Haines His Way

Archives => Archive 2 => Topic started by: bk on November 06, 2004, 12:00:32 AM

Title: FASTER THAN A SPEEDING BULLET
Post by: bk on November 06, 2004, 12:00:32 AM
Well, you've read the notes, you've read them faster than a speeding bullet, you are able to leap tall buildings at a single bound and now it is time for you to post until the speeding cows come home.
Title: Re:FASTER THAN A SPEEDING BULLET
Post by: Charles Pogue on November 06, 2004, 12:59:27 AM
BK, you expressed many of my feelings about the Broadway Musical doc.  I too hated that they used movie clips and they were doing a show on Broadway.   Broadway:  The Golden Age was much, much better.  If youcan't fnd clips then just keep the camera trained on people who were there and let them tell their stories.  That's what the Golden Age did...sort of a video aural history and it was fascinating.

Ten Favourite Musicals, in no particular order:

Sweeny Todd
Kismet
Man of La Mancha
Li'l Abner
Boys from Syracuse (what songs!)
Girl Crazy (what songs!)
110 in the Shade
1776
Most Happy Fella (this just breaks my heart)

And last but not necessarily least either...

KEAN (not a whole lot memorable from the score; but the show just resonates with me)

Or:

Brigadoon (I think I know the entire score)

Composers, again in no particular order:

Cole Porter (though I didn't pick one of his shows)
The Gershwins
Rogers & Hart (I think Hart was the best lyricist around)
Sondheim
Frank Loesser
Schmidt & Jones
Noel Coward
Jerome Kern
Kurt Weill
Irving Berlin
Title: Re:FASTER THAN A SPEEDING BULLET
Post by: S. Woody White on November 06, 2004, 02:38:26 AM
TOD, Part One:

In alpha order (best way to be fair) (those marked * are based on cast recordings)

Floyd Collins (Guettel)*
The Music Man (Willson)
My Fair Lady (Lerner/Lowe) - The first musical I ever saw on stage, starring Edward Mulhare and Jane Powell.
A New Brain (Finn)*
Pacific Overtures (Sondheim)
Ragtime (Flaherty/Ahrens)
1776 (Edwards)
South Pacific (Rodgers/Hammerstein)
3hree (O'Keefe/Benjamin//Bucchino//Nassif)
Urinetown (Hollmann/Kotis)*
Title: Re:FASTER THAN A SPEEDING BULLET
Post by: S. Woody White on November 06, 2004, 02:51:46 AM
TOD, Part Two:

Again, alpha.  

Jason Robert Brown (music and lyrics)
Cy Coleman (music)
Dorothy Fields (lyrics)
Stephen Flaherty (music) and Lynne Ahrens (lyrics)
Adam Guettel (music and lyrics)
Oscar Hammerstein II (lyrics)
Lorenz Hart (lyrics)
Cole Porter (music and lyrics)
Richard Rodgers (music)
Stephen Sondheim (music and lyrics)

This list may look a little strange, so it's worth a little explaining.  Coleman worked with several lyricists, Fields with several composers.  They also, thankfully, worked together, but this is a case of overlap.  Similarly, Rodgers worked famously with both Hart and Hammerstein, but Hammerstein had a career before teaming with Rodgers, and Rodgers' career extended through both partnerships and beyond.

On the other hand, Flaherty and Ahrens are primarily known for their work together, perhaps one of the best teams working today.
Title: Re:FASTER THAN A SPEEDING BULLET
Post by: S. Woody White on November 06, 2004, 03:28:40 AM
TOD, Part Three:

I don't consider Andrew Lloyd Webber over-rated as a composer.  He's not the greatest, but what he does he does well.  He has a terrible habit of matching himself with poor lyricists, but that's another matter.

Nor do I consider Frank Wildhorn over-rated.  I don't know anyone personally who thinks very highly of his writing, so it seems to me that he is rated exactly as he should be.

On the other hand, Maury Yeston strikes me as very over-rated.  Too much of his composing is sloppy, to my ear.  His two best shows, Nine and Titanic, have relied heavily on stagecraft gimmickry, be it a stage flooded with women or tilting on it's side.  And PS Classics The Maury Yeston Songbook became too dreary to listen to more than once.

Most over-rated show?  I'd have to say Blood Brothers, by Willy Russell.  The music and lyrics are trite and repetitive, and the class-struggle storyline is more like a rant than anything else.  Still, the show keeps getting revived in England, and somehow has piled up eleven cast albums.  
Title: Re:FASTER THAN A SPEEDING BULLET
Post by: elmore3003 on November 06, 2004, 04:09:52 AM

On the other hand, Maury Yeston strikes me as very over-rated.  Too much of his composing is sloppy, to my ear.  His two best shows, Nine and Titanic, have relied heavily on stagecraft gimmickry, be it a stage flooded with women or tilting on it's side.


DRSWW, I saw the original NINE, no flooded stage, just brilliant fluid direction by Tommy Tune, an amazing cast of women and 3(?) boys, the great Raul Julia, a wonderful design in black and white, and one of the most memorable scores I've ever heard in the theatre.  I'm fond of the OBC as well as the London recording with Jonathan Pryce.  

I did feel just the opposite on TITANIC and I do believe its run was caused more by the film than any of the show's merits, although Jonanthan Tunick's orchestrations were some of the most wonderful he's ever done.   To be fair to Mr Yeston, I still don't know how much I liked his score because I hated the production, the direction, design, and especially one actress  with whom I worked at Goodspeed, and I've not heard the score since, only snippets on the Tony Awards.

I was the first person, to my knowledge, to score Maury's song "New Words," and I think it's one of the most wonderful songs any composer-lyricist has penned.
Title: Re:FASTER THAN A SPEEDING BULLET
Post by: elmore3003 on November 06, 2004, 04:11:03 AM

DRSWW, I saw the original NINE, no flooded stage, just brilliant fluid direction by Tommy Tune, an amazing cast of women and 3(?) boys, the great Raul Julia, a wonderful design in black and white, and one of the most memorable scores I've ever heard in the theatre.  I'm fond of the OBC as well as the London recording with Jonathan Pryce.  

I did feel just the opposite on TITANIC and I do believe its run was caused more by the film than any of the show's merits, although Jonanthan Tunick's orchestrations were some of the most wonderful he's ever done.   To be fair to Mr Yeston, I still don't know how much I liked his score because I hated the production, the direction, design, and especially one actress  with whom I worked at Goodspeed, and I've not heard the score since, only snippets on the Tony Awards.

I was the first person, to my knowledge, to score Maury's song "New Words" for more than a small ensemble, and I think it's one of the most wonderful songs any composer-lyricist has penned.
Title: Re:FASTER THAN A SPEEDING BULLET
Post by: Ben on November 06, 2004, 04:30:10 AM
Here is a list of favorite musicals, as Charles Pogue says, in no particular order

Pacific Overtures
Sweeney
110 in the Shade
A Little Night Music
Follies (there's a trend here)
Avenue Q
Falsettoland
1776
She Loves Me
Pal Joey
Title: Re:FASTER THAN A SPEEDING BULLET
Post by: Ben on November 06, 2004, 04:35:53 AM
Composers

Sondheim
Rodgers & Hart
Rodgers & Hammerstein
Jerome Kern
William Finn
Noel Coward
Bock & Harnick
Cole Porter
Frank Loesser
Kander & Ebb

I'll have to think about the overrated question.
Title: Re:FASTER THAN A SPEEDING BULLET
Post by: Ben on November 06, 2004, 04:36:06 AM
Sad to be all alone in the world.
Title: Re:FASTER THAN A SPEEDING BULLET
Post by: Ben on November 06, 2004, 04:40:15 AM
I'm seeing Pacific Overtures on Wednesday, December 22nd. My major concern is I'm in the back of the orchestra and my last experience at Studio 54 seeing Assassins annoyed me because I missed seeing parts of the show due to the staging. The balcony overhang is severe in this theatre and it's like Joe Mantello totally ignored that when he staged the show. PO is my absolute, bar none favorite piece of musical theatre in all of history (have I gone just a bit too far) and I'm sure the same thing will happen at some point (visually that is) during PO. I only took this subscription so I could be sure to get a ticket for the show. Roundabout has to be the most overrated theatre company working in New York but they get good people and the license to do some shows I want to see (even though more often than not the productions are not very good, i.e. The Women) so I've put up with it. I'm not sure how much longer I will put up with it.
Title: Re:FASTER THAN A SPEEDING BULLET
Post by: Jrand74 on November 06, 2004, 06:16:24 AM
Oh my this is a passionate TOD for HHW!  Hmmmmmmm.....

Ten favorite musicals....not THE BEST....but favorite.....(although they might be among the BEST)!

