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07/07/2002:
"IT'S MAGIC!"

Photo of Bruce Kimmel

bk's notes II

Well, dear readers, it is a glorious Sunday here in Los Angeles, California. I shall dive right into these here notes because it is already so hot that one simply must dive into something and since I don’t have a pool these here notes will have to suffice. Isn’t that nice? In fact, it’s so nice that I might dive into them twice. Unless someone has some better advice, I might even dive thrice. Since it costs nothing, it’s certainly worth the price and almost as nice as a cheese slice. Afterwords, maybe I’ll eat some rice, but that’s always a toss of the dice. Tossing the dice will rarely suffice so after that I might kill some mice and them put them on ice. You know whose name hasn’t come up lately? Heidi Fleiss. What the hell am I talking about?

Yesterday I went to my favorite Los Angeles haunt, Musso and Frank. I hadn’t been there for lunch in twenty years. It’s not so crowded for lunch on a Saturday, so we got right in. I had my beloved Shrimp and Crab Louis with lots of Louis dressing. Louis is always dressing at Musso and Frank which, I suppose, is better than Louis undressing at Musso and Frank. Then we all split some bread pudding (no mean feat), which is superb at Musso and Frank. It was all too too and if you’ve never been there, you must must go go. Then we went across the street to a Magic Shop. I was with David Wechter and his two sons, and Cissy Wechter. She was buying the boys presents and they wanted to go to said Magic Shop. I have always loved magic, and one of the employees there put on quite a show for us. He did some really astounding card tricks and we were all suitably amazed and astonished, and we “oohed” and “aahed” appreciatively. I myself purchased some X-Ray Specks, which I mentioned in Benjamin Kritzer. I also purchased a couple of other little gadgets that I had as a young sprig of a twig of a tad of a youth. Then we went to Larry Edmund’s Cinema Bookshop, where I bought a Cinema Book – a brand spanking new and huge coffee table book on cult filmmaker Mario Bava, of whom I’m very fond. Then we walked to that gigantic new complex at the corner of Highland and Hollywood. I’d not been there before and it’s all very large and ostentatious and I must say I somehow expected more. I was underwhelmed, but maybe I need to spend some more time there. Then we went home. I then picked up four count them four brand spanking new and not yet released DVDs, and watched two of them in total and two of them in part.

Before we get to that, if you’re playing the trivia contest this week, do go back and look at yesterday’s notes as I’ve made a clarification, because, it was pointed out to me, there was something in there that was misleading and I would never want to mislead or misdirect as if I were a magician. For now, let us all click on the Unseemly Button below and remember I will never ask you for your username and password.

In any case, first I watched the brand spanking new and not yet released DVD of the new version of The Time Machine. First of all, let me say here and now and also now and here that I love the original version of The Time Machine. I do love stories and novels and movies about time travel – I’m a sucker for them. So, I enjoyed this new The Time Machine – to a point. And then I began to actively not enjoy it. One of the most annoying things was Guy Pearce’s hair. That hair was just not right – greasy, ugly and unkempt – the film takes place in 1896 or something and long greasy hair was, I don’t think, not the fashion for people of his station. I normally like Mr. Pearce, but he was no Rod Taylor. The screenwriter just made everything so unnecessarily convoluted and that was the undoing of the film. Still and all, the effects were very good indeed, as was the music. Jeremy Irons is always fun, although his role here is beyond stupid. The Morlocks were not nearly as much fun as they were in the George Pal movie. I did like Orlando Jones as a hologram – although they even took that to such an illogical extreme that it was a joke. But, he has the film’s best bit when he gives a history of H.G. Wells’ The Time Machine – his first scene takes place in 2030 and he says it was published whenever it was, then became a George Pal film and then became an Andrew Lloyd Webber musical and then he starts to sing a song from said Andrew Lloyd Webber musical. I laughed out loud, and if the whole film had been that inspired it would have been great.

