I just watched a peculiar performance of Purcell's DIDO AND AENEAS from the Opera comique, conducted by William Christie. Some of it was wonderful, like the leads, and some of it was awful, like the schoolgirls in 20th Century uniforms who kept burstign onstage for some of the dances and exited screaming. sometiems they entered screaming. The Dido was a Scandinavian singer, Malena Ernman, who was wonderful, and the Aeneas was the handsome Christopher Maltman. Why Mr Christie, who's a major authority on baroque opera, let this screaming and cavorting go on is beyond me.
I found these funny photos of Mr Maltman, a baritone who would fit DR MBarnum's criteria for a performer, since he's often stripped in productions, and Miss Ernman, who seems to have a huge crossover European audience. They're both excellent actors.