Got past the biggest of the Sherman Brothers musical humps - the lead's eleven o'clock number. When I first heard it it didn't feel right to me - very negative and I told Richard what I felt and that I thought it needed to be turned around by the end of it. He loved that and wrote a way to do it. He played it for me and while I didn't think it was perfect, it did help. Well, he can't find it, doesn't remember what he did, so I was completely stuck and didn't think I'd be able to get past it without him actually coming over to sit and look at the script. But I dove into it, got a great idea (borrowing a little thing from a sequence I completely deleted early in act two), and then added a few lines to the song's lyric to make it do what it needed to do, and adjusted a couple of other lines, too - Richard can finesse those if he likes, and he'll have to write an ending to go with what I've added onto his ending, but that should be simple now. So, one more scene to go and I'm only making cuts in that one.
