The Triumph of Love seems a million years ago, but it was a landmine of bickering and betrayals. It had two tryouts: Baltimore Center Stage (I think) and then the Yale Rep before Broadway. The composer did not want the orchestrator Margo Lion and the lyricist were pushing on him, and he wanted me. He contacted me after he felt the "orchestrator," who's quite good with rhythm charts, wasn't working out, but Ms Lion continually rejected me and put me down. She was quite ugly. Once I was out of the picture, the original orchestrator quit, and I do not remember who took over. It wasn't Bruce Coughlin.
Then, when the show went to Yale, the MD, Patrick Brady, called me to work on it, but I was committed to something else, and that was the end of my involvement. After the Yale production, three actors were dropped by Ms Lion in and replaced by F. Murray Abraham, Betty Buckley, and Kevin Chamberlin. I know two of them, and they are still bitter about it.