GYPSY
The MUSIC MAN
PHANTOM OF THE OPERA
LES MISERABLES
COMPANY
BELLS ARE RINGING
LIL ABNER
HAIR
MAN OF LA MANCHA
WEST SIDE STORY

Honorable mention:  HELLO DOLLY!, MAME, ONCE UPON A MATTRESS

Favorite composers:

Stephen Sondheim
Rodgers/Hart/Hammerstein
Cole Porter
Jule Styne
Leonard Bernstein
Bachrach-David

and some more to be named after some thought.....
Title: Re:FASTER THAN A SPEEDING BULLET
Post by: Michael on November 06, 2004, 06:28:12 AM
The most overrated musicals?

Tie with Cats, Phantom of the Opera and Les Miserables. Take away all the fancy sets, costumes and special effects and ypu have a fair to mediocre musicals. I never did realize how uninspired the score to Les Miz was until I heard it on the complete  symphonic recording. I have not listened to it in years, but the example I like to give is the following:

The music for Empty Chairs At Empty Tables is also used for a song that the "honest" Bishop sings. This would be fine is there was thematic tie between this moment and the time the former song is sung. The music is also repeated throughout the score with no thematic ties to those moments as well. This may have stemmed from the fact that the music when originally produced in France (And Francois may correct me on this) that they were more tableaus (set pieces) than a traditional book musical and when it was produced in London the composer did not compose that much new music for the score.

A moment that is used well can be found in Into the Woods. Actually a couple of examples. The beginning notes in "I Guess This Is Goodbye" (Jack singing to Milkly White) use the same opening notes as "Stay With Me" (The Witch to Repunzel) Another moment is the Baker's Wife and Cinderella singing about the Ball and when the wife asks her about the Prince the same music as Agony is used. To me that is a thematic tie.
Title: Re:FASTER THAN A SPEEDING BULLET
Post by: Michael on November 06, 2004, 06:46:33 AM
Favorite Musicals (from Cds and never have seen them)

no particular order

110 in the Shade
The Most Happy Fella
Stages
Colette
The Robber Bridegroom
No Way To Treat a Lady
Ruthless!
Raisin
Windy City
The Human Comedy
Mack and Mable

Scores I did not like (from Cds and never have seen them)

Aspects of Love
The Scarlet Pimpernel
Blood Brothers
Rent (Just couldn;t get into the score except for Seson of Love)
The Wild Party (both versions)
Two Gentleman of Verona
Marie Christine
Blondel
Valmouth (I bought it because I missed read the title. I thought it said Valmount and it was a musical version of Dangerous Illusions/Les Illusion Dangereuse)
Rockabye Hamlet
Runaways
Title: Re:FASTER THAN A SPEEDING BULLET
Post by: Matt H. on November 06, 2004, 06:52:13 AM
A great variety of topics of the day. I hardly know which one to begin with. I guess I'll start with favorite musicals:

FOLLIES
SWEENEY TODD
RAGTIME
MAME
CAROUSEL
GUYS & DOLLS
CABARET (the revisal)
A CHORUS LINE
FOREVER PLAID
THE PAJAMA GAME

I would have been very tempted to include AVENUE Q and WICKED since I adored both of the shows when I saw them this summer, but all of the above I've seen several times (appeared in quite a few local productions, too) and have stood the test of time with me.
Title: Re:FASTER THAN A SPEEDING BULLET
Post by: Matt H. on November 06, 2004, 06:55:29 AM
For me, the most overrated show in my lifetime was MISS SAIGON. I really found it a bloody bore. Didn't like the score at all (and I loved LES MIZ's score) and found the Broadway production ludicrously overproduced.

I've always felt that when the rights are granted to amateurs and some local theaters can mount  VERY scaled down, intimate versions of the show, it might appeal to me much more. On Broadway, I just found it a hulking dinosaur of a show with only a teeny, tiny brain in its head.
Title: Re:FASTER THAN A SPEEDING BULLET
Post by: Michael on November 06, 2004, 06:58:37 AM
Guilty Pleasure musicals that I've seen that I liked and I know I shouldn't have.

Merlin
Starmites
Starlight Express.

Musicals with stars that I went to see and hated.

The Act (Terrible all around show. Really proves that the star is a one note performer and will never be the star her mother was. She will be remember more for her marriages to gay men, rehabs and bad career moves since the film of Cabaret)
Women of the Year (The original star had zero presence the performance I saw)
Victor/Victoria (Just a bad show with a great star in it. And when the star from #1 was in it, a train wreck)
The Goodbye Girl (The female star was in bad voice that day. When is she not. She really needs to retrain her voice and use it properly when she does long runs)

There are really no more stars that perform on Broadway and when so called money names perform they tend to miss performances. The classic stars Merman, Channing, Martin, Brynner, Drake, Raitt rarely missed performances or needed "vocal rest". In their hey day they weren't usings mics and they sung full out to the last row of the top balcony. Nowadays their excuses for missed performances is vocal problems and they are amplified to reach that back row of the top balconey.
Title: Re:FASTER THAN A SPEEDING BULLET
Post by: Matt H. on November 06, 2004, 07:00:35 AM
Well, I'm sorry BROADWAY: THE MUSICAL THEATER didn't appeal to bk. I understand some of his complaints, but I still found it quite entertaining. Did I miss certain shows while being baffled by the inclusion of others (the ON THE TOWN segment seemed to be too praiseworthy)? You better believe it! But ANY SHOW that spends hours praising Broadway's heritage to the music of America is OK by me.

I do look forward to getting my copy of BROADWAY: THE GOLDEN AGE (or whatever it's name is) when it's released this week.
Title: Re:FASTER THAN A SPEEDING BULLET
Post by: Matt H. on November 06, 2004, 07:04:39 AM
DR Michael Shayne's dismissal of THE ACT reminds me of another show that I might should have included in my favorites list - THE RINK. I adore this show. Great score, interesting story and characters, and a fascinating concept with the wreckers playing all of the other parts in the show apart from the mother-daughter (and the daughter's child at the end).
Title: Re:FASTER THAN A SPEEDING BULLET
Post by: Michael on November 06, 2004, 07:09:15 AM
Favorite shows seen onstage that did not have a formal film version.

No particular order

On the 20th Century
Company
Little Me
Mame
Sweeney Todd (Probably the best show)
The Wiz (the film was nothing like the stage version)
Sunday in the Park With George
Grand Hotel: The Musical
Dreamgirls
Nine
Title: Re:FASTER THAN A SPEEDING BULLET
Post by: Michael on November 06, 2004, 07:24:10 AM
Musicals that I have only seen in their film versions that I liked:

Li'l Abner
Funny Gir
The Pajama Game
Damn Yankees.
Jesus Christ Superstar (Jewison version)
Carousel
Kiss Me Kate
Guys and Dolls
Bells Are Ringing
The Music Man (Robert Preston)
Flower Drum Song (Original version)

Musicals I saw on stage and their film version that I liked

Fiddler on the Roof
West Side Story
Gypsy (The Midler version)
How To Succeed....
The Sound of Music
Hello Dolly (A very guilty pleasure)
Oliver!

Musical I saw on stage and hated their film versions

The Wiz
Mame
Gypsy (Natalie Wood version)
The Best Little Whorehouse in Texas
Annie (Both versions)
A Chorus Line
A Funny Thing Happened....
A Little Night Music
Bye Bye Birdie (Ann Marget version)

Musicals I never saw on stage and hated their film versions

South Pacific
On a Clear Day...
Paint Your Wagon
Half a Sixpence
Jekyl and Hyde (the tv taping)
Brigadoon


Musicals that were films first and stage versions later that I liked

Seven Brides For Seven Brothers
Meet Me In St. Louis
Gigi
Calamity Jane

Title: Re:FASTER THAN A SPEEDING BULLET
Post by: td on November 06, 2004, 07:25:47 AM
TOD:  THE COMPOSERS

Richard Rodgers with Lorenz Hart
George and Ira Gershwin
Richard Rodgers with Oscar Hammerstein
Stephen Sondheim
Maury Yeston
Jason Robert Brown
Leonard Bernstein (with almost any other than Alan Jay Lerner)
Alan Jay Lerner and Frederick Loewe
Cy Coleman (with everyone he's written with I suppose)
Jule Styne

TOD: THE SHOWS:
THE BOYS FROM SYRACUSE
FOLLIES
SWEENEY TODD
GYPSY
NINE
WONDERFUL TOWN
BRIGADOON
CITY OF ANGELS
ON THE TWENTIETH CENTURY
BELLS ARE RINGING
RAGTIME
CAROUSEL

DR Ben:  I'm seeing PACIFIC OVERTURES (for the first time) on November 27th!  I'm as excited about this as I am about the company I'll be keeping whilst in New York.

FOLLIES became one of my favorites shortly after the Broadway production folded and Carnegie-Mellon University did it as a mainstage production; I'm nearly certain that I was still in high school when that production took place.

