I've long toyed with the idea of writing a one-person play on Gary Cooper.
I keep going back and forth on it, because I'm not sure if one could sustain a 60-75 minute play where half the dialogue would be "Yup" or "Nope".
Seriously: Any thoughts as to whether Coop would be a good subject for a one-person play?
This is something I'd really want to see. I'd think the relationship with his wife Rocky could make for a play or film in itself, though the gift you have of creating a one-person play (rather than regular play) out of a subject is why you're able to have success at that.
I guess my tastes lead me to think of him more for Mr. Deeds Goes to Town and Meet John Doe more than what i suppose are the more minimalist roles. (And of course, his name being referenced and breathtakingly rhymed in "Puttin' On the Ritz.") Was there by any chance a contradiction between a complicated or normal person/life and a seemingly uncomplicated actor? Or was it that what you saw is what he was?
My thought was to center it around the making of
HIGH NOON. His affair with Patricia Neal was winding down at that point, and his friend, Carl Foreman, one of the film's writers, had just been blacklisted.
On the other hand, I could set it at the end of his life, as he looks back with regret at that period in his life.
But, once again, Coop was not that talkative.