug and another Nudie Musical golf shirt. Isn’t that exciting? Isn’t that just too too? I also listened to Mr. John Williams’ soundtrack to Minority Report, which I enjoyed. I’d read on the Internet that this was a quite atonal Williams score, unlike most that he’s written. As usual, these young Internet wags know not from whence they speak – this is John Williams doing what John Williams does, and it actually sounds like a second cousin to A.I. at times, which is fine by me since I think A.I. is a fine score indeed.
I also listened to the Original Cast Recording of Two Gentleman of Verona, which has been issued on CD by Decca. My first complaint is on the cover, where it says “A Decca Broadway Cast Album”. Well, excuse me for living, but Two Gentleman of Verona was most certainly not a Decca Broadway Cast Album – it was issued on Atlantic Records. Yes, Decca Broadway now owns it, but I find it just a wee bit reprehensible that they rewrite history in this fashion. Frankly, I like to rewrite history in another fashion, for example, khaki pants and a Nudie Musical golf shirt, with a leopard-skin dickie. Decca Broadway has been doing this “A Decca Broadway Cast Album” thing for quite some time – putting their name on other labels’ albums and it rankles me every time I see it. Look at me – I am totally rankled. Rankled in a leopard-skin dickie which, of course, is also the name of a fine Meltz and Ernest song, which I will share with you tomorrow. Where was I? Oh, yes, Two Gentleman of Verona, “Not a Decca Broadway Original Cast Album”. My second complaint is the contents of the album. This is simply one of the worst scores ever written for a musical. It’s truly, mind-bogglingly awful. I do remember thinking the production was fun when I saw it, but to think that this thing won Best Musical over Follies, well, it’s enough to rankle you and make you want to wear a leopard-skin dickie. And the singing on this album – it gives caterwauling a whole new meaning. At least the road company of the show had Larry Kert and Stockard Channing. The people on this “Not a Decca Broadway Original Cast Album” are beyond repair and that includes the frequently off-pitch Raul Julia. Recommended only to people who like canker sores.
What am I, Ken Mandelbaum all of a sudden? I think I may have given a wrong impression, Gosford Park-wise, since several people told me to go back and watch it from the beginning. What happened was, I put on the DVD, watched the credits and then fell asleep. I awoke forty-five minutes later – however, I didn’t start watching the movie from that point, I went back to the credits and watched. I’m still only forty minutes into the film, and I’m sure I’ll enjoy the rest of it when I watch it this evening.
Well, let us not tarry or dally further. Let us get to your excellent questions which I will answer without being rankled, although I will still wear a leopard-skin dickie whilst answering them. So, let us all click on the Unseemly Button below without further delay.

