Good morning, all! I've been dealing with libretto fixes this morning and now I'm ready to work on my Main Report; the editor is doing a wonderful job and wearing me out with the rewrites. The good thing is that he's not inside the materials so if something doesn't make sense to him, it will be the same to an interested but uninformed reader.
I was both dazed and amused at the ending to LIFE ON MARS; I loved the show and I'm sorry to see it end. I hope next week is not the ultimate finish for LIFE.
TOD:
Most of the albums I worked on and that's quite a few; I won't mention the ones I never listen to!
1990s
Guy Haines' albums
The complete FOLLIES from originating from the Papermill performances
Offenbach's Orphee aux enfers with Natalie Dessay
2000's
Susan Egan's "Coffee House" and "Susan Egan Live"
Rebecca Luker's "Leaving Home"
The unreleased PHI recordings of BABES IN TOYLAND, OH LADY LADY!, THE LADT OF THE SLIPPER, and HAVE A HEART - I'm told there will be a release. Soon. Again.
Several of the Ohio Light Opera recordings: THE CHOCOLATE SOLDIER, VERONIQUE, THE VAGABOND KING
Offenbach: Entre Nous, La Belle Helene and La Grande Duchesse de Gerolstein, both with Felicity Lott
Allegro
Jeepers Creeper ( Our DRJRand58 reminded me how much I love this album)