ON THE 20TH CENTURY:  I saw a very fine high school production of this only two or three years ago - it worked quite well.
Title: Re:FASTER THAN A SPEEDING BULLET
Post by: td on November 06, 2004, 07:27:13 AM
Dear DR Michael Shayne:

BRIGADOON was not a film before it was onstage.   ;)
Title: Re:FASTER THAN A SPEEDING BULLET
Post by: Michael on November 06, 2004, 07:33:31 AM
I corrected it. I put it under the wrong category
Title: Re:FASTER THAN A SPEEDING BULLET
Post by: Noel on November 06, 2004, 07:36:16 AM
Top ten musical theatre writers:
Bock & Harnick
Frank Loesser
Rodgers & Hart
Rodgers & Hammerstein
The Gershwins
Lerner & Loewe
Maltby & Shire
Cole Porter
Johnny Mercer
Stephen Sondheim

Johnny Mercer wrote one of my favorite scores, music and lyrics - Top Banana, and lyrics to BK's fav. Lil Abner

No big surprises on the shows, there's the 3 by Loesser
How To Succeed In Business Without Really Trying
The Most Happy Fella
Guys and Dolls
                            the three helmed by Jerome Robbins
Gypsy
West Side Story
Fiddler on the Roof
                        plus a Bock & Harnick I like even better
The Apple Tree
                       two by Rodgers and Hammerstein
                       (one with Robbins choreography)
Carousel
The King and I
                         and the last truly great musical
A Chorus Line

I see some people have already listed some of my least favorite shows: Starmites, Miss Saigon - both offended me to the core.

I can't call Wildhorn or Lloyd Webber over-rated, as nobody I know rates them very highly.  You have to start with someone who's been praised highly, and then say, Well, they're really rather ordinary, aren't they?

And so it's no surprise that I've landed upon the much heralded Jason Robert Brown.

His reputation is based on three shows for which he wrote the entire score.  Another Broadway bomb, Urban Cowboy, had many songs by him, but not a majority.  Songs For a New World has a nice number or two.  Stars and the Moon works very well, although Sondheim said the exact same thing in the verse to So Many People, which is twenty times shorter.  A good actress can eke some laughs out of the Weill spoof, although it's not as funny as anything in Das Lusitania Songspiel.  (How many Weill spoofs must we endure, anyway?  Yes, I'm talking to you, Urinetown guys!)  But a lot of that score is loud, busy and pretensious.  Still, it was a modest revue done in a tiny theatre, and a new voice - all are things it's fair to get excited about.

Then Harold Prince took him to Broadway, and these two Yankees came up (with Alfred Uhry's assistance) with the most stereotypical portrayal of Southen bigots ever.  If I were from Georgia, I would have picketed Lincoln Center.  But the theatre was never quite full.  Parade was a non-hit, that won the Tony (for score) in an easy year, and so the over-praise begin.  The songs sung by the Franks are the best, but each is painfully obvious.  Your husband is wrongfully accused of murder, what are you going to say to the press?  You Don't Know This Man.  It's so obvious, you could snore.

Brown's next excruciating endeavor told the story of his failed marriage in a twee and convoluted way, with the wife's songs going backwards in time and the husband's going forward.  "Jamie is gone and I'm still hurting" she tells us at the top.  Fine.  Go cry for your plight because I can't.  You tell me you're hurting, I'm not going to feel for you.  Again, it's obvious, and dull.

And still this guy gets praise.  3 musicals.  2 that are snore-fests.  Compare Maltby & Shire to that, please.

For most overrated show I'm going to pick a show with simply marvelous songs.  I really think it's the writer's best score (and he's on the top ten above) and I'm told the original staging was fantastic with a capital F.  So, why is Follies such a bore to sit through?  I mean, you'd think with wonderful staging of a wonderful score you'd have something wonderful.  (And a lot of people name Follies as the greatest musical ever.)  It's about four middle-age dweebs regretting their pasts.  In the present, they do nothing remotely interesting.  In the past, there was betrayal and "settling" for a marriage to one not truly loved.  The best musicals celebrate something, and it's telling that the great celebratory number from the show, I'm Still Here, could not be given to a main character.  The four leads are too busy lying, self-deluding, and, most frequently, regreting.  It's simply not very fun to watch for two hours.  Oddest of all, the book gives way in the second half.  Instead of continuing its cheerfless story, we are treated to a bunch of "performance" numbers that don't advance any plot.  They just ruminate on the situtation.  Situational ruminations are dull, dull, dull - and both Follies and Last 5 Years are filled with them.

Give me action, and fun, and humor.  Is that too much to ask?  I promise to return the favor in all my shows.
Title: Re:FASTER THAN A SPEEDING BULLET
Post by: Michael on November 06, 2004, 07:36:59 AM
Favorite Composer/Lyricist

in no particular order

Sondhein
Kander/Ebb
Rodgers/Hammerstein
Rodgers/Hart
Porter
Kern
Schwartz, Steve
Strouse (with almost anyone he has written with)
Ahrens/Flaherty
Mercer
Kimmel
Gershwin (George and Ira)
Weil
Title: Re:FASTER THAN A SPEEDING BULLET
Post by: Michael on November 06, 2004, 07:39:59 AM
What is it with all the Rolex watches SPAM mail all of a sudden. First is was Viagra. Then a variety of drugs you can buy from Canada, the various widows in Africa and now watches!
Title: Re:FASTER THAN A SPEEDING BULLET
Post by: Matt H. on November 06, 2004, 08:13:59 AM
Glad Noel mentioned Maltby and Shire because I really do love BABY and CLOSER THAN EVER. STARTING HERE, STARTING NOW has a title song that I think is the best solo song Streisand ever sung, but I wasn't as bowled over by this show as I was CLOSER THAN EVER as a revue.
Title: Re:FASTER THAN A SPEEDING BULLET
Post by: DERBRUCER on November 06, 2004, 08:40:22 AM
TOD:

Things on my list, not yet positively mentioned:

(Favorite Shows seen in Original Production)
Shenandoah
Best Little Whorehouse in Texas
The Club
Boy Meets Boy
King of Hearts

(Favorite shows seen on the road)
Do Your Own Thing
On a Clear Day
Secret Garden
Two by Two
Little Shop of Horrors

(Favorite Shows based on Cast Albums/Movie)
Porgy and Bess
Two by Two

It was asked:
Quote
your ten favorite musical theater composer/lyricists (not necessarily the best, just your faves)

Favorite unmentioned Composers/Lyricists:

Gerald Alessandrini (Forbidden enerything)

Gretchen Cryer – Nancy Ford
(I'm Getting My Act Together and Last Days of Sweet Isaac)

If we extend "Musical Theatre" to include Movie  Song Works (including animated films):

Harold Arlen (Wizard of Oz, A Star is Born (1954)

Alan Menken – Howard Ashman (for their movie work as well as "Little Shop")

Ira Gershwin (sans George) for "Lady in the Dark" and "A Star is Born (-1954)

Guilty Pleasures:

Let My People Come
Gerald Alessandrini (Forbidden enerything)
Mel Brooks

Most Over-rated show:

Oklahoma - singular in its historic context, but not IMHO a really great show (I think "King and I" and "South Pacific" are better)

der Brucer (http://pic8.picturetrail.com/VOL242/891350/1624689/65443462.jpg)
Title: Re:FASTER THAN A SPEEDING BULLET
Post by: DERBRUCER on November 06, 2004, 08:48:57 AM
Most Happy Fella (this just breaks my heart)


I really like the album (2 disk OBC) - I wonder how it works on stage?

der Brucer
Title: Re:FASTER THAN A SPEEDING BULLET
Post by: DERBRUCER on November 06, 2004, 09:04:05 AM
The most overrated musicals?

Tie with Cats, Phantom of the Opera and Les Miserables. Take away all the fancy sets, costumes and special effects and you have a fair to mediocre musicals.

Having postured against nit picking, I herewith pick:

We are talking about Musical Theatre - not musical recitals. The sets , the costumes, the effects are all part of what makes Theatre a great visual experience. In the same vein, shouldn't we discount choreography - it's just a visual goodie!

CATS is first and formost a dance show - the "songs" are incidental, but appealing nonetheless.

Les Miz is intended to be spectacle - it means to appeal to the heart, not the mind - it is great theatricality (if, to a purist, musically mundane).

If you want to initiate the masses to Musical Theatre, CATS and Les Miz are great starting points. Many sophisticated music lovers started their journey with Les Overtures("William Tell" and "1812" ) - hey, The Lone Ranger and Fireworks can't be all bad.

der Brucer

Title: Re:FASTER THAN A SPEEDING BULLET
Post by: Matthew on November 06, 2004, 09:05:54 AM
Favorite Shows (in no particular order)

Aspects of Love
Sunset Blvd.
Sweeney Todd
Cabaret
Hello, Dolly!
Lucky Stiff
The Phantom of the  Opera
Cats
Little Shop of Horrors
The Sound of Music

Ok, WAY too much Lloyd Webber on that list, I know.  But as I tell my students, picking a "favorite" anything needs to come from how that thing makes you feel.  If it stirs up any emotion repedidly, then you must have some connection and therefore, it is your favorite.  Yeah, ALW has had some bad lyricists, his last two shows (Whistle Down the Wind and The Beautiful Game) have some really bad lyric moments in them, while the score's are wonderful ... well, let me re-phrase that, I can listen to The Beautiful Game every day, while I've been known to start listening to Whistle and never get through it.