Have we all clicked on the Unseemly Button without further delay? Do you think “further delay” is feeling left out? Well, never mind, we have questions to answer and by gum and by golly we are going to answer them.
Philip Crosby asks how does a record producer or label go about getting the rights to a cast album. It varies, of course. If a show is smelling like a hit, labels usually attend readings and workshops and try to wrap up the rights early on. However, in these more cautious times, deals are made later down the line. Also, most contracts have an “out” clause which enables the label to get out of the deal if the show gets really bad reviews and looks like it’s going to tank. Sometimes the producers of the show court the label (or labels) trying to get a deal. When I began my journey in 1993, not much Broadway was being recorded and virtually almost no off-Broadway. I’d like to think I helped bring theater music back to CD – and just a few short years after I started, suddenly every label was firmly in the cast album business, and things that were easy to get suddenly weren’t. Off-Broadway albums usually happen because the producer or author courts a label, and they may even end up paying for some of it. Sometimes that even happens with a Broadway album, for example, BMG paid only a tiny portion of the recording budget for Parade, and a few other shows like it.
Ron Pulliam is attempting to beef up his Broadway on CD collection and asks for suggestions for two of his favorite composers, Mr. Jule Styne and Mr. Charles Strouse. First of all, are you sure you want to beef up the collection when you might be better off porking up the collection or even vealing up the collection? Now, I’m pretty certain you have the classics for these gentlemen – Gypsy and Bye Bye Birdie. For Styne, the Bells Are Ringing OCR is a must, as is Do Re Mi, Sugar (one of my guiltiest pleasures, despite its deficiencies), and mostly anything else. Even his flops have good things in them. As for Strouse, Rags is an absolute must, a brilliant score. Also, All American has nice things, and Applause is really fun. Annie is a terrific theater score and even Annie Warbucks has some cute things.
Donna says that it seems I’ve been an Internet column writer for some time now. What are the other websites I’ve written for? Why do I do it? To amuse myself? To meet new people? To practice writing? The only other website I’ve written an actual column for was sondheim.com, where I wrote One from Column A under the byline The Real A. I began writing that on a dare from the bitch-slapping Mr. Mark Bakalor, and the damn thing caught on so fast and became such a success, with thousands of readers each week, that it just became a blast to do. That column was a once-a-week affair, and was very lengthy. I can tell you that if it wasn’t for that column I probably would never have written my novel. Because I was doing a faux biography (Miss Meryle Secrest was writing The Real A: A Life) I was able to put down some things from my childhood that I always wanted to write about, and having those few things really helped me decide to write the book. In other words, it was like a test-run. So, why do I write BK’s Notes II? Well, I’m sure most of you know why I began doing it, but it has evolved beyond that and it’s just genuinely fun to do and I just like the idea of our little haineshisway.com family. I don’t really do it to amuse myself, or to meet new people, although I have loved getting to know our regular denizens, and I certainly don’t do it to practice writing, although I must say it does keep the brain fertile. There are times when doing it daily is a chore, but when I commit to something I commit and anyone who knows anything about me knows that.
Craig begins his usual plethora of questions with: What is my favorite animated musical? Oh, I suppose either The Little Mermaid or Beauty and the Beast. What are my favorite sequels and do I think any of them surpass the original and are there any that should never have been made? I generally don’t care for sequels (except in literature), but I suppose The Godfather II leaps out as the best ever done. I liked the Star Trek movie that took place in San Francisco better than the original. I think The Empire Strikes Back is excellent and right up there with Star Wars. Ones that should never have been made? Grease 2, The Two Jakes (the sequel to Chinatown), the Poltergeist sequels (all horrid) and many others I can’t think of right now. On rare occasions there have been musical theater sequels (Annie Warbucks) – what is my opinion on trying to do a stage sequel? I think it’s a lesson in futility. When in Vegas, do I visit the Mandalay Bay. No, I have never been to the Mandalay Bay, although I’ve driven past it. Do I like the circus? I’ve only been once, when I was invited by my pal Eric Michael Gillette, who was, at the time, the singing Ringmaster. Unfortunately for me, Mr. Gillette had the clown bring me up for the audience participation routine. But I certainly enjoyed seeing the acts and I thought it was fun. Did I ever get one of those flip-up lights that swung around? I have no idea what such a thing is so I suppose the answer would be no. Where do I work best? Anywhere, really, but right now I write on my kitchen table. Well, not actually on the table itself, that would be unseemly. But that’s where my brand spanking new handy-dandy laptop computer resides. But I’ve also written in hotel rooms, planes and many other places. Do I have any particular rituals when it comes to writing or a particular way I celebrate the completion of a project? Other than an endless supply of Diet Coke, no, although I do like silence when I write. I can’t even remember how I celebrated when I finished Benjamin Kritzer. I do know that when I got to a certain plot point I began to blubber like an idiot and that continued for days. I think because I’d really written most of the last chapter quite early on, that I just felt a great release when I was approaching it. I just felt an amazing sense that I’d really accomplished something. I put it away for a week and then read it and by gum and by golly if I wasn’t pretty pleased with the result. Were there any of my producing projects that took longer than I’d anticipated or any that were faster? I remember that Christiane Noll’s A Broadway Love Story took eight months, which was very unusual, but it was a very hard album to get just right. I also remember Brent Barrett’s first album taking a bit longer than usual because I didn’t feel the arrangements they were sending me were good enough. And Liz Callaway’s albums always take a bit longer than others. The cast albums usually happen very very quickly – I think from the time I made the deal on The King and I to the time I recorded it to the time it was released was exactly one month. What cell phone service do I use? Verizon, which seems fine. Is there a joke that I tell that always gets a laugh or always makes me laugh when telling it. You will find the answer in Benjamin Kritzer. Finally, what CD is in my car right now? John Williams’ Minority Report.
Sandra the Plaid asks if Guy Haines is Jewish. It is hard to know what Guy Haines is, in every way. Certainly there are times he acts Jewish, but then there are times when he acts Protestant and I’ve even seen him act Presbyterian. But he has been known to say “Oy” when trying to get out of bed in the morning.
Kerry has a few questions: On the recordings of Guy Haines that feature whistling, does Mr. Haines do his own whistling? All right, I will finally admit the truth: Guy Haines couldn’t whistle if his life depended on it – I am the whistler on any album that I’ve produced that features whistling and that includes the cast album of The King and I, where I whistled for Donna Murphy in I Whistle a Happy Tune (Miss Murphy doesn’t know from whistling and she was “dubbed” in the show by a chorus member). Kerry has an autographed copy of Haines His Way and asks if Mr. Haines personally autographed it? Yes, because I sat there and made certain that he did. Kerry asks if he can take my very own self to Musso and Frank or Dan Tana’s next time he’s in town. Absolutely – I would love to see any Hainsie/Kimlet if they’re visiting. When I arrange a song do I “hear” the orchestration in my head and do I give that input to the orchestrator? I don’t really like to give too much to the orchestrator because I’m usually more interested to see what they’ll bring to the table. However, I do occasionally hear specific instruments for certain things and I certainly pass that along if I feel strongly about it. And sometimes I know that I want something to be just strings and piano, or just rhythm and a horn, or the entire band but no reeds, etc. etc. etc. (that is three etcs). And my orchestrators all know that I am very fond of xylophone and bells, so they always make sure I get my fill. When I want to use someone for a recording and I haven’t met them do I just call them up? Sure, I am pretty reckless that way. I have no shame, actually and will call anyone. That’s what I did at the very beginning, when I didn’t really know anyone. I just started seeing shows and I’d go backstage and talk to singers I liked. What is the usual response when I call people I don’t know? Well, I’ve never had anyone turn me down – and most think it would be fun to join our merry troupe of singers. Finally, Kerry would like to know which Joanie Sommers album I produced. It was a Jerome Kern album for my label Bay Cities. I think it was called A Fine Romance.
Arnold M. Brockman assumes I saw Maze the movie with Rob Morrow and Laura Linney – what did I think of it? I, in fact, did not see Maze the movie with Rob Morrow, Laura Linney or anyone else, so I cannot speak of it. Do I like Mr. Johann Sebastian Bach? Why, yes I do, especially Sleeper’s Awake or whatever the hell it’s called. Do I have many relatives? I have a few left but not as many as I used to. Am I an only child and if not what are my siblings up to. I have a brother who is three years older than I – he lives in Hawaii and directs corporate videos every now and then. What does my daughter do? Well, she currently resides with her brand spanking new husband in Iowa, and she works with computers for some company or other.
JMK has a video question about aspect ratios and open matte transfers. Can I explain what an open matte transfer is and why, if a DVD is pan and scan that means you can see the boom mics, etc. The usual aspect ratio for theaters in the United States is 1:85:1. The standard 4:3 television set is somewhere around 1:33:1. So, there are two ways to deal with transferring a film “flat” so that it fills the entire TV screen (talking about standard TVs here, not widescreen): One, you can pan and scan the 1:85:1 image, usually blowing the film up a bit and cutting off the sides – or, if the film was not shot with a hard 1:85:1 matte in the camera, you can just transfer the entire 1:37:1 frame, in other words removing the 1:85:1 matte that theaters would have used. That, not pan and scan, is where you have the problem of exposed mics and tops of sets. For example, all previous video releases of Nudie Musical were open matte, and because of that you could see over the tops of certain sets, there was too much headroom in shots, and in one of the film’ most memorable scenes one of the funniest gags in the picture was ruined because the bottom of the frame was exposed. Scope pictures are something wholly other, and that’s where pan and scan (filling the flat TV) really is infuriating, because you’re losing 43% of the filmed image. I hope this makes sense – if not, ask some more questions and I’ll try to be clearer.
Michael Shayne asks if I think West Side Story and A Chorus Line could be successfully revived on Broadway with completely new choreography? That is a toughie, but of the two I’d say West Side Story would have the better chance. Do I have a favorite “private” recording and why is it my favorite? Well, I have the little demo thing they did for Smile, which is fun to have – and I have a couple of different demos for Time and Again, whose score I’m very fond of. For those who preordered Nudie DVDs would it be possible to have the other cast members who are attending the signing at Laserblazer also sign the DVD? Well, sure, if you don’t mind waiting a little longer to get it. If they arrive Friday or Saturday, my plan was to ship on Monday. But if anyone would like to do as Mr. Shayne suggests, just e-mail me and I’ll hold those copies until the signing. Michael Shayne occasionally finds it hard to enjoy shows that his friends do (that his friends are involved in) – he tends to be overly critical because he is a show business person. Does this happen to me and if so how do I correct it? I try to go to everything simply to enjoy. If I know the people involved and if they’re interested in my opinion I give it to them, warts and all, although always always in a positive way. I hate negativity of any sort.
Td asks if either Guy or I watch Buffy? I can’t speak for Guy, but I have never seen the show. However, as you all know, I am buffy and toned with abs and bunsy of steel. Do I have a favorite vampire on film? Well, two: the luscious Barbara Steele in Mr. Mario Bava’s masterpiece, Black Sunday, and the unbelievable, amazing Yutte Stensgard in Lust for a Vampire. Strange Love indeed. Have I read any of Anne Rice’s Vampire Chronicles? Nope.
S. Woody White asks what films or stage musicals do I feel have absolutely romantic scores? Well, for film, I’m very partial to Vertigo, if one considers that romantic, and also The Accidental Tourist and Somewhere in Time (very very romantic), as well as Mr. Michel Legrand’s stunningly beautiful music for The Umbrellas of Cherbourg – and many others, obviously. Romantic scores for the stage are a harder call, but I think A Little Night Music falls into that category, and so does The Most Happy Fella.
Freedunit, who is trying to outdo Craig, question-wise, asks the following: Where did I obtain the M&M caramel candies? Hmmm. It’s been quite a while, but I think someone gave them to me – I can’t really remember though. I don’t think they’ve been widely available. If I had the opportunity to appear on Big Brother or Survivor would I and if so why? No. No. No. Not of interest, can’t watch either show, hate reality television with a passion. Have I ever worked with Pamela Blair or Patti Lupone? Not with Pamela, but indirectly with Patti when we (Varese) picked up her last album for distribution. I didn’t really have anything to do with it, other than giving them some feedback about the mastering job (which they redid, thankfully). Can I suggest a good project for Patti and Bobby Lupone? How about Dreamgirls? Am I going to the Sondheim Celebration. Nope. If I were going, would I also go see The Little Foxes with Elizabeth Ashley, Keir Dullea and Jonathan Hadary? No, that sounds like sheer unmitigated torture to me. Much like the last time I saw The Little Foxes, with Miss Elizabeth Taylor. What living musical theater star of old remains capable of recreating and performing a signature role? Well, I’m sure Stritch has some Joanne left in her. Certainly Joel Grey could still do the Emcee (or maybe not). I think Channing has played her last Dolly, so who’s left? Not many, I’m afraid. Bernadette could still play the Witch or Dot and Mandy could still do Georges, but they’re newer, aren’t they? Freedunit has friends in Chicago who say there is nothing of interest to do in LA. No golf, no interesting museums, etc. Well, they are mistaken – there is plenty to do here – some interesting theater, some historic movie palaces, the original Disneyland, plenty of golf, nice museums, plenty of unique and interesting shopping and plenty of excellent dining. If an actor is asked to audition earlier than expected is it ever acceptable and the right thing to do for a performer to say that he/she is not ready? If the performer really feels they need the extra time, sure, by all means say it. If it comes down to audition now or forget it – audition, or if you really feel strongly that you’ll make a fool out of yourself, leave. If there were a Broadway musical role that I liked and thought I could do would I audition? I would love to appear in the right role in a Broadway musical – I’ve said that loud and I’ve said it often – but auditioning at this stage, after having been out of it for so long, would probably be too terrifying for me. However, I never say never, and I did take part in a workshop/reading of a Wright and Forrest musical called Betting on Bertie some years ago. So, who knows? Freedunit asks what I think of the role of Herbie (presumably for me) in Gypsy – I’d play Herbie – I like that character a lot, and I don’t think they cast it well in the revivals. So, if someone wants to suggest me to Bernadette, please feel free. Spielberg recently said he’d like to direct a musical. What are my thoughts on the near musicalization of 1941 and Hook? Neither one of them work the way they are, really, so maybe songs would have helped. What motion picture musical should Spielberg direct? I can’t really think of anything he’d be suited for, really. Maybe 110 In the Shade, as he seems to have a real feel for Americana. Lincoln Center’s Avery Fisher Hall – renovate or rebuild? I would rebuild and renovate were it up to me. What celebrity rendered me most star-struck upon meeting? I don’t usually go there, but I’d say I was awestruck meeting my close personal friend, Mr. Stephen Sondheim, and I was pretty star struck meeting Miss Lauren Bacall.
William F. Orr has a couple of questions about Debbie Gravitte’s MGM Album. Whose idea was the dog bark at the end of Treat Me Rough and whose dog was it? It was my idea, and it was the pianist, Michael Orland’s dog, Tina. Whose concept was the Theme from 2001? I’m afraid it was mine. In fact, Debbie and her musical director kept thinking I was joking, but finally realized that I was dead serious. I hummed them what I was thinking of. Finally, we ended up doing the track with Steve Orich, who created the whole thing in his home studio. We recorded the vocal in bits and pieces, sans accompaniment, which was hilarious to hear. Then Steve put the whole thing in his computer and manipulated it, and rather brilliantly left in Debbie’s comments. The only thing I changed was the placement of some of the comments. It’s a great track and Debbie now takes full credit for it.
Laura asks how my parents reacted to my acting career. Were they pleased? Proud? Horrified? Did they live to see any of my success? My parents did allow me to go to acting school and take dance lessons, so I guess they weren’t too horrified, although I think they really would have preferred if I’d been a lawyer (like all Jewish parents). Ultimately they were happy because I started working in television and they liked telling their friends that I appeared on television. My mother died in 1973, so she really only saw the first three years of my career. My father died in 1978, so he was around for Nudie Musical, which he was very proud of.
Lolita asks what I think of opera in general, especially in English. I do like several American and English operas, including Mr. Robert Ward’s The Crucible, Mr. Previn’s A Streetcar Named Desire, Mr. Jack Beeson’s Hello, Out There, Mr. Gershwin’s Porgy and Bess, Mr. Blitzstein’s Regina, Mr. Douglas Moore’s The Ballad of Baby Doe, Mr. Herrmann’s Wuthering Heights, Mr. Copland’s stunning The Tender Land, Mr. Howard Hanson’s Merry Mount, and Mr. William Walton’s Troilus and Cressida. There are others but my brain is not functioning right now. Of the standard repertoire I like most of Puccini.

