We've just been watching the PBS "Broadway - the American Musical". I did not know of the 1999 film "The Cradle will Rock". Any comments out there? Should I check it out?
Good morning, all! DRTomovoz, the story of the musical's getting seen by the public is a great story, which John Houseman told everyone and everywhere, and it's worth seeing if only for the politics alone. That said, I have to admit that THE CRADLE WILL ROCK has always sounded to me like second-rate THREEPENNY OPERA, and I much prefer Blitzstein as a translator than as the composer of REGINA and THE CRADLE WILL ROCK. However, I love his score to JUNO.
I'm still nursing my wounds over the DARLING OF THE DAY affair, but I did spend a lovely "personal" day yesterday puttering about the apartment. I proofread a couple of scores for the Jeff Harnar-Shauna Hicks "Mickey-Judy" show, which is being done in concert in September, talked to DRs Jose and MBarnum, and generally kept to myself. Today I'm back to 14th Street, and tonight goddaughter Charlotte and I are seeing THE DUKES OF HAZZARD.
TOD:
Gower Champion: "Put on a Happy Face" (BYE BYE BIRDIE)
"Dancing" (HELLO, DOLLY!)
Bob Fosse: "Rich Man's Frug" (SWEET CHARITY)
"Steam Heat" (PAJAMA GAME)
"Who's Got the Pain?" (DAMN YANKEES)
All of PIPPIN
Onna White: Dance in the Library (THE MUSIC MAN)
"Open a New Window" (MAME)
"Shipoopi" (THE MUSIC MAN)
Jerome Robbins: "Mack Sennett Ballet" (HIGH BUTTON SHOES)
"America" (WEST SIDE STORY)
"The Small House of Uncle Thomas" (KING & I)
All of GYPSY and FIDDLER ON THE ROOF
Michael Bennett: "Turkey Lurkey Time" (PROMISES, PROMISES)
My favorite Robbins dance? DANCES AT A GATHERING for New York City Ballet: I don't know what happens in it, but the beauty and sense of humor throughout suddenly lead to a quiet ending of great emotional depth and pain. Amazing!
Two omitted masters:
Agnes deMille: "Come to Me, Bend to Me" (BRIGADOON)
"Hornpipe" (CAROUSEL)
"Many A New Day" (OKLAHOMA!)
George Balanchine: "Slaughter on Tenth Avenue" (ON YOUR TOES)