The concert had wonderful moments as well as a few sloppy under-rehearsed ones, but it was so much better than I thought it would be. Kate Baldwin acted as one of our hosts and sang a beautiful arrangement of "Indian Summer" by Jonathan Tunick. The other singers were all from the opera and concert world, which was good for the legit things but hell for the comedy numbers: "The Streets of New York" (who the hell rewrote the lyrics?) and the Frank Daniels comedy number from THE WIZARD OF THE NILE could have used Chris Fitzgerald or Jason Graae to perk them up, but my friends Korliss and John sang the hell out of the splendid "Thine Alone."
I thought the concert, which strangely billed itself as the 150th birthday when it is actually the 151st, did a good job of balancing the classsical and popular worlds: a wonderful cellist played two movements from Herbert's glorious cello concertoi No. 2, which was so good that it inspired Herbert's friend Antonin Dvorak to write an even better one, and we got a wonderful Straussian polka "Royal Sec" and an under-rehearsed edition of the sultry habanera "Cuban Serenade," which was part of the famous 1924 Paul Whiteman Aeolian Hall concert that premiered "Rhapsody In Blue." I wonder if Herbert's "Cuban Serenade" had any part in the genesis of Gershwin's Cuban Overture?