Well, my goodness gracious I do blather on, don’t I. I hope that none of my answers rankled any of you causing you to put on a leopard-skin dickie. I really must get these here notes posted and be on my merry way to do the things I do. I hope you found something interesting in my answers to your excellent questions. Today’s topic of discussion: If you could play any role in the musical theater, what would that role be and why? Post away, my pretties, and post plentifully so that we will be the most popular site on all the Internet.

Replies: 74 Unseemly Comments

Me on stage. Good Grief! One of Sweeney's victims would be OK. I would certainly look terrified and I would not be able to speak.
I certainly would be avoiding any singing role.
I am great audience. (Can that be singular?)
Posted by Tom from OZ @ 06/20/2002 02:45 AM PST

I'd love to sing the Russian in "Chess" - but only in a production that stayed close to the original London script. I'm too English to play Freddie (*not* good at accents), though on a good day I can hit all the notes in 'Pity the Child'.
Other than that - the Baker in 'Into the Woods' would be fun, and the Witch would be even more fun. I'd love a shot at the Brooks Ashmanskas role in 'Songs for a New World', and at Harry Witherspoon in 'Lucky Stiff'. Henrik in 'A Little Night Music' would also be fun, though at pushing 30 I'm getting to be on the old side for it. And I'd love to sing pretty much anything in 'Candide'.
And by the time I'm old enough to play Dmitri Weismann in 'Follies', I might have got the whole accent thing down!
Posted by Stephen Farrow @ 06/20/2002 03:32 AM PST

Last week BK talked about his balls. This week BK talked about his dickie.
What will he talk about next week?
Posted by Justin Case @ 06/20/2002 03:35 AM PST

I'm too old for it now but 20 years ago I wanted to play Bernard in Stages. (Am I boring people about this musical?) I was in theater school and was able to relate to the character.
I always wanted to play supporting roles because I think they usuallyhad their moments to shine and people tended to remember the moments than the whole.
Sancho Panza in Man of La Mancha
Luther Billis in South Pacific
The Starkeeper/Doctor in Carousel
Alfred Dolittle in My Fair Lady
Morderd (too old now) in Camelot
These are just off the top of my head.
I also posed a question to BK that was not answered. So I will put it put to dear readers out there.
Do you think West Side Story can be updated to West BANK Story. Where it will be the Jews vs the Arabs?
Posted by Michael Shayne @ 06/20/2002 03:47 AM PST