Ok... favorite composers .... let me preface by saying these composers have written some great songs, but the songs were in musicals with not-so-great books, therefore, doesn't make a great show - IMHO.

Rogers and Hart

Cole Porter

Stephen Sondheim (am I the only one that loves "A Little Night Music" but tends to sleep through it??)

Jerry Herman

Ahrens and Flaherty

Maury Yeston (yes, Titanic was not a great show, but the SCORE... oh the SCORE!)

Stephen Schwartz (Besides Pippin and Godpsell, the rest of the SS musicals have WAY too much (good) musc and boring books)

Alan Menkin

Michel Legrand

Andrew Lloyd Webber

Irving Berlin

Guilty Pleasure musicals -

Mamma Mia
Starlight Express

Title: Re:FASTER THAN A SPEEDING BULLET
Post by: Jrand74 on November 06, 2004, 09:07:15 AM
Frank Loesser!

Whew!  How could I leave him out!

And well - isn't music a subjective thing?  And can't we tell by all of our lists here?

Over rated? For me, subjectively:

SWEENEY TODD
SWEENEY TODD
SWEENEY TODD
RENT
TWO GENTLEMEN OF VERONA

Still thinking.

Favorite I have just heard on LP/CD:

NO STRINGS
Title: Re:FASTER THAN A SPEEDING BULLET
Post by: Jrand74 on November 06, 2004, 09:09:25 AM
ELMORE was talking about Yeston's NEW WORDS - and I have to say when I play MR BK's produced recording of that song and present it in sign language - there is not a dry eye in the house!

And if only for Chinese Food in Bed and all the What If's - how could I leave out the host of our little club - Bruce Kimmel?  And so, I won't!
Title: Re:FASTER THAN A SPEEDING BULLET
Post by: Ben on November 06, 2004, 09:10:03 AM
On to page 3 with some others, even though I've posted my 10

I do enjoy Lerner & Loewe and Mr. Cy Coleman

My overrated show is Kiss of the Spider Woman. I know this show has many fans on board but I LOATHED the movie and do not care for the musical at all. If I hear The Day After That (or whatever it's called) as the Great Gay Anthem one more time, I shall scream, Mr. Bumble (an Oliver reference and I do enjoy Mr. Lionel Bart). I am also not a fan of Blood Brothers. Other overrated shows have been mentioned as well, including Les Miz (I don't hate it, I just don't think it's one of the greatest), Cats (this show I do dislike), Miss Saigon (a helicopter does not a musical make) and The Lion King (while I found some of it to be gorgeous to look at, I found the hoopla surrounding it to be mystifying, mediocre score, some great set and directorial pieces and a standard story told w/o much new or exciting)
Title: Re:FASTER THAN A SPEEDING BULLET
Post by: DERBRUCER on November 06, 2004, 09:22:26 AM
Notes from yesterposts:

Tomovoz:
Quote
For the interest of the few pop people (of a certain age) at HHW,I have also recorded hard to find US singles "There's No Such Thing" (Jimmy Darren -from "Gidget")

Us people "of a certain age" who loved Moondoggie prefer the title "Grandpop People".

And then George declares:

Quote
and Paul Anthony Stewart (I've never heard of him)

16 years on  “The Guiding Light” – you must get your head out the stacks and see the real world.

der Brucer (who joins Darren and Stewart as Philly boys who just don't get no respect!)

Title: Re:FASTER THAN A SPEEDING BULLET
Post by: Jrand74 on November 06, 2004, 09:22:48 AM
I think I found a new definition of ironic:


Title: Re:FASTER THAN A SPEEDING BULLET
Post by: bk on November 06, 2004, 09:25:33 AM
Again, this is favorite musicals, not necessarily "best" musicals.  For me, a lot of my favorites are firmly based in productions I link them with - hence, Noel hates Follies, I love Follies because I saw its legendary original production.  I've seen every subsequent major production and yes, they're all terrible and you have no clew why this musical is considered "great".  I feel the same about Company - all subsequent productions have lessened its greatness.  In any case, it's all subjective, and I'm fascinated by the lists so far.  Here's mine.  These are shows I have loved, both onstage and with endless repeated listenings of their cast albums.

Yes, in no particular order:

The Most Happy Fella (devastatingly beautiful, magnificent, four-hankie show)
Follies
A Chorus Line
Li'l Abner
The Music Man
Sweeney Todd
Flower Drum Song (before revisions)
Gypsy (a perfect musical)
Cabaret (before revisions and additions)
1776

A couple of runners-up: Dreamgirls, 110 and I Do! I Do!, Annie Get Your Gun (before revisions), Guys and Dolls

Guilty pleasures (for their scores): Wildcat, Smile, Stop the World and Roar of the Greasepaint (two of my most-listened-to albums), Take Me Along, and Sugar (sue me).

Ten favorite (not necessarily "best") composer/lyricists - in no particular order:

Frank Loesser
Stephen Sondheim
Schmidt and Jones (big surprise)
Jule Styne - with Comden and Green or anyone else
Charles Strouse/Lee Adams (I can't help it)
Richard Rodgers - with Hart, Hammerstein, and the aforementioned Mr. Sondheim
Burton Lane - with Mr. Alan Jay Lerner or Yip Harburg
Cy Coleman - with Dorothy Fields and Carolyn Leigh
Kander and Ebb
George and Ira Gershwin

Runner up: Bock and Harnick

Guilty pleasures: Marvin Hamlisch, Bricusse and Newley, Maltby and Shire (don't like their shows, but enjoy their songs), Billy Barnes and many more.

Most overrated musical: Certainly I think Miss Saigon, given its hype and success, was a wash-out for me.  And I've never cottoned to Oklahoma! either, no matter how good the productions.  

Most overrated composer/lyricist: Harder.  I'd agree with Noel on his choice, but I'd have to lump all the other current batch that usually gets mentioned with him (The Usual Suspects) - but that's too easy.  I'd like to choose someone who's been around a little longer, with a few more shows.  And I'm afraid I'm going to have to give this choice to someone whose stuff I just don't respond to in any way - oh, there are some decent things, I suppose, but not in proportion the the success he's had.  I'm afraid it's a target most people think too easy, but there you are: Andrew Lloyd Webber.  From the very beginning, with Joseph, I have never responded to his musical language.  
Title: Re:FASTER THAN A SPEEDING BULLET
Post by: DERBRUCER on November 06, 2004, 09:28:24 AM
...The Lion King (while I found some of it to be gorgeous to look at, I found the hoopla surrounding it to be mystifying, mediocre score, some great set and directorial pieces and a standard story told w/o much new or exciting)

To appreciate the "hoopla" you need only look around at the many pre-schoolers sitting still for two hours in rapt appreciation - every kid in these audiences is on the first rung to musical theatre paradise.

der Burcer (there goes Grandpa again!)
Title: Re:FASTER THAN A SPEEDING BULLET
Post by: bk on November 06, 2004, 09:29:04 AM
I really like the album (2 disk OBC) - I wonder how it works on stage?

der Brucer

As I've written MANY times (and which I'm sure you've read, der Brucer), I was lucky enough to see a theater-in-the-round production of Happy Fella with Robert Weede and Art Lund, and it remains one of the greatest theater experiences I've ever had.  Every bit of it worked perfectly.  I've seen several productions since that have been merely okay.  Merely okay productions can sap any great musical of its power and make you wonder why it was ever considered great.
Title: Re:FASTER THAN A SPEEDING BULLET
Post by: DERBRUCER on November 06, 2004, 09:30:18 AM
I think I found a new definition of ironic:




Or as Doris would warble "Your Secret Loves No Secret Anymore".
Title: Re:FASTER THAN A SPEEDING BULLET
Post by: DERBRUCER on November 06, 2004, 09:32:07 AM
As I've written MANY times (and which I'm sure you've read, der Brucer

AAAH - another shot through the heart!

der Brucer
Title: Re:FASTER THAN A SPEEDING BULLET
Post by: DERBRUCER on November 06, 2004, 09:37:31 AM
A reflexion on yesterday's  DC Metro oops:

(From Chuck Muth's DC COnfidentila Newletter)

Quote
WHAT ARE YOU GONNA BELIEVE: WHAT YOU SEE OR WHAT WE TELL YOU?

A runaway Washington, DC, subway train smashed into the back of another, injuring 20 people on Thursday.  To which a subway spokespinner said, “We know that there have been a series of situations in the last few months that have happened on Metro, but we want to assure our customers that the rail system (is) safe.”

Guess we now know where Baghdad Bob ended up, huh?

der Brucer (see, Jose, it's safe to go back!)
Title: Re:FASTER THAN A SPEEDING BULLET
Post by: JoseSPiano on November 06, 2004, 09:37:41 AM
Good Morning!