Then I checked out the transfers on The Eddie Duchin Story with Tyrone Power and Kim Novak, which looks excellent. It’s one of those silly bio-pics, where a forty-year-old Ty Power is playing a twenty-year-old Eddie Duchin. It’s every cliché in the book, but I like the director, George Sidney and the score by George Duning is lovely. Plus lots of nice piano music. I watched the first half-hour and will finish it tonight. Then I watched a bit of Robin and Marian, with Mr. Sean Connery and Miss Audrey Hepburn. This film was a huge flop when it came out – a shame, as it is quite quite wonderful. It’s written by Mr. James (Follies) Goldman and though it is heresy to say, I prefer his script here to his much more famous The Lion in Winter. The film is directed by Richard Lester and is loaded with his peculiar sense of humor – all you have to do is look at the opening to know it’s a Richard Lester film. The music by John Barry is spectacularly good, with a gorgeous main theme. And the cast – Sean Connery as the aging Robin Hood, a beautifully luminous Audrey Hepburn as Maid Marian, Nicol Williamson, Richard Harris and Robert Shaw. If you haven’t seen it, you simply must must.

I saved the best for last – a deliriously bad movie, perhaps one of the worst ever made, certainly the nadir in the career of its star. But, it’s so bad, so corny, so stupid, so dated, so inept that I love every minute of it. It’s called Change of Habit and stars Mr. Elvis Presley and Miss Mary Tyler Moore. Mr. Presley plays an inner-city Doctor (!), a singing doctor, of course. Miss Mary plays a Nun. That’s right, you heard it here, dear readers, Miss Mary Tyler Moore plays a Nun – but not just any Nun – an undercover Nun, who goes to the ghetto with two other undercover Nuns (Jane Elliot and Barbara McNair) to “make a difference”. The film is loaded with one unintentionally hilarious scene after another. My favorite was the little mute girl who Mary figures out is autistic (when Mary tells the girl’s mother that – the mother replies “she’s never lifted a paint brush in her life.”). Then, Mr. Presley uses “Rage Reduction” to cure her in three hours. The Rage Reduction consultant on the film was, I believe, the same Doctor who treated Mr. Brian Wilson. The other characters we meet are a stutterer, a kid who’s always got bruises, a seventeen-year-old who’s hot for Mr. Presley and jealous of his attraction to Mary (remember, these undercover Nuns aren’t in habits), two nosy neighbors played by Ruth McDevitt and Doro Merande (when a director and script can make those two women unfunny, you know you’re in trouble), and Robert Emhardt as “The Banker” – a sleazy loan shark and pimp. Assuming the three undercover Nuns are hookers, he says, “I don’t like you moving in on my territory.” Along the way, Mr. Presley sings such classics as Rubberneckin’, Let Us Pray and Change of Habit. It’s all directed in flat television style (60s television) by flat television director William Graham. Oh, I also forgot to mention that Mr. Timothy Carey plays a sleazy grocery clerk, and when Jane Elliot as Sister Barbara, stages a sit-in at his market, who do you think plays the sage policeman who comes to help? Lou Grant, that’s who – Mr. Ed Asner. He’s the best thing in the film, too, although I was taken with Miss Elliot’s performance. Elvis was still trim and handsome, although it is hard to tell who had more hairspray – Mary or him. This is a must-have DVD, do not even think about not owning it. Oh, within five notes I knew the musical score was by the wonderful Billy Goldenberg.

What am I, Ebert and Roeper all of a sudden? I want to do some magic tricks after visiting that store yesterday. I want to amaze and astonish. I told the boys that when they’ve learned their tricks and are fully rehearsed that I’ll come over and they’ll put on a magic show. I said I’d bring dinner and that the first magic trick of the evening would be making the dinner disappear. As I said, I used to do those card tricks, but it’s been so many years I don’t remember how they’re done. I just stood there scratching my head in wonderment. By the way (BTW, in Internet lingo), those magic tricks are very expensive now. Thirty bucks for the Blizzard card trick.