I wish to appologize, for having created some confusion. Td probaly remembered my referring to Buffy the Vampire Slayer, when asking our glorious BK about boxed sets of television shows on DVD. No, Td, our adoration of Buffy and her Scoobys is something we share with each other, but singularly, not too closely. I in no way wished to infer that our glorious BK himself was a Buffy fan. Nor would I wish to infer that Meltz and Ernest are either singularly or as a twosome Buffy fans. (If they were, they would surely have written something better than:
Buffy the Vampire Slayer
Slayed those little vamps with glee.
And if you ever saw her
You would surely say "Tee-hee!"
As you can tell, I have good reason to leave the songwriting to that illustrious duo.)
Posted by S. Woody White @ 06/20/2002 04:52 AM PST

I'm sorry, I didn't really mean to not answer Michael Shayne's question about West Bank Story. Somehow, I don't think it would work very well. The choreography alone would end up too hora-ble for words.
I'll leave now.
Posted by S. Woody White @ 06/20/2002 04:55 AM PST

Oh, my dear, dear Bruce Kimmel San, I am so happy that all my chi helped you out the other day. I absolutely adore Cybill Shepherd San, especially the scene where she pretended not to be a virgin in The Last Picture Show. All she needs now to mark the glorious pinnacle of her glorious career as a legendary megastar of the silver screen is one more Bruce.
And as to your meeting with a Big Broadway Producer, I and all your other little Hainsles and Kimmelettes are waiting and bating our breath to learn more. I am sure all will be revealed to us in stages. (That was a little musical theatre joke.)
Best, best, best,
Your Sushi
Posted by Sushi Tomoto from Kyoto @ 06/20/2002 05:17 AM PST

And whom would I play in a musical? Mama Rose. I often putter around my rather large house in a very exclusive area of Kyoto singing, "Why did I do it? What did it get me?"
But of course, I am much to young for the part now. Perhaps when I reach a certain age.
Your Sushi
Posted by Sushi Tomoto from Kyoto @ 06/20/2002 05:20 AM PST

I have two choices, one a classic from the 50s and the other more recent.
I always wanted to play Harold Hill in Music Man. From the time I first heard the show as a teenager I loved it, playing it enough times to have memorized Trouble at an early age. Even though it's a "character" leading role, I still think I would most likely never be cast in the part because as they say, I'm vertically challenged (short in Internet lingo :-) though I would never say I'm 5' 5" on my resume when I'm really 5' 3", what's a couple of inches here and there. But I digress. I would love the chance to take the stage in that show and feel like "I was "6' 8" (Hmm, there's another role I would love to do though I'm too old for Chuck Baxter now).
I also want to play Stein in City of Angels if only to sing my favorite number in the show You're Nothing Without Me, though the chances of a short, blond, Episcopal boy from the Midwest (transplanted to New York though) being cast as a 40s noir mystery writer in Hollywood stretches credulity also.
Mr. BK, glad to hear you like Rags and Sugar. As you said, Sugar is a guilty pleasure. I neve saw the show (I wonder how much the current tour w/Tony Curtis has been altered) but I do enjoy some things in the score. I always felt myself to be a Robert Morse understudy. I did How to Succeed in high school. I could have done So Long 174th St and Take Me Along. I was taken with him in the late 60s musical comedy television experiment, That's Life (anyone else remember that one). I have both the Broadway cast and the London re-working of Sugar (Some Like it Hot) and I much prefer the original. I'm still trying to get a copy of Rags for my collection. I'm having trouble finding even a used copy.
Posted by Ben @ 06/20/2002 06:13 AM PST

BK, thank you for the answers. Much appreciated as always. I will suggest you to Sam Mendes and Bernadette Peters, because I do think you are very well-suited to Herbie, and I think Bernadette would like playing opposite you.
What musical theatre role would I want to play and why? If I could not create my own Sondheim, Kander & Ebb, or Jason Robert Brown role, I would want to play Rose, because of the score. Also, I would want to play Tevye, because of score and the story. I cannot believe I went there, but I did, and it is the truth: Rose and Tevye.
Lastly, for now, it is 07:04 AM PST, so it must be time to bitch-slap Craig… LOL. Hold still!
Posted by freedunit @ 06/20/2002 07:04 AM PST

BK-I asked the question about the movie MAZE because it is about an artist with Tourette Synndrome who falls in love with his best friend's pregnant girlfriend. I picked up a copy on DVD but have not viewed it yet.
Posted by Arnold M. Brockman @ 06/20/2002 07:32 AM PST

In my long-ago acting days, I always played secondary characters -- some of the ones I would still love to play are the Narrator in "Into the Woods," and Col. Pickering in "My Fair Lady." The only leading role I have ever coveted was John Adams in "1776."
Now I must take you to task for hating "Two Gentlemen of Verona." I don't have the CD yet, I have played my LPs to death in absolute delight. While it is certainly no "Follies" it is, in my opinion, an absolute joy. Please listen again.
Posted by Philip Crosby @ 06/20/2002 07:59 AM PST

Please forgive me for pointing out one error: Two Gentlemen was actually an ABC Records release (one of only a handful of OCRs they did), not Atlantic. How ABC/Paramount got into the hands of Decca (which I believe was linked to Universal) I don't know. I pretty much abhor this album, too, though "Eglemore" is OK. What I will never forget is my first version was an 8-track (yes, I am dating myself) which I found for, I believe 29 cents at K-Mart within about three hours of its release. Nothing like that long fade out, click-click-click, then long fade in, you got with 8-tracks!
Posted by JMK @ 06/20/2002 08:26 AM PST

I have always found it easier and faster to take a task to someone than someone to a task. Tasks are more easily transported than people.
Posted by freedunit @ 06/20/2002 08:52 AM PST

Favorite roles I haven't sung (yet)??? Let's see.....
Billy in Carousel. Have sung "Soliloquy" in concert - don't know if I could sing it 2-3 weeks running. Classic story about how Sinatra sang it over several sessions to get it right.
Harold Hill in Music Man. Again, have had the pleasure of singing "Ya Got Trouble" in concert. Not as easy as it seems.....
Jesus in Superstar. Another concert classic (did Gethsemane years ago). Like Soliloquy, covers a wide range both musically and emotionally. A real wringer for a singer.
Joanne in Company. "Ladies Who Lunch" is a classic. Maybe a gender bender version of the show is in the future???
Ed Kleban in "Class Act" - an underappreciated score. Hope this becomes available for local productions someday.
Any part in Merrily We Roll Along or Working.
Back to you, BK....
Posted by Phil @ 06/20/2002 09:18 AM PST

Boy, Bruce - do I ever agree with you on "Two Gentlemen" - yuck! I had the misfortune to actually BE in this stupid show -I played a chorus member/hooker in the L.A. City College version ever so long ago....Parts I'd like to play: In an alternate universe, I'd like to play Eliza Doolittle or Lizzie in "110 in the Shade...sigh...But in this, the real world, I'm going for Mrs. Lovett, The Baker's Wife, or Leona in "Do I Hear a Waltz"......
Posted by Anita @ 06/20/2002 09:36 AM PST