What a great topic of the day!  Unfortunately, due to time constraints - yes, I slept in again this morning (but I'm not necessarily running late..yet) - I don't have time right now to compose and post my list.  Ah, well...

But after reading the lists posted so far.. Ditto. ;)

But speaking of over-rated...

BK - Maybe you saw it in my "absence", but have you seen THE TEN COMMANDMENTS yet?  *Word on the street is if you happen to buy the $20 cheap seat, BUT come to the theatre right before the curtain, the ushers automatically upgrade you to the orchestra section, so...  -And, apparently, some religious goods shop are giving away free tickets with any purchase.  :P

OK - Gotta get ready to head in to the theatre... Good Richie Vibes...

Laters
Title: Re:FASTER THAN A SPEEDING BULLET
Post by: Jrand74 on November 06, 2004, 09:39:46 AM
LOL.

Though I dissed the set - MAKE ROOM FOR DADDY has some terrific guest stars including Dean Martin, Dinah Shore, and Judy Canova!

Canova does a bit of what must have been her nightclub act.  She yodels Reveille, does some comic songs, and sings a wonderful ballad!

Also Richard Beymer, Tommy Ivo, Eileen Janssen, Denise Alexander, and Richard Deacon.

William Demarest plays Kathy's father and of course Hans Conreid as the MOST irritating character I ever saw on TV - Uncle Tanoose!  And strangely, Conreid as a completely different character, an actor who coaches Terry (Sherry Jackson) in Shakespeare.

Marjorie Lord (in clothes by Emeson's and later, Bullock's) does a wild "Put the Blame on Mame".  She is so beautiful.  Perfectly coiffed and dressed - of course she is more California than New York, but it's a fun set....deficient though it may be.  Fans will appreciate it, despite its shortcomings.  Rusty Hamer and Angela Cartwright can still make me laugh.  And Danny's spit takes are classic!
Title: Re:FASTER THAN A SPEEDING BULLET
Post by: Jrand74 on November 06, 2004, 09:41:07 AM
Ah yes RICHIE RICHIE RICHIE vibes for DRJOSE'S Chorus Line....gimme the ball gimme the ball gimme the ball!
Title: Re:FASTER THAN A SPEEDING BULLET
Post by: DERBRUCER on November 06, 2004, 09:42:34 AM
Today's Battlefield Report:

Quote
WHAT TO DO ABOUT SNARLIN’ ARLEN

Sen. Arlen Specter was quoted in an Associated Press story on Wednesday “warning” President Bush not to send conservative judges his way once he takes over as Chairman of the Judiciary Committee.  Specter only wants to see “moderate” judges receive presidential appointments.

Well, this set off a firestorm of outrage among the conservative grassroots organizations.  By Thursday afternoon, Snarlin’ Arlen was revising and extending his remarks, maintaining, with a straight face, that he had not issued any such warning to the White House.  Heck, he was just trying to be helpful and respectful.  

Of course, no one with an IQ above room temperature bought that. They know that once Specter is officially installed as Chairman, he’ll make good on the threat he now says he didn’t make.

The question is, do the conservative Republicans in the Senate have the testosterone to block Specter from ascending to throne before it’s too late?  They haven’t shown any in the past, but maybe Tuesday’s election results gave ‘em a shot of courage.  We’ll see...but I wouldn’t bet the farm on it.

(above extracted from DC Confidential Newsletter)

Keep your eye on this fight - it may will be a harbinger of things to come.

der Brucer
Title: Re:FASTER THAN A SPEEDING BULLET
Post by: td on November 06, 2004, 09:48:18 AM
I saw a beautiful production of THE MOST HAPPY FELLA which featured the divine Leigh Beery and Don Stewart (Rosabella & Joe), which I liked so much on opening night, I returned five times during its run.  It works.  I don't know how I could have left it off (or Loesser off the list(s), but, there you go.  Incidentally, I am not fond of the 2  piano version, but remember a PBS showing of FELLA which was most enjoyable).

As for PARADE.  Well, I knew the Leo Frank story from such films as THEY WON'T FORGET and THE MURDER OF MARY PHAGAN.  I saw the first national tour without benefit of having heard the score prior to the viewing and was moved to tears several times.  I found no troubles at all with the score, and supposedly some book changes had been made prior to the tour - though there were still a couple of book problems.  
Even after having read AND THE DEAD SHALL RISE, Steve Oney's magnficent non-fiction, well researched book on the subject, I don't think that PARADE deals in stereotypes.
Title: Re:FASTER THAN A SPEEDING BULLET
Post by: DERBRUCER on November 06, 2004, 09:54:25 AM

Though I dissed the set - MAKE ROOM FOR DADDY has some terrific guest stars including Dean Martin, Dinah Shore, and Judy Canova!

Canova does a bit of what must have been her nightclub act.  She yodels Reveille, does some comic songs, and sings a wonderful ballad!


Back before our family entertainment center had a CRT, Miss Canova - Queen of Corn - the Jenny Lind of the Ozarks  was a favorite of mine.

der Brucer
Title: Re:FASTER THAN A SPEEDING BULLET
Post by: td on November 06, 2004, 10:10:48 AM
Ah, Judy Canova doing "The Lady in Red," great number right up there with any of Virgina O'Brien's numbers.

Oh, and film musicals (orginal):
SINGIN' IN THE RAIN
THE BAND WAGON
THE PIRATE
THE HARVEY GIRLS
MARY POPPINS

(adapted):
THE SOUND OF MUSIC
KISS ME, KATE
LI'L ABNER
SILK STOCKINGS
FUNNY GIRL
FINIAN'S RAINBOW
Title: Re:FASTER THAN A SPEEDING BULLET
Post by: elmore3003 on November 06, 2004, 10:38:56 AM
As for PARADE.  Well, I knew the Leo Frank story from such films as THEY WON'T FORGET and THE MURDER OF MARY PHAGAN.  I saw the first national tour without benefit of having heard the score prior to the viewing and was moved to tears several times.  I found no troubles at all with the score, and supposedly some book changes had been made prior to the tour - though there were still a couple of book problems.  
Even after having read AND THE DEAD SHALL RISE, Steve Oney's magnficent non-fiction, well researched book on the subject, I don't think that PARADE deals in stereotypes.

I would agree with you, DRtd.  I went into Lincoln Center expecting to hate PARADE, and it moved me to tears several times.  I thought it was a wonderfully assembled and moving piece with an amazing cast.  
Title: Re:FASTER THAN A SPEEDING BULLET
Post by: td on November 06, 2004, 10:47:23 AM
Well, DRelmore, after a comment such as that, I might just HAVE to give RENT a chance.  . .well, maybe next year.  (Ah! an A LITTLE NIGHT MUSIC reference!)

Right now, RENT would be IMHO, the most over rated musical.
Title: Re:FASTER THAN A SPEEDING BULLET
Post by: DERBRUCER on November 06, 2004, 10:54:51 AM
A titilating frivolity for today.

WARNING DANGEROUS DOUBLE-ENTENDRES AHEAD

THOSE EASILY OFFENDED MIGHT STILL ENJOY

TEENAGERS BEWARE - THIS IS INAPPROPRIATE JUVENILLE HUMOR

Quote
In pharmacology, all drugs have two names - a trade name and a generic
name. For example, the trade name of Tylenol is acetaminophen. Aleve is known as naproxen, Amoxil is amoxicillin, and Advil is ibuprofen.

The FDA has been looking for a generic name for Viagra. After
consideration by a team of government experts, it recently announced it has settled on the generic name of mycoxafloppin.

Also considered were mycoxafailin, mydixadrupin, mydixarizin, mydixadud, dixafix, and of course ibepokin.

Pfizer Corp. is making an announcement today that Viagra will soon be available in liquid form and will be marketed by Pepsi Cola as a power beverage suitable for use as a mixer.

Pepsi's proposed ad campaign claims it will now be possible for a man to literally pour himself a stiff one.

Obviously we can no longer call this a soft drink. This additive gives new meaning to the names of cocktails, highballs and just a good old fashioned stiff drink. Pepsi will market the new concoction by the name of Mount & Do.

I am der Brucer and I disapprove of this post
Title: Re:FASTER THAN A SPEEDING BULLET
Post by: George on November 06, 2004, 11:07:11 AM
SOME of my favorite musicals that are based only on recordings:
Lucky Stiff
Mack and Mabel
A New Brain
Pacific Overtures
Ragtime
Ruthless!


