Well. (oooh, a RAGTIME reference.)
So much upon which to catch up.
DR Panni, sorry to see you go, but glad to have you back. And the new(est) house sounds charming, though I liked your last find very much indeed.
DR DiT: So sorry to have missed your birthday. Hope it was splendid.
I know little of science fiction or surfer songs. My mind is not coming up with a "favorite" metaphor, though I like several.
DR Jennifer, I will go on record (along with theatre columnist Peter Filichia) in saying that I find MAN OF LA MANCHA to be one of the most over-rated musicals ever written. And to do further harm here, I will disagree with DR Noel in saying that I feel that the score is leaps and bounds above the mid-60s piece of pretentious claptrap that is its libretto.
As implied above, I do find much of the score glorious and moving.
Missed the Stokes revival, but was subjected to the Raul Julia/Sheena Easton one on three separate occasions (all work related). It was dreadful, and even though the show has traditionally been played withOUT an intermission (even though there is a most definitive act break written into it), I think part of the reason this particular production stuck to tradition was so that people wouldn't leave in droves during the interval.
I don't care for MAN OF LA MANCHA. There, I said it.