Of course it was ABC/Paramount - I was doing the notes late into the evening and my mind just went. The point, of course, is the same - Two Gentlemen of Verona is hardly a "Decca Broadway Cast Album" just as Henry, Sweet Henry was hardly a "Varese Sarabande Cast Album".
Of course, I would love to play Harold Hill, if they didn't mind a 54 year old Jew in the role. I always wanted to play C.C. Baxter, too, but I suppose it'll be one of the horny old men now. Blechhh.
Posted by bk @ 06/20/2002 09:41 AM PST

Despite the fact that I can't sing--or maybe because of it--I have always coveted the part of Higgins in My Fair Lady. I memorized the entire part and begged my drama teacher to produce it when I was in high school. But back in 1962 no high school would be ballsy enough. Not so today. Oy! Think of the accents!
Posted by William F. Orr @ 06/20/2002 09:42 AM PST

Well, it seems we have a love it/hate it thing going on w/Two Gentlemen. I have to land firmly in the hate it camp! Oh, my God, I can't abide it. People that I know and care for really enjoy it (even people that I don't know, except from this blog, like Mr. Donald Feltham who had it on the Radio Show last week and Philip Crosby a little farther up the screen) but it makes me run screaming from the room. I tried listening with an open mind but very soon into it I knew "Gentlemen" would be something I would never listen to again.
Posted by Ben @ 06/20/2002 10:09 AM PST

BK, I think you could play C.C. Baxter or Harold Hill right now. With regard to stage roles, I believe it is possible to cast within a much broader age range than in other media. For an extreme example, I very much would like to see Elaine Stritch as Martha in Who’s Afraid of Virginia Woolf?.
I am very confident that the Edward Kleban biomusical A Class Act will be released for stock and amateur production. I do not underappreciate A Class Act. I went to the Broadway production braced for the worst, and much to my very pleasant surprise I found it entertaining, funny, and touching. I had a very similar experience with Jason Robert Brown’s Off-Broadway The Last Five Years. It is a shame that neither show ran longer than it did, because each is a high quality show that audiences enjoyed and that larger ones would.
Imagine playing Billy in Carousel eight shows a week for a year. I am still trying to comprehend the concept of Frank Sinatra singing “Soliloquy” and getting it right…
Posted by freedunit @ 06/20/2002 10:51 AM PST

I have always wanted to be the Dentist from Little Shop of Horrors. So dark and campy. I used to sing that dentist song for auditions in school. I think I scared them...
Posted by Mattso @ 06/20/2002 11:29 AM PST

Has anyone yet heard the new "concept album" by Jerry Herman called "Miss Spectacular"?
Reactions????
Posted by Ron Pulliam @ 06/20/2002 11:47 AM PST

ROLES I'D LIKE TO PLAY:
Eliza in "My Fair Lady"
Leona in "Do I Hear a Waltz?"
Mrs. Lovett in "Sweeney Todd"
Rose in "Gypsy"
Charlotte in "A Little Night Music"
Lucille in "No, No Nanette"
(The Star) in "Dames at Sea"
Aldonza in "Man of La Mancha"
(Fiorello's secretary) in "Fiorello"
Marian in "The Music Man"
Anita in "West Side Story"
Anna in "The King and I"
Nellie in "South Pacific"
Adelaide in "Guys and Dolls"
Of course, there's no chance I'll ever be cast in these parts but I CAN assume the characters and sing their songs in my own cabaret act. That's the beauty of the art form. Age and/or who you know are irrelevant.
MESSAGE TO FREEDUNIT: Adding to Mr. BK's comments about interesting things to do in L.A. - Things are not in close proximity like they are in New York City or (I think) Chicago. To get the lay of the land in L.A., one must be prepared to travel. For instance, we have a wonderful variety of museums--Norton Simon Museum of Art in Pasadena, The Getty Center in Brentwood, the Petersen Car Museum, the L.A. County Museum of Art, the Southwest Museum (with its Native American arts and crafts), plus the frequent exhibitions at the Academy of Motion Picture Arts & Sciences, to name just a few. OR why not take in a cabaret show! If your friends ever venture out here again, ask all we Angelenos for some recommendations!
Posted by Donna - Cabaret West @ 06/20/2002 12:15 PM PST

Donna - Cabaret West: All those wonderful roles and no mention of Cunegonde from "Candide"?
Or Amalia from "She Loves Me"?
Posted by Ron Pulliam @ 06/20/2002 12:31 PM PST

Donna, thank you for the additional information. I will pass along your suggestions and bk’s to my friends, who have already dissed the Getty Center. In any event, if and when finally I visit Los Angeles, I will keep all suggestions in mind for myself. Thank you again.
Posted by freedunit @ 06/20/2002 12:41 PM PST

Re Two Gentlemen of Verona - Picked up the CD a couple of weeks ago, was tempted to return it except maybe it will be recalled and become a OOP collectors item. How does anyone have the chutzpah to release such dreck?
On the other hand, still listening to "Miss Spectacular". The folks at DRG put together some cast for this project (for those who haven't seen it yet - Michael Feinstein, Davis Gaines, Debbie Gravitte, Faith Prince, Steve Lawrence (no Edyie) and Karen Morrow). Why then was it not released until 2002 when it was recorded in Sept-Oct 1999 (BK - can you shed any light on this one?)
Back to roles I'd like to play someday.....
Nicely Nicely in Guys & Dolls (have played Nathan twice)
Bobby in Company (Being Alive is no Ladies Who Lunch, but what can you do?)
and anything in Chorus Line (if only I could dance!)
Posted by phil @ 06/20/2002 12:44 PM PST

One can also go cemetery-ing in LA. Lots of interesting dead celebrities live in LA.
Posted by Laura @ 06/20/2002 12:49 PM PST

I think the world is ready -- WHOOPI as Tevye!
Posted by Ron Pulliam @ 06/20/2002 01:05 PM PST

Thank you, Bruce, for all the great answers. We're all going to be so multi-faceted soon learning so much about so many different subjects.
Alright, I don't have talent (at least I don't think I do), but if I did, I'd love to play Bobby in "Company" and Ben in "Follies"-- not at all for the parts, but for the great songs each character gets to sing.
I'd love to play any part in "Chorus Line" - especially one who doesn't make the line because they ALL get to come out and perform "One."
And for the character AND the songs:
Henry Higgins, Harold Hill and any other great HH characters would be great fun also. And assuming the talent and appropriatenss for the role, I think the King in "King and I" would be a ball.
And finally, maybe Julian Marsh in "42nd Street." I don't think the way the part is written that it requires a great deal (if any) talent (although the people who have played it are very talented), and I have just enough of no talent to be able to do it.
Meanwhile, I'll just keep giving great audience!
Posted by Kerry @ 06/20/2002 02:44 PM PST

And if we're going to venture into other territories, I'd like to Louise in "Gypsy."
Posted by Kerry @ 06/20/2002 02:53 PM PST

Actually, the folks at DRG had nothing whatsoever to do with the CD - they are merely releasing it, because Mr. Herman gave it to them. The CD was produced as a glorified demo back in 1999, when the show was a go. Soon after, the producers decided not to do the show (I don't really know the reasons) and the rights to the recording reverted to Mr. Herman. The casting and production are his, along with the musical director, Don Pippin, and the orchestrator, Larry Blank.
I'll say more about this tomorrow, but I just this very minute got in the Nudie Musical DVDs. I'll be packaging them and will hopefully be sending the bulk of them out first thing in the morning. It is a bit time-consuming, because I have to unwrap them, take the insert out and sign it, then put the insert back, then put the thing in the package. But I am working diligently on it, have no fear.
Posted by bk @ 06/20/2002 03:15 PM PST

