Good morning, all! I've just finished the posts from last night, and I wanted to respond to a couple of them:
DRJose, about the DAMN YANKEES orchestrations I know very little outside of the fact they are credited to Don Walker for Broadway and God-knows-who for the film version, which I prefer to the OBC, even if most of the cast are the same. Don Walker in the 1950s was credited as orchestrator for a lot of shows on which he did little more than act as supervisor and farm out the work to other guys like Red Ginzler, Walter Goehr, Robert Noeltner, and Joe Glover. Steven Suskin's been examining Walker's shows and bookkeeping records at the Library of Congress. To be fair to Don, he was also starting up MTI with Mathilda Pincus for Frank Loesser, but a lot of the work we think is his on DAMN YANKEES and PAJAMA GAME (among many others) is not. I've seen the full scores to MOST HAPPY FELLA, and it's mainly Walker, with assistance from Ginzler. I suspect the DAMN YANKEES film has a bit of work by Ray Heindorf.
DRMattH, "The Continenetal" was written for the film version of THE GAY DIVORCE, while almost all the Cole Porter Broadway score was junked.
HAIR casting:
Berger . . . . David Gest
Woolf . . . .Richard Simmons
Claude . . . Eminem
Hud . . . . Michael Jackson
Sheila . . . Liza Minelli
Crissy . . . Paris Hilton
Jeanie . . . Anna Nicole Smith