Well, I must take the day, I must go out amongst the people of my city and make magic. I must wear my X-Ray Specks and amaze and astonish. I must get in my automobile and make gas disappear. Today’s topic of discussion: It’s free-for-all day, and I do hope those errant and truant Hainsies/Kimlets are back among the fray today because the fray isn’t the same without them. We must have all Hainsies/Kimlets present and accounted for, although we will never ask for your username or password. Post away, my pretties, while I magically disappear. I will magically reappear this afternoon to take part in whatever discussions are ongoing at the time.

- Bruce Kimmel



Replies: 19 Unseemly Comments


Since it is a free-for-all day here at Haines His Way (yes.. we all must rhyme today), here is what I say..

Here is a game. For those that have read BK's BK. Using songs from broadway shows, let's create the Benjamin Kritzer musical.

I will start with the opening number which takes place at the movie theater as Benjamin is being asked to not roll down the stairs.

For this scene, I believe "Everyone says Don't" from Anyone Can Whistle fits very nicely..

now it's your turn to continue..

(or if you want to do the whole show.. go for it!)

Posted by Craig @ 07/07/2002 10:08 AM PST


Correction: of course the song is called "EveryBODY says don't"

Posted by Craig @ 07/07/2002 10:10 AM PST


Change of Habit Trivia:
Mary Tyler Moore was Elvis' only leading lady he did not kiss in his movies.

And oh that last scene. Elvis is singing in church. We see Mary looking at him and then at Jesus then back to Elvis and then back to Jesus and so on trying to pick between the two. (we never do find out who she chooses)

Posted by Michael Shayne @ 07/07/2002 10:17 AM PST


Okay Following Craig's lead.

I will try to be general with the following songs in order for the ones who have not read the wonderful novel yet won't be disappointed.

Opening Scene: Let’s Go To the Movies. (All of Benjamin’s favorite characters come down off the screen and join him for the big opening number)

The Psalm (Sequence where Benjamin Pretends to Be Dead)

I Wish I Was an Oscar Mayer Weiner (hotdog mobile sequence)

Fill The World With Love (Starting the Day at school)

Summertime Love (The Time he Spends with Susan during the Summer)

She Touched Me (After he first meets Susan)

Posted by Michael Shayne @ 07/07/2002 10:41 AM PST


Are we thinking of musical numbers to be performed by the characters or just songs heard on the soundtrack (a la "When Harry Met Sally" and "Sleepless in Seattle" and all the others)?

Posted by Kerry @ 07/07/2002 10:59 AM PST


Broadway musical style.. so yes.. the characters and or chorus would be singing...

Posted by Craig @ 07/07/2002 11:14 AM PST


So sorry to have been errant and truant and also truant and errant. I was out of town. It's so nice to be missed.

Since it's free for all day -- the other night the NBC station replayed a Tonight Show episode, with the guest being Tom Green. Exactly what is this man's talent?

Posted by Laura @ 07/07/2002 12:12 PM PST


Ah, the delightful Doro Merande.

I don't recall if she made any films after "The Russians Are Coming, the Russians Are Coming," but she was a total delight in that film. My favorite image of her was of her being affixed to a coat rack (by the Russians who had entered her home) while her nearly senile husband wandered the kitchen calling her name -- "Muriel....Muriel??"" -- and then he spots her and says, "Muriel! What are doing up there?"

Posted by Ron Pulliam @ 07/07/2002 12:33 PM PST


Ah, Robin and Marion! One of the true gems, underrated and underknown. I can't blame you, BK, for considering the script better than that of LIW, no I cannot and do not blame you at all. The script was published, btw (by the way), but in a rather unusual form. The dialogue was kept as such, but the stage directions and camera angles were all switched around into a more easily readable prose, so that the whole thing read like a novel. Thus, we were saved things like ""I'm going to shoot this arrow," Robin said, archly."

"I'll leave now," I said, swiftily.