I'd like to respond to a couple of things I saw posted....
to Ben: I hope you weren't implying that I'm a fan of Two Gentlemen of Verona, were you? In all honesty, I don't really care for the cast recording all that much, but I did feature it on the radio show so that listeners could hear it and make a decision as to whether to purchase. However, I do want to add that I don't condemn the show as a whole since I have never seen a production. I do know a few people who saw the original Broadway production and said it was very entertaining and they tell me that the cast recording really doesn't do justice to the show.
to phil: in regards to Miss Spectacular, DRG didn't put together the cast for this recording. From what I understand, this is the demo recording of the songs that Jerry Herman put together himself back in 1999 when the show was being prepared for Las Vegas, but, since Vegas seems to have fallen through, Mr Herman looked for a record label last year that might be interested in releasing the demo, which is when DRG picked it up for release.
Posted by Donald @ 06/20/2002 03:18 PM PST

I remember seeing Two Gentlemen whist on a London trip in the 70's. I think it was fun but immediately forgettable. I did eventually buy the recording and transfered it to Cd myself recently. I suspect because it was not available. I don't think I am ever likely to play it much. ALL my copies of FOLLIES are played fairly regularly.
Posted by Tom Guest @ 06/20/2002 03:41 PM PST

Donald: Thanks for the clarification. I apologize for any implied feelings one way or the other regarding 2 Gents. I probably shouldn't have mentioned that particular event. No hard feelings :-)
I stand ready to be bitch-slapped by our own Freedunit (since he seems to be the bitch slap designate). I will take it like a man, although I have to admit it's my first time for the and I'm curious as to whether I'll like it. What happens if I do, like it, I mean???
Posted by Ben @ 06/20/2002 04:00 PM PST

well, since the radio show links are still missing, here they are again.....I hope that anyone who enjoyed the selections from Stan & Kirsten's CD will follow the links for more information or to actually purchase the CD (we like to support the artists who come visit the Broadway Radio Show)
Stan & Kirsten's Website
http://www.stanandkirsten.com/
LML Music
http://www.lmlmusic.com/
Amazon Link to Purchase "A Quiet Thing"
http://www.amazon.com/exec/obidos/ASIN/B00005U8HK/
Posted by Donald @ 06/20/2002 04:01 PM PST

TO RON: I know the two roles you mentioned are very well regarded but I'll leave them to the incomparable Barbara Cook. I'm even stretching it bit with Marian in The Music Man, since I'm really a mezzo-soprano. But one can dream, can't one.
TO FREEDUNIT: I can't believe your friends dissed The Getty Center! "Don't they have no kultur!" I was there with a girlfriend over the Memorial holiday and it was wonderful. From the ride up the hill in the tram to the galleries with their natural light to the elegant luncheon and the beautiful grounds and gardens (in spectacular bloom for spring)! The only thing that put me off a trifle was all the pale beige travertine used on the buildings. But it was a trifle, mind you, a trifle.
Posted by Donna @ 06/20/2002 04:02 PM PST

Ben, of course no hard feelings....but do it again and I will track you down and bitch slap you in person :-)
oh, and the new Broadway Radio Show set for this Sunday is Bruce Kimmel himself chatting about his novel and the release of First Nudie Musical on DVD and we'll be playing selections from the First Nudie Musical CD -- what a treat!
Posted by Donald @ 06/20/2002 04:05 PM PST

Tomorrow, Friday the 21, is National "Take Your Dog To Work Day."
So, everyone pack an extra lunchbox for your dog; give them their little briefcases, and take them with you.
Posted by Whose best friend @ 06/20/2002 04:53 PM PST

Roles I would Like to Play:
Marvin in FALSETTOS (there's a possibility that I MAY be...), I was once cast in this role, by the director & musical director, but wasn't officially a "student," (but affilliated with the university, nonetheless)...and once I was cast as Whizzer at a point when I taking a sabbatical from onstage performances. Love the show, love the score, and identify more easily with Marvin than with Whizzer.
Arthur in CAMELOT, those monologues! that romance! that FINALE!!!! Give me five more years, and I'll be ready.
Julian Marsh in 42ND STREET.
Rhett Butler in GONE WITH THE WIND.
Nick Arnstein in FUNNY GIRL.
Either of the Men in CLOSER THAN EVER.
The Pirate King in PIRATES OF PENZANCE.
Psuedolus in FORUM (I've already done Hysterium).
In My Dreams:
Max de Winter in a four person chamber musical of REBECCA.
Norman Bates in a opera version of PSYCHO.
The Captain in a stage adaptation of Genet's QUERELLE.
and, in a shameless self-generated shot of ambition:
Nick Seresin in THE END OF THE WORLD ON NEW YEAR'S EVE, my very own semi-autobiographichal play.
Posted by td @ 06/20/2002 08:03 PM PST

Mattso take note:
On the radio on the way home from work today I heard that Lord Andrew Lloyd Weber is financing his new musical to the tune of $6,000,000. It is called Bombay Nights and is "set in the world of Bollywood". Comments?
And while we're on the subject, could you give the unenlightened among us a brief primer on Bollywood musicals? Time frame. Type of story. Type of music. Just the basics.
Posted by William F. Orr @ 06/20/2002 08:29 PM PST

What the heck is wrong with me? How could I not post all day? What have I been doing. Why am I asking you all?
BK- thank you ever so much for your replies to my (and everyone else's) questions.... they are a joy to read and only bring us closer.
Roles I would love to play:
-Stine or Stone in City of Angels
-Li'l Abner (but I would need Bruce's abs/buns of steel first)
-Sweeney Todd
-Jean-Michel in La Cage (if only to sing With Ann on my arm)
-Barnum
-Danny in BABY
to name a few...
Posted by Craig @ 06/20/2002 08:33 PM PST

Anal rant follows:
Today was a great day, musically, as I received a shipment of CDs from the Wherehouse, all purchased as “used copies” at Amazon.com when I was recently trying to catch up on a number of things frequently mentioned among these here Unseemly Comments. I always opt for the “used copy” best described as “near mint” because it’s important that the CD play perfectly.
What I did not expect to find among the seven CDs (four Lost in Boston CDs and three Sondheim CDs) was that virtually every jewel case was filthy, covered in sticky gunk, still bearing the bulk of the stickers put on the jewel case to prevent the case from opening, etc.
I was much relieved to discover, upon close inspection, that the CDs and inserts were very much “near mint” – but GOOD GOLLY PETE!
I am not without flaws, believe me. It would take me a week to prepare my refrigerator for a visit from my mother. I’m less worried about stuff that doesn’t smell.
But I cannot imagine folks with extensive CD collections allowing them to stick together, to pick up dirt and hairs and dead skin on that sticky goo they apparently leave on their CD cases. I think that whoever owned these CDs before I got them must have a love for the same type of music I do…but are CDs not worth cleaning up a bit?
I use a product called “Goo Gone” – it removes EVERYthing that anyone will stick to a CD case. It will remove an entire label with a minimal amount of soaking time. It will remove all the sticky sticker residue. It will leave the jewel case sparkling and immaculate.
And best of all, I can clean a case up in about the time it takes for a 3-minute overture to play. And it never has to be cleaned again!
Anyone else have helpful hints for cleaning unwanted residue off jewel cases?
Rant over.
Posted by Ron Pulliam @ 06/20/2002 09:11 PM PST