15 of my favorite musicals that I have actually seen or been in(*)
(I couldn't stop at just 10):
1776
Baby
Company
A Funny Thing Happened on the Way to the Forum*
Gypsy
(*)
Into the Woods
Little Shop of Horrors
March of the Falsettos/Falsettoland/Falsettos
Once on This Island
A Rock 'n' Roll Twelfth Night
(Olympia production)
The Rocky Horror Show
She Loves Me
The Spitfire Grill
Sunday In the Park With George
Sweeny Todd


And just SOME of my favorite composers (mostly) and lyricists:
Cy Coleman
William Finn
Stephen Flaherty/Lynne Ahrens
Jerry Herman
John Kander/Fred Ebb
Andrew Lloyd Webber
Frank Loesser
Alan Menken
Stephen Schwartz
David Shire/Richard Maltby Jr.
Stephen Sondheim
and too many others to mention
Title: Re:FASTER THAN A SPEEDING BULLET
Post by: Charles Pogue on November 06, 2004, 11:13:57 AM
Ben reminded me of another favourite movie which would push my two in tenth slot to eleven.  I love SHE LOVES ME!  The album has been a favourite of mine for years.  Finally got to see it in London a few years back with the lovely Ruthie Henshall.  Generally very nice, the strangest thing about it, however, was the British cast was using American accents when the musical's set in Hungary.  Go figure.
Title: Re:FASTER THAN A SPEEDING BULLET
Post by: Charles Pogue on November 06, 2004, 11:21:41 AM
All my choices are not limited to whether I've actually seen the musical on stage (After all, who here has seen KEAN?), though I have seen many, if not most, in some form or another, but rather  how often I drag the album out for a listen.
Title: Re:FASTER THAN A SPEEDING BULLET
Post by: Jennifer on November 06, 2004, 11:31:32 AM

My overrated show is Kiss of the Spider Woman.

I am also not a fan of Blood Brothers.

Other overrated shows have been mentioned as well, including:
Les Miz
Cats
Miss Saigon
The Lion King

I like almost every show you hate! :)

I really like Kiss of the Spider Woman as I mentioned yesterday.  Perhaps it's because it is one of the first big touring productions I'd ever seen.  I think seeing Chita Rivera do this show, sparked my love for musical theatre.

I like Les Miz.

I'm not crazy about Cats.  But it was the first show I ever saw.

I love Miss Saigon.

And I also really liked The Lion King.
Title: Re:FASTER THAN A SPEEDING BULLET
Post by: Charles Pogue on November 06, 2004, 11:32:37 AM
Over-rated for me would probably be Jerry Herman.  Aside from a few isolated songs here and there, I don't much care for his music or his shows...HELLO,DOLLY, MAME, blecch!  MACK & MABEL a couple of nice numbers and a couple of good performers, then who cares...DEAR WORLD, can't get past the title number.  LA CAGE AUX FOLLE, zzzzzzzz.  None of the versions, musical or non, have been as good as the initial French film...and I wasn't all that bowled over by it.

I also get the suspicion that Jerry Herman is not a nice man.  I was reminded when, in the recent Broadway musical doc, they showed his catty Tony acceptance speech when his show beat SUNDAY IN THE PARK, talk about a poor winner...his ungracious, tatty speech was an ill-disguised (perhaps intentinonally ill-disguised) slam at Sondheim.  Sondheim's music to me is much more melodic and moving than Herman's can ever hope to be...especially with every show having a chorus show-stopper that always sounds identical to the grating Hello, Dolly!
Title: Re:FASTER THAN A SPEEDING BULLET
Post by: Jennifer on November 06, 2004, 11:32:53 AM
The Amazing Race 6 starts in 11 days!

http://www.tvrules.net/modules.php?name=News&file=article&sid=6328&mode=&order=0&thold=0
Title: Re:FASTER THAN A SPEEDING BULLET
Post by: Jennifer on November 06, 2004, 11:35:32 AM
Some of my favorite composers/lyricists:

Sondheim
Kander/Ebb
Rodgers/Hammerstein
Ahrens/Flaherty
Bock and Harnick
Schwartz

Some of my favorite musicals:

She Loves Me
Sweeney Todd
Into the Woods
Cabaret
Miss Saigon
A Little Night Music
Rent
Notre Dame De Paris
Title: Re:FASTER THAN A SPEEDING BULLET
Post by: Jennifer on November 06, 2004, 11:37:42 AM
Re: ALW

I actually LOVE EVITA.  And I'm quite fond of JOSEPH.  And I really like the music for ASPECTS OF LOVE.

And I also LOVE the cd of PARADE.
Title: Re:FASTER THAN A SPEEDING BULLET
Post by: td on November 06, 2004, 11:40:48 AM
My overrated show is Kiss of the Spider Woman. I know this show has many fans on board but I LOATHED the movie and do not care for the musical at all.
Blood Brothers
Les Miz
Miss Saigon
The Lion King

Hated the film of SPIDER WOMAN, honestly, I did.  Read the novel.  Loved the novel.  Read the PLAY.  Loved it, too.
Saw the musical.  Another one that I really like, and I saw it on the same day that I saw that other musical:  BLOOD BROTHERS.
Thought the musical was one of Kander & Ebb's better efforts, yet, the cast albums don't work for me.  
LES MISERABLES I've seen numerous times and enjoyed, but the only time I loved it was when I saw Judy Kuhn, Frances Ruffelle, Terry Mann, Colm Wilkinson and Randy Graff in the first Broadway cast.
The others, with the exception of BLOOD BROTHERS, you can have. . .and you can add MARTIN GUERRE to that list, too. (The TWO cast recordings that I have listened to have done next to nothing for me).
As for THE LION KING - see my feelings regarding AIDA:  if Elton John has written the songs for a musical, I probably will not like it.
Title: Re:FASTER THAN A SPEEDING BULLET
Post by: td on November 06, 2004, 11:42:26 AM
(http://www.jacneed.com/PhotoFile/Carol_Channing.jpg)

Page Three Dance!
Title: Re:FASTER THAN A SPEEDING BULLET
Post by: Sandra on November 06, 2004, 11:47:58 AM
Let's not forget Moby Dick: The Musical.
Title: Re:FASTER THAN A SPEEDING BULLET
Post by: MBarnum on November 06, 2004, 11:57:24 AM
Hmmm...I have seen very few musicals on the stage so I will have to list film musicals:

FLOWER DRUM SONG
42ND STREET
BY THE LIGHT OF THE SILVERY MOON
ON THE TOWN
SILK STOCKINGS
TWIST AROUND THE WORLD
PAJAMA PARTY
LIL ABNER
ON MOONLIGHT BAY
SUMMER STOCK

Of course I left out the numerous Bollywood musicals.
Title: Re:FASTER THAN A SPEEDING BULLET
Post by: Ben on November 06, 2004, 12:04:09 PM
Jennifer, surprise, surprise. Five of the shows you mentioned as faves

She Loves Me
Sweeney Todd
Into the Woods
Cabaret
A Little Night Music

are shows I really love, so we do have some things in common.

I have heard one of the Martin Guerre cast recordings and it left me cold also. I have a friend who loves the show but I don't think I could sit through it after listening to the recording.
Title: Re:FASTER THAN A SPEEDING BULLET
Post by: S. Woody White on November 06, 2004, 12:06:39 PM

DRSWW, I saw the original NINE...one of the most memorable scores I've ever heard in the theatre. ...I was the first person, to my knowledge, to score Maury's song "New Words" for more than a small ensemble, and I think it's one of the most wonderful songs any composer-lyricist has penned...
And that's horseracing.
Title: Re:FASTER THAN A SPEEDING BULLET
Post by: S. Woody White on November 06, 2004, 12:23:01 PM
I'm seeing Pacific Overtures on Wednesday, December 22nd. My major concern is I'm in the back of the orchestra and my last experience at Studio 54 seeing Assassins annoyed me because I missed seeing parts of the show due to the staging. The balcony overhang is severe in this theatre and it's like Joe Mantello totally ignored that when he staged the show. PO is my absolute, bar none favorite piece of musical theatre in all of history (have I gone just a bit too far) and I'm sure the same thing will happen at some point (visually that is) during PO. I only took this subscription so I could be sure to get a ticket for the show....
What do you call a Pacific Overtures fan when he sees a production that's badly staged?  "P. O.'d," of course!   ;D

Der Brucer and I were lucky enough to see the British National Opera production (coincidentally the same day we saw the London Follies.)  Der B hadn't really wanted to see it, but we were able to get matinee tix at a good price.  Of course, by the intermission he was bouncing on his feet, thoroughly enjoying himself.  The show wasn't well preserved on disc, but it was wonderful in the theater.

Follies, on the other hand, supports your contention about a show being badly staged and designed.  We were in the balcony for this one, with the second balcony causing overhang problems.  But the perspective was all wrong for some of the staging, like trying to view a tableau at the Laguna Beach Pageant of the Masters from overhead, and I thought the actors were still focusing their performances towards where the director had sat rather than to the entire auditorium.  (But I still loved Diana Rigg doing her striptease!)
Title: Re:FASTER THAN A SPEEDING BULLET
Post by: S. Woody White on November 06, 2004, 12:43:28 PM
Interesting side note, to me at least:

Of the shows der Brucer listed as favorites that he's seen, there's only one that he saw when I was with him (The Secret Garden).

