TV GUIDE
When we first got cable we got Cablevision's TOTAL magazine with excellent listings. By a fluke of billing, I managed to get a free subscription for several years, and when I tried to straighten out some lost issues, I ended up with two free subscriptions for a couple of years. One for the main TV room and one for the bedroom. Whoopie!
Notwithstanding, we would still buy TV Guide, because Joe hates the grid listings and wanted the other type. We lost our free TOTAL when Cablevision had TV Guide take over the publication of it, and we have been paying for that (the large format, magazine size) as well a buying the digest-size guide in the store for Joe, albeit it has no listings for the multitudious super-premium movie channels and documentary channels we now get.
Then it started really going downhill. First it was inaccurate listings. But fortunately we have an on-screen guide, so we could always check to see if SPIKE was really showing Star Trek tonight or replacing it with wall-to-wall police videos.
Then they started limiting their listings even more. Nothing after 11:00 pm, not even on weekends. People don't watch late-night TV? It seems they want to sell their magazine on gossip about 15-minute celebrities, and feature-length ads for theatrical movies that won't be on TV for years. Feh!
This week we decided to stop buying the digest and stick to the still-very-good listings in the large-format version. Some quirks, of course. For weeks, every time The Englishman Who Went Up a Hill and Came Down a Mountain was on, the plot summary has been in French, although the movie is in English. Sometimes, when two movies have the same title they give the data for the wrong one. But by and large it is complete and accurate.
I thumbed through their New Fall Shows. Nothing I would consider watching. We watch mainly movies and science shows. And we even need high end for the Science Channel, now that Discovery = The Motorcycle Channel, The Learning Channel = Makeovers, Makeovers, Makeovers, and The Travel Channel has become All Vegas, All the Time! (With an occasional break to watch people playing poker.)
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And slightly on that topic, I have a question for our DRs in "the Biz", i.e. FSW Charles Pogue and FSW Panni:
Once television channels--including the premium cable channels--decided that movie-watchers had no interest whatsoever in listening to the end-title music or reading the credits, and would much rather be assaulted with ads for the channel they are watching--why didn't the various unions and guilds object?
I mean, I assume that the reason we have all those detailed credits--gaffer, and best boy and all--now (and I for one do read them) is that the various unions had the studios put it in their contracts. So why haven't they tried to have some line about sale to TV that their names should be at least legible?
For me, sitting and listening to the score during the credits is as much a part of the movie experience as curtain calls are to the theatre experience.