Bruce:
'Ceptin' fer those of us who requested multiple signatures, right?
Posted by William F. Orr @ 06/20/2002 09:13 PM PST

Ron pulliam:
Where do you get Goo Gone, and who makes it?
Bill
Posted by William F. Orr @ 06/20/2002 09:18 PM PST

Ben, if I did not report this, I would be bitch-slapped: officially, Craig is the designated bitch-slapper. I asked if I could be his stand-by, but I received no response. I confess I do believe I have a native talent for bitch-slapping. What ever did you do that makes you think I would bitch-slap you, or are you merely asking to be bitch-slapped so that you could enjoy it?
Donna, I said they were my friends. I did not say they had culture! ;-)
Craig, there you are. We are behind on bitch-slapping.
Goo Gone is toxic and expensive for what it is and its intendend purpose. I would never buy it or use it. Tape, a rubber cement pickup, erasers, paper or other towel, even vegetable oil, are all non-toxic and remove self-adhesive residue.
Other roles I would want to play:
The King, and I; Fanny Brice and Nick Arnstein, Funny Girl; Mame, Mame; Dolly, Dolly!; Stine and Stone, City of Angels; Todd, Sweeney; Albin, Georges and Jean-Michel, La Cage; Willy Wonka—I know it has not yet happened, but it will…; Pseudolus, Funny Thing; Billy Bigelow, Carousel; Joey, Pal; Jamie, The Last Five Years; Max, Leo, Roger, Franz, Producers; Mark and Roger, Rent; Jonathan, tick…tick…BOOM!; Cosmo, Call Me Madam; Don Lockwood, Singin’ in the Rain; Pippin, Pippin; Roxie, Velma, Billy and Amos, Chicago; Master of Ceremonies, Clifford Bradshaw, Herr Schultz, Cabaret; Finch, How to Succeed…; Seymour, Little Shop; Frank and Charley, Merrily; Ben and Buddy, Follies; Zach, A Chorus Line; Peter and Mister Darling/Captain Hook, Peter Pan; Che, Evita; Noble Eggleston-Amos Pinchley-Val du Val-Fred Poitrine-Otto Schnitzler-Prince Cherney-Noble Junior and Belle (today), Little Me; Fred, Once Upon a Mattress; Julian Marsh, 42nd Street; Annie and Frank Butler, Annie Get Your Gun; George and George, Sunday in the Park…; Vernon Gersch, They’re Playing Our Song; Jean Valjean, Javer Les Mis; Nathan Detroit, Guys and Dolls; Tony, West Side Story; Hapgood, Anyone Can Whistle; Oliver, Dodger, Nancy, Bill Sikes, Oliver!; Fred Graham, Kate; Higgins, Pickering, Eliza, My Fair Lady; Don Quixote (Cervantes), Man of La Mancha; Oscar Jaffee, On the Twentieth Century; Dr. Mark Bruckner, On a Clear Day…; Jeff, Ella, Bells Are Ringing.
Posted by freedunit @ 06/20/2002 10:14 PM PST

freedunit:
Thanks for the tip on the French deli. My partner had to drive down to Tucson today, and he very kindly stopped by to bring me some goodies. Unfortunately, it was very warm today, and the Christopher cake sort of melded with another kind of chocolate cake. So, it was difficult to tell which was which. The resulting blob was very tasty, though, and I thank you. Atarte citron and Linzer (sp?) cookie fared the ride better.
There is a wonderful French bistro here (run by a family from Paris). The Salade Nicoise is right; their pastries are sublime.
I can also lead to good cake in Los Angeles (as could our dear Bruce).
You want to share any recipes?
Your list of desired roles certainly takes the cake today. Any chance I can get in on the bitch-slap fest with you and Craig? If nothing else, I could referee.
Posted by Kerry @ 06/20/2002 10:26 PM PST

How could I have forgotten…?
Other roles I would want to play:
Warren Smith, On a Clear Day…; Snoopy, Linus, Charlie Brown, You’re a Good Man….
Posted by freedunit @ 06/20/2002 10:26 PM PST

Kerry, I am sorry the cake melted! Arizona weather I cannot control. Too busy maintaining New York. I am glad you enjoyed the cake anyway. As for bitch-slapping, there is always plenty to go around, so you need never be left out.
Posted by freedunit @ 06/20/2002 10:29 PM PST

Another method for having a clean jewel case is just buying a new blank case. Who wants to spend any amount of time scubbing a cd case? LOL
and FREEDUNIT.. I am bitch-slapping myself (no mean feat) How could IIIIII forget wanting to play PIPPIN in PIPPIN...
I must go now and find my corner of the sky...
Posted by Craig @ 06/20/2002 10:35 PM PST

The roles I would like to play:
Sarah, Guys and Dolls
Annabelle, Lucky Stiff
Amalia, She Loves Me
Posted by Laura @ 06/20/2002 10:42 PM PST

While "Goo Gone" may not be everyone's choice, it is very effective in cleaning jewel cases and 8 fl. oz. cost under $5 and has lasted me more than four years. Very economical. It has also worked extremely well on LP covers in removing unwanted labels (not on the actual LP jacket).
I value my time, too. You certainly have to set priorities when determining how you use it. When one has 3,000 CDs, it's a bit much to have to replace the CD case for each one of those CDs. And then, what do you do with the perfectly good, but dirty discard?
I've tried some of the other suggested methods...none have worked satisfactorily for me, although someone once told me that "Afta Shave" was a good item for removing stickers from plastic.
Posted by Ron Pulliam @ 06/20/2002 10:59 PM PST

Well, the ultimate role for me
always has been, and
probably forever shall be,
Tevye. Played it in HS, and
understudied it in a production
last year, and hope to play it for
years to come!
Would also like to have a try at
Sweeney, Frederik in ALNM,
Herbie in Gypsy, El Gallo, and
dozens of tenor roles that this
bass-baritone just ain't cut out
for!
Posted by Jed @ 06/20/2002 11:15 PM PST

Ron -
Just curious. Why would you have to replace the cd case for your whole collection?
Posted by Craig @ 06/20/2002 11:52 PM PST

Bollywood:
I may have been misleading. Lloyd Weber did not write the show. The music is by AR Rahman, the creative talent behind more than 50 Bollywood soundtracks. The show opened Wednesday in London.
For the complete CNN Asia story: http://asia.cnn.com/2002/WORLD/asiapcf/south/06/20/bombay.musical/index.html
Okay, so I widened the margins, Mr. Mark Bakalor. So go on and bitch-slap me! Just try!
Posted by William F. Orr @ 06/21/2002 01:01 AM PST

Bollywood is about the movie industry in Bombay, India. The film industry actually makes more movies than Hollywood in a year.
Posted by Michael Shayne @ 06/21/2002 02:32 AM PST