Posted by S. Woody White @ 07/07/2002 12:50 PM PST


Has anyone seen "Six Days to Live" with Warner Baxter? I saw it when I lived in The Valley (San Fernando Valley to be exact). I got a tape of it from Eddie Brandts Saturday Matinee. They had taped if from TV and evidently had permission to "loan" it out for no fee. I thought the film was really good. It's about a man who is murdered and brought back to life to solve his murder. I also got on loan Warner Baxter's Crime Doctor series. Around the same time, I read an article about Mr. Baxter by Richard Schickel. In his later years, he had terrible arthritis and tried shock treatments as a cure. They didn't help. I got the impression Mr. Schickel didn't think much of Warner Baxter as a person. I checked in Warner's file at the Margaret Herrick Motion Picture Library and there was a list of his films (a total of 109) someone had compiled and donated to the Library.

P.S. For those who didn't, check out the July Calendar for Cabaret West by clicking on my name.

Posted by Donna - Cabaret West @ 07/07/2002 01:50 PM PST


What interesting topics. Ron, Change of Habit was after Russians are Coming, so Doro did Habit after it. In fact, she did Hurry Sundown and Skidoo after it - her final film was Billy Wilder's The Front Page in 1974, and she died in 1975.

Posted by bk @ 07/07/2002 02:39 PM PST


To Donald: Thanks for your show honoring Dolores Gray! What a talent. Where did you get some of those recordings? Your library must be immense! Make sure and tune in everybody.

Posted by Donna @ 07/07/2002 02:58 PM PST


Speaking of Elvis, Cybill Shepherd…

Posted by freedunit @ 07/07/2002 03:30 PM PST


I too have found memories of Robin and Marian. I saw it chiefly for Audrey Hepburn who's first movie this was in nine years of self imposed retirement. (I think the last one was Two For the Road) She was beautifully and luminous as Marian. She made it an enjoyable experience.

Posted by Michael Shayne @ 07/07/2002 03:46 PM PST


Missed posting yesterday. Our candy bars are vastly different! My favourites are called "Violet Crumble" and "Pollywaffle". I think Dame Edna prefers the first! I also liked "White Knights" when I was a kid. (Peppermint flavoured white and chewy). And this was way before I had heard of Barbara Cook and "The Music Man".

Right on BK with your comments on "The Time Machine". Australian actors in both too! Loved the touch of using Alan Young as the flower seller. Guy was not too fond of his own performance - or so the interviews say. I thought the Jeremy Irons character was just too silly. I still managed to enjoy the film but missed Yvette Mimieux. I am awaiting the arrival of Kritzer novel so I am not reading the posts relating to it. Thanks for all the warnings.
I am also waiting for the arrival of "The Shipping News". I saw it at the movies and loved the perforance of the wonderful Mr Spacey. I am now buying DVDs from Canada - the Australian $ is worth more there!

Posted by Tom from OZ @ 07/07/2002 09:30 PM PST


I watched "Shakespeare in Love" on DVD today, a film I truly enjoy watching.

There is a line Ben Affleck has right after the news is brought into the theater that Marlowe is dead...has been murdered.

Affleck's character starts off saying, "He was the first man..." and I simply cannot figure out what the rest of that sentence is.

Does anyone out there have the film who could listen and relay the complete sentence to me?

Posted by Ron Pulliam @ 07/07/2002 09:37 PM PST


To Donna: Thanks! I really enjoyed putting the Dolores Gray show together....please let me know what tracks you were wondering about and I'll let you know where to find them.

Posted by Donald @ 07/07/2002 10:07 PM PST


To Ron.

Put the English subtitles on or the close caption for the hearing impaired if the DVD comes with it and that way you will be able to figure what that great actor Ben Afleck is saying

Posted by Michael Shayne @ 07/08/2002 03:22 AM PST


Michael Shayne, that is a good idea, but not necessarily true. The subtitles and closed-captioning I have seen more often seem to be uneducated and uninformed guesses than transcription, much less the graphic exhibition of the screenplay or shooting script.

By the way (BTW), I greatly disliked Shakespeare in Love. I found it obvious, unfunny, uninteresting, and mostly poorly acted. Judi Dench and Rupert Everett were wonderful, but the least capable and least interesting actors were given the most screen time, and the screenwriter failed to make the most of the chosen milieu. Who am I—Pauline Kael all of a sudden?

Posted by freedunit @ 07/08/2002 11:01 AM PST





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