I know he's referring to the original touring production of Little Shop of Horrors so fondly, because what we saw together at the Long Beach Civic Light Opera (starrring Dom DeLouise as Mushnick, billed over everyone else and looped on painkillers) was a total botch conceptually, beginning with being in a barn theater that dwarfed everything on the stage.
Title: Re:FASTER THAN A SPEEDING BULLET
Post by: Matthew on November 06, 2004, 12:51:18 PM

I have heard one of the Martin Guerre cast recordings and it left me cold also. I have a friend who loves the show but I don't think I could sit through it after listening to the recording.

Another guilty pleasure.  Both CD's of Martin Guerre.  I saw the short-lived tour in LA in 2000 and LOVED the first act, very well done.  However, the second act was not good at all.  It was very sad because I wanted to like the show and I wanted it to do well. 
Title: Re:FASTER THAN A SPEEDING BULLET
Post by: Jrand74 on November 06, 2004, 01:11:59 PM
ICE STATION ZEBRA is on TCM right now!
Title: Re:FASTER THAN A SPEEDING BULLET
Post by: Charles Pogue on November 06, 2004, 01:13:47 PM
Hmmm, ICE STATION ZEBRA is on TCM right now.  And this is a reason for celebration because...?
Title: Re:FASTER THAN A SPEEDING BULLET
Post by: bk on November 06, 2004, 01:26:04 PM
I just picked up the most interesting book, a first edition entitled Three for Bedroom C.  Now, you might ask, what is so consarned interesting about a first edition of a novel entitled Three for Bedroom C?  Well, I'm not going to tell you.  You shall have to guess.  Here are clews: It is, I believe, the only novel of its author.  Its author is not known as an author at all, but as someone who has something in common with me, and who is legendary in his chosen field.  The year in which the book was written also plays an interesting part.
Title: Re:FASTER THAN A SPEEDING BULLET
Post by: Matt H. on November 06, 2004, 01:39:12 PM
DerBrucer wrote: "CATS is first and formost a dance show - the "songs" are incidental, but appealing nonetheless."


CATS is a revue, and the songs AND dances are integral to it. I am SO not a fan of the show, but because of its slimmest thread of a plot and progression of one number after another, it pleased an awful lot of people for an awfully long time. Don't like this song? There's another different one coming right up! As much as I didn't like the show, I have to admit that one or two of the numbers in the show were great fun for me to watch and listen to.

Of course, the Tony it won for Best Book of a Musical has to be THE most ludicrous Tony Award ever awarded.
Title: Re:FASTER THAN A SPEEDING BULLET
Post by: François de Paris on November 06, 2004, 01:41:32 PM
Hmmm...
I guess I must be a musical theater dweeb because I like Jerry Herman's musicals and music very much!
Oh, i'm sure he's a terrible human being -- i don't think La Merman was whipped cream either -- but his music and lyrics make me feel good and happy and, yes, even gay at times!

Not for the intellectual kind, of course! La Cage -- the film -- is a farce; i saw a staged version of the musical in Florida and it was deeply moving! I cared much more for the characters in the musical than for the ones of the film version....

Hmmm... (again!) No mention of Harry Warren, one of my favorite composers! Harry who?

Well, I have seen so few musicals on stage that i can't partake in a listing, I guess...

Favourite lyricists will have to be Alan J. Lerner and Larry Hart...

I don't like the word "hate" so I won't mention what I don't care for; waste of time and not constructive!
How can anyone "hate" a musical, anyway, unless it offends decency and intelligence?

Over-rented musical; RENT! Just for the pun; never heard/saw it!

Hope everything's and everyone's ok in BUSHLAND, aka Four More Years, Stop This Country, I Want To Get Off and Vomit On The Ground, a non-existing musical that I HATE!
Title: Re:FASTER THAN A SPEEDING BULLET
Post by: Matt H. on November 06, 2004, 01:45:14 PM
Watched THE NAME OF THE ROSE this afternoon. I still think it's too long for the story it tells, but, boy, was the 14th century captured beautifully on film. I really felt I was there.

The DVD looks very nice. Of course, there are some overly grainy shots (not the DVD's fault; I remember the film looking grainy in the theater), but they're beefed up the soundtrack to Dolby Digital 5.1, and they get some great deep bass going on a couple of occasions.
Title: Re:FASTER THAN A SPEEDING BULLET
Post by: Matt H. on November 06, 2004, 01:50:08 PM
I have to admit I was appalled at Jerry Herman the night he won that LA CAGE Tony. So crass and so gloating.

Now, that says nothing against the merits of LA CAGE which I find warm, human, and lovely. It's my second favorite Herman score after MAME.

And I think it speaks VOLUMES that he's never had the guts to come back to Broadway with a new show again. Oh, he says he just hasn't found a subject to interest him, but I think he wanted to go out with a winner and doesn't want to risk another DEAR WORLD/GRAND TOUR/MACK AND MABEL type of failure.
Title: Re:FASTER THAN A SPEEDING BULLET
Post by: DERBRUCER on November 06, 2004, 02:04:02 PM
I just picked up the most interesting book, a first edition entitled Three for Bedroom C.  Now, you might ask, what is so consarned interesting about a first edition of a novel entitled Three for Bedroom C?  Well, I'm not going to tell you.  You shall have to guess.  Here are clews: It is, I believe, the only novel of its author.  Its author is not known as an author at all, but as someone who has something in common with me, and who is legendary in his chosen field.  The year in which the book was written also plays an interesting part.

Well the story (for the Swanson movie) was by Goddard Libierson - one those album production guys.

I can find no reference to it as a stand-alone novel.

Quote
Goddard Lieberson is responsible for my whole recording career in the United States, since it was he who convinced me to record the Rite of Spring in April, 1940. I knew Goddard only distantly then. I knew his wife ten years before that and only with difficulty can I relate the young A&R executive with the man who has for the last decade been one of my dearest friends. Goddard Lieberson has always held that the sales department of a record company must not be allowed to dictate to the artists and repertory department and to that policy the whole of contemporary music is indebted, for Columbia Records, thanks to Goddard Lieberson, has almost single-handedly championed the modern composer rather than the established mediocrities amongst performers. Goddard Lieberson is a man of great talents and illuminating wit. He is also extremely gentle and is a man who is constantly learning, reading, developing. I cannot say more of someone whom I am so fond.

Igor Stravinsky, 1961


der Bruce (hoping bk gives with the year the novel was written - my guess is it's bk's birthday))
Title: Re:FASTER THAN A SPEEDING BULLET
Post by: Michael on November 06, 2004, 02:05:14 PM
Three for Bedroom C written by the great Coulmbia Broadway/Musical cast album producer Goddard Lieberson.
Title: Re:FASTER THAN A SPEEDING BULLET
Post by: George on November 06, 2004, 02:06:20 PM
"3 for bedroom C" by Goddard Lieberson.  Published by Doubleday & Company, Inc., 1947.  221 pages.
Title: Re:FASTER THAN A SPEEDING BULLET
Post by: Michael on November 06, 2004, 02:08:31 PM
Gloria Swanson was in the film version. I think it was her first movie after Sunset Blvd. So as a small kid I couldn't figure it out how she had a daughter after killing William Holden and going mad. It was during a week of Swanson films on the afternoon movie matinee.
Title: Re:FASTER THAN A SPEEDING BULLET
Post by: Ben on November 06, 2004, 02:09:24 PM
François,
I, too, love Harry Warren. I have a compilation CD (along with other CDs containing music written by him) put out by the Smithsonian. They have a series of CDs celebrating various composers and Harry Warren is one of them. Very nice stuff. I don't know how many there are because they didn't sell well so many are out of print. I have 10 and I know there are at least 22 ranging from Fats Waller to Dorothy Fields, to Cy Coleman and the usual suspects though Stephen Sondheim is not part of the group. I imagine he's not in because it's called the American Songbook Series and though he has written some memorable and wonderful music, I don't think he is generally considered to be part of the group that wrote the "American Songbook". Anyway, I digress.
Title: Re:FASTER THAN A SPEEDING BULLET
Post by: Noel on November 06, 2004, 02:12:10 PM
I never said I hated Follies.

The question was, what's the single most overrated musical, and so I felt I had to pick something that's rated VERY VERY highly.  People I know don't rate Lloyd Webber all that highly, which is why I picked young Jason Robert Brown who's rated VERY VERY highly on the basis of two Broadway bombs, a short-lived off-Broadway indulgence, and an off-off-Broadway revue.

One can certainly see where having seen a show makes a great difference.  Joy and I sat at A New Brain thoroughly mystified.  What the hell was that?  But, on record, it's clear that William Finn's score is one of the most tuneful dazzlers of the past decade.  To have not seen the show is to love it.

I've seen Follies twice - original London production and that Roundabout revival from the balcony.  I've read the book and played through the score.  A lot of people I respect say that the original Broadway production, directed by both Michael Bennett and Harold Prince, was among the greatest musicals ever.  And I still doubt it, because, no matter how you dress it up, it's still about middle-aged dweebs regretting their life choices.  If it's entertaining, it's entertaining in SPITE of that.