BK and Donald - Many thanks for the "Miss Spectacular" info. Now its back to really listening to the CD!!
BTW - Any chance that someone recorded the Carousel benefit concert held in NY a couple of weeks ago? It was some cast, and I was curious how Hugh Jackman held up as Billy (as I'm sure Audra McDonald was wonderful). With Hugh coming to Bdwy this fall in "The Boy From Oz", I want to know what to expect. Can't tell much from his Curly in the London cast of "Oklahoma!"
Posted by phil @ 06/21/2002 05:19 AM PST

Goo Gone is toxic—poisonous—and potentially destructive to CD’s, so be sure to continue using it when all sorts of readily available household items work as well or better, especially self-adhesive tape, which literally will grab the residue and yank it right off instantly if you do it right.
Craig, don’t you dare bitch-slap yourself! That is my job! Hold still.
Mercifully, and to the benefit of the careers of its performers, no one legally recorded the Carousel fund-raiser for Carnegie Hall on Thursday 6 June 2002. It had some cast, although I am still trying to figure out which. I believe it was the mis-cast that was employed. Hugh Jackman held up not at all as Billy, although perhaps he held up someone to get the part. The Royal National Theatre recording of Oklahoma! offered no indication that Jackman would be as inappropriate as he was for Billy. Laughter is not the response Oscar Hammerstein had in mind for Bigelow’s death. Jackman appeared extremely uncomfortable and frequently smug onstage, and his voice was surprisingly and unmistakably unpleasant. It is thin, inflexible and ugly of timbre. Jackman singing the score of Carousel was reminiscent of nothing so much as Cinderella’s stepsister trying on the glass slipper. I have enjoyed Audra McDonald’s work in the past, and I do think she can be something wonderful, but she was not as Julie. McDonald was delightful as Carrie in the Royal National Theatre-Lincoln Center Theater production of Carousel, but at Carnegie Hall it was Lauren Ward as Carrie who sounded the most like Julie. It did not help that McDonald was left to act in a vacuum; I mean, opposite Jackman. Also mercifully, Jackman is not coming to Broadway this fall in The Boy From Oz, which has been postponed at least until September 2003. With regard to the Peter Allen biomusical, with Jackman in the title role, I would expect the worst. It was a musical idea that never interested me, and if Jackman plays, Allen I may never see the show.
Posted by freedunit @ 06/21/2002 06:29 AM PST

I'm sorry...what?
Where did I ever imply that I put Goo Gone ON a CD? That's simply silly.
As for toxic...it is made of petroleum distillates and citrus products. Yes, reading comprehension is necessary for those who use it. Precautions should be taken. This is also true of using oven cleaners, bleaches and certain cleaning products designed to remove certain types of stains.
The Freedunit alternatives do not clean CD jewelcases to my satisfaction.
No one has to use it, but there are far, FAR worse things in most people's homes -- and gas tanks -- than a container of Goo Gone.
Craig: It was an example. Of course, I don't need to replace every CD case. But then, I also don't mind taking a little time to prevent throwing out a perfectly good case when the cleaning time is more ecologically friendly...especially since I'm using Freedunit's favorite toxin, Goo Gone. to clean each case (and Goo Gone works beautifully...trust me, I DO use it, so I know).
So, bitch-slaps all around! For overreactions, underreactions, ecological warnings, ecological pooh-poohings, etc, etc., and so forth.
I want to play the King in "The King and I."
Posted by Ron Pulliam @ 06/21/2002 08:24 AM PST

Oh! By the way! It has been DECADES since I did any theater. And longer than that since I had to do any facial applications (beards, etc.).
Do they still use spirit gum?
Or have they found something less irritating to the skin?
I'd love to sit in on some stage makeup classes just to revel in the changes that must have taken place since the late 1960s.
Posted by Ron Pulliam @ 06/21/2002 08:34 AM PST

Now boys, play nice.
Ward, I'm worried about the Beav.
Posted by June @ 06/21/2002 09:05 AM PST

We're playing nice, Mrs. Cleaver, Ma'am.
Honest!
Posted by Ron Pulliam @ 06/21/2002 09:44 AM PST

Hey!
Who was supposed to give BK a wake-up call?
Posted by Ron Pulliam @ 06/21/2002 09:58 AM PST

Ron Pulliam - Yes, spirit gum
is still the facial hair glue of
choice, at least in any
production I've been a part
of...which is why I choose to
provide my own facial hair!
Posted by Jed @ 06/21/2002 10:25 AM PST

The remedies I offered are capable of removing adhesive residue in its entirety—wholly, completely, and immediately, without mess and without risk of exposing a valuable compact-disc collection to harmful petroleum products or their residue. Of course, using the first method I suggested would require common sense and minimal dexterity. Adhesive tape is a very difficult tool to master, but it is the best, fastest and safest method, because it literally instantly lifts off—snap!—any errant adhesive. I would never dictate what method another should use; I merely offered options. If one does not appreciate the options another suggests, one is free to ignore them. Also, one is free to drink Goo Gone, if one desires.
Posted by freedunit @ 06/21/2002 10:29 AM PST

One appreciates your candor.
One refrains from drinking Goo Gone, however, along with other household cleansing products.
One is convinced you are sincere in your recommendations, as well.
Posted by Ron Pulliam @ 06/21/2002 10:44 AM PST

My candor never ebbs.
[Sushi san, that is a little musical-theatre joke.]
Posted by freedunit @ 06/21/2002 10:45 AM PST

freedunit - I know groaning is
not allowed at this here site,
but I simply couldn't hold back
after that one!
Posted by Jed @ 06/21/2002 11:01 AM PST

I say we all get another round of bitch slaps just for good measure! On me...!!
Posted by Ron Pulliam @ 06/21/2002 11:04 AM PST

Is it just me, or does anyone else suspect BK is sitting by watching the postings increase exponentially as he delays in putting up today's column????
Posted by Ron Pulliam @ 06/21/2002 11:05 AM PST

Jed, groaning is absolutely the appropriate response. I think groaning is allowed. Was it disallowed at some point? If it is not allowed, it should be, especially when one cannot hold back. Please accept my apologies if it hurt. I could not control myself.
Posted by freedunit @ 06/21/2002 12:00 PM PST

This is a message to freedunit. I was also there at Carnegie Hall the night that Hugh Jackman sang the part of Billy. He did a super job and I sincerely think you must have been preoccupied with your own smugness. He did a fantastic job singing. Of course he was nervous on stage. I'm sure you would be too. He has a tremendous voice and great acting abilities! Relax and try not to be so critical of others!!
Posted by Ease-Up @ 03/03/2003 11:08 PM PST

This is a message to freedunit. I was also there at Carnegie Hall the night that Hugh Jackman sang the part of Billy. He did a super job and I sincerely think you must have been preoccupied with your own smugness. He did a fantastic job singing. Of course he was nervous on stage. I'm sure you would be too. He has a tremendous voice and great acting abilities! Relax and try not to be so critical of others!!
Posted by Ease-Up @ 03/03/2003 11:09 PM PST

Do you know where I could find a cd of the soundtrack from Man of La Mancha with Raul Julia in it?
Posted by Lori @ 06/28/2003 01:07 PM PST

I was looking for two gentleman from verona starring clifton davis.
Posted by ernest thompson @ 09/23/2003 06:04 PM PST

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