People are listing plays and musicals, but nobody's reporting laughing hysterically. Do not end the year short on mirth! Hie thee to
Generation F'dMonday, December 13
7pm & 9pm
Barrow Group Studio
312 West 36th Street - 3rd Floor Theatre
Admission: $10
Reservations - 212 691 0011 or
KNSecondCity@aol.comRe: Stephen Schwartz
I'm a big fan of Stephen Schwartz, and enjoyed dinner and lunch with him this year (Indian food, both times). As I've said many times, Godspell's an excellent show. There are some gorgeous things in The Baker's Wife (even if I agree with David Merrick about the need to cut Meadowlark). Working's a terrific show. There are some very good songs in two of the top ten longest-running musicals of the seventies, The Magic Show and Pippin. I enjoyed Rags. I liked Hunchback of Notre Dame. Never saw Pochahontas. And, today, I listed Wicked as one of my top ten theatrical experiences of 2004, citing two of its songs as stand-outs.
That said, I won't deny that Schwartz's recent scores have disappointed me. I attend the ASCAP workshops year after year, and SS has a bunch of wonderful things to say about writing musicals. If Wicked had gone before the panel, it would have been severely criticized for some puerile lyrics, and a plot that becomes about something completely different than what it started out to be. I don't enjoy the cast album
DR Danise said something that piqued my interest, and, in asking this question, I hope I don't sound like I'm criticizing. But I'm truly puzzled. You just saw Phantom of the Opera and say that, on your next trip to New York, you plan to see Phantom of the Opera. On a typical day here, you've literally dozens of musicals to choose from, all of which have opened more recently than Phantom of the Opera. Why would you choose something you've already seen over something you haven't seen?
If this could be answered for me, it would be valuable knowledge, and help me understand the theatre biz a little better.