Good morning, all! It's very humid this morning on the Upper West Side, and my cleaning house continues. When I moved into this place in July, 1980, it seemed huge. Now when I turn around, I knock over something. Yesterday, I organized cartons of DVDs, found several duplicates (!) and found several things missing, which may be with my goddaughter. Today, it's my desk and work area.
DRTomovoz, beautiful birds. I see an occasional sparrow and tons of pigeons on my fire escape. In Ohio, the house I grew up in always had cardinals, ravens, robins, sparrows, and an occasional humming bird flitting about the yard. I wish we'd had some of your beauties.
DRGeorge, there is no unabridged PRINCESS BRIDE; the title and editorial credits are part of Goldman's humor.
DRWEL, on BYE BYE BIRDIE orchestrations, I don't believe Rob Fisher found anything in a box, but it's good publicity. His assistant Isaac is usually the one to do the initial research on materials at the various archives, and no one gets into the Tams-Witmark vaults but the employees and owners. I'm sure Mr Kugel, its brilliant librarian emeritus, and his replacements Finn and Matthew knew exactly where the original cartons of orchestra parts were stored, dragged the cartons into a public space and let Rob or Isaac examine the materials.
When Jack Everly conducted the last Channing revival of HELLO DOLLY!, he told me the original parts on file at Tams-Witmark were used for the Broadway run. The touring reduction had been used on the road.
On a publicity digression, when Ian Marshall Fisher staged the Cole Porter-Moss Hart JUBILEE in London, 1999, which BBC-Radio 3 broadcast, the program notes and broadcast notes claimed that the original parts for JUBILEE turned up in the famous Warner Brothers Secaucus warehous, and they were being used in this performance. Well, it's good publicity. but this was a total lie; JUBILEE was created from scratch in 1985 by Tommy Krasker and me for the New Amsterdam Theatre Company; everything played by the BBC Concert Orchestra in those performances was arranged and scored by yours truly, and Ian Marshall Fisher knew it. The only bit missing from Dick Vosburgh's misinformation was the fact that 100 copyists went blind copying my notes.