I almost had Strouse and Adams on my list, but substituted Lerner & Loewe at the last minute, recalling how underwhelming I found Applause and how few songs there are in Superman - but these two I've only seen in their television versions.

Yeah, those two Burton Lane hits are as good as anybody's.

Would it be pedantic to point out that the title of the 12th Night musical is Your Own Thing.  I've never heard of Do Your Own Thing - is it something else?
Title: Re:FASTER THAN A SPEEDING BULLET
Post by: DERBRUCER on November 06, 2004, 02:19:29 PM
Would it be pedantic to point out that the title of the 12th Night musical is Your Own Thing.  I've never heard of Do Your Own Thing - is it something else?

Yes - but I sit corrected.

der Brucer (bowed but not humbled!)
Title: Re:FASTER THAN A SPEEDING BULLET
Post by: bk on November 06, 2004, 02:23:23 PM
Doubt it all you like, but it was a brilliant production and the show worked because of it.  As played by its original cast, you felt for the "dweebs" as you call them - you may not have liked them but you understood them and felt for them.  The show worked on so many levels it was breathtaking.  You saw the London production, which was MUCH revised, and the Roundabout, which also used text revisions which are not as good as the original.  But, you will never know whereof I (and many many others) speak because you didn't see it.  If you had, I can guarantee you you would be saying the same thing.  

Yes, it's Goddard Lieberson's one and only novel, and yes, it was written in my birth year.  How odd is that?
Title: Re:FASTER THAN A SPEEDING BULLET
Post by: Danise on November 06, 2004, 02:26:33 PM
Good late afternoon/early evening folks!

I'm back from the days shopping trip which included a couple of DVD's, Red Sonja and The Wind and Lion.  What can I say?  I love Arnie movies.  I haven't really seen one that I really dislike.  Maybe not like enough to own but not put out and out dislike.

I can’t BELIVE all of the Christmas stuff that’s out now.  I’m kinda surprised I haven’t seen the live Christmas trees for sale.  I think that’s about all that’s left to come out.

I do have a question.  Forgive the ignorance but if I don’t ask I’ll never learn.  For my Jewish friends here on the board, is it ok to send you a Christmas card or would that offend you?  I bought some (C)hanuka (is that with a C or a H I see it both ways) cards but if I slip up and send you the wrong kind of card, will you be ok with it?

Also, I would like to send you all cards but I don't have your address.  If it's ok to send you one, will you please give me your address by PM or E-mail.   Those of you who have already received something from me in mail know I have your address, unless you've moved.

Cats was the only play/musical whatever you want to call it that I actually started looking at my watch and wondered when it would be finely be over.  See people lick themselves and act like cats was charming.  For all of, oh lets say, fifth teen minutes.  If that long.

Miss Saigon.  Ugh.  I felt the same way about it.  And it used, Hang Down Your Head Tom Dooley and the main love song!

Wonderful Town is nice but clearly dated material.  I’m not saying I didn’t enjoy it.  I liken it to watching an old Black and White movie.  There are many of them that I still enjoy but you can tell what time period they belong to.

Aida.  I thought it was great.

Les Miserables has to be among my all time favorites.  

POTO,  right up there with Les Miserables

Barnum.  A really fun show.  I didn’t get to see it live but I love the DVD.  Mr. C is clearly in his element and having a great time.  

Camelot.  

My Fair Lady.

Mame.  Another dated but fun show.

Wicked.  Anything with witches, magic and fantasy has my vote.








Title: Re:FASTER THAN A SPEEDING BULLET
Post by: Jane on November 06, 2004, 02:29:56 PM
Mbarnum-great news getting the interview

Goddard Lieberson produced original cast recordings.
Bruce that is all the research I have time for.  I think if I had more time I would find the connection.

Title: Re:FASTER THAN A SPEEDING BULLET
Post by: Jane on November 06, 2004, 02:31:31 PM
There were so many posts while I was doing other things and before I could post.  I will return later to read them.
Title: Re:FASTER THAN A SPEEDING BULLET
Post by: Michael on November 06, 2004, 02:34:52 PM
Tonight I am going to theater, to see When Pigs Fly. If they can make helicopters fly on stage why not pigs?
Title: Re:FASTER THAN A SPEEDING BULLET
Post by: Noel on November 06, 2004, 02:42:15 PM
Doubt it all you like, but it was a brilliant production and the show worked because of it.  As played by its original cast, you felt for the "dweebs" as you call them - you may not have liked them but you understood them and felt for them.  The show worked on so many levels it was breathtaking.  You saw the London production, which was MUCH revised, and the Roundabout, which also used text revisions which are not as good as the original.  But, you will never know whereof I (and many many others) speak because you didn't see it.  If you had, I can guarantee you you would be saying the same thing.

OK, BK - I guess I'll take that guarantee to the bank.

I was very aware of the text and score changes in the productions I saw.  That's why I read the published script while playing every note of the published score.  Like Flower Drum Song, Follies is certainly in no need of revision.

Older folk sometimes tell me that when I get closer to the age of Ben, Buddy, Sally and Phyllis, I'll have an easier time empathizing with them.  If middle-age is anything like what's portrayed in Follies, shoot me now!
Title: Re:FASTER THAN A SPEEDING BULLET
Post by: Charles Pogue on November 06, 2004, 02:43:05 PM
Maybe my indifference to La Cage is that I have never really understood the whole gay fascination for drag and drag queens.  I've never seen much talent displayed in dressing up as a woman and lip-synching to records.  

For that matter, I have never understood the whole cross-dressing drag thing as entertainment from a heterosexual point-of-view either.  The British seem to go wild for it.  But for the rare exception of plays like Charley's Aunt or rather brilliant impressionists like Charles Pierce, I've always found it  a crushing bore and mostly not funny.  Dame Edna gets old with me real fast.  And I can think of nothing more dreary than the idea of going to see Jim Bailey do Judy Garland or Barbara Streisand.  (Of course, while I never disliked Judy, I've never understood the whole cult around her anyway.  Other than her on a couple of soundtracks, I own no Judy Garland albums.  Streisand, while a good singer, got more interested in showing off her instrument rather than serving the song  which is something I find utterly tedious in a singer and I own no Streisand albums either.  My wife may have one or two early ones.  Neither of them can hold a candle to Rosemary Clooney or Ella).
Title: Re:FASTER THAN A SPEEDING BULLET
Post by: François de Paris on November 06, 2004, 02:47:06 PM
Tonight I am going to theater, to see When Pigs Fly. If they can make helicopters fly on stage why not pigs?

When Pigs Fly.... I will, because I'm such a pig!! ;D
Title: Re:FASTER THAN A SPEEDING BULLET
Post by: Matt H. on November 06, 2004, 02:52:50 PM
Noel wrote: "Older folk sometimes tell me that when I get closer to the age of Ben, Buddy, Sally and Phyllis, I'll have an easier time empathizing with them.  If middle-age is anything like what's portrayed in Follies, shoot me now!"

As one of those older folk, I was about to tell you the same thing, but I saw the show as a 22 year old and was spellbound. I don't know about the adults in your life, but both my parents had expressed regrets about roads taken and not taken while I was growing up. I used to ask them about their choices all the time. FOLLIES vibrates with that longing and angst (and reminded me in many ways about my parents' wishes and regrets), but that doesn't mean all older folks are filled with nothing but regret. In fact, people like Hattie and Carlotta seem to have enjoyed every moment of their lives, hard and frustrating as they might have been.

I've never seen a more dazzling musical that worked on so many levels, that stirred up SO many emotions, and left me with something to think about as I walked out of the Winter Garden as FOLLIES did. I don't suspect there will ever be another musical in my lifetime that will mean more to me.
Title: Re:FASTER THAN A SPEEDING BULLET
Post by: François de Paris on November 06, 2004, 02:57:17 PM
Mr Pogue,
I don't have a clue why, and that must be a cultural difference between the US and the Old Europe, but people here LOVE to see men in drag; SOME LIKE IT HOT was turned into a stage musical in the sixties as La Polka Des Lampions, and was quite a success!

I don't think the success of La Cage relies on the drag queen element!

The message is that people with a different sex orientation are people too, with feelings and a heart, and the production I saw was terribly moving on that level. At the end, one realized that one was watching two people in love and could not care less if they were of the same gender!

If La Cage had a message, that's the one I got, and I'm not even sure if the French play was heading the same way; it was really making fun of gay people in a very heterosexual way.... Like most of the TV shows nowadays, matter of fact! "
We "accept" them because they're funny but they are weird and, thank God, I'm straigth".
Welcome to BUSHLAND! I have a gun and I pray the Lord!
Title: Re:FASTER THAN A SPEEDING BULLET
Post by: bk on November 06, 2004, 02:58:39 PM
And I'd bet that had I seen the original production of Oklahoma, with its original cast, and in the context of its time, I, too, would be touting that as brilliant.  
Title: Re:FASTER THAN A SPEEDING BULLET
Post by: Ben on November 06, 2004, 02:58:42 PM
Charles Pogue said:

"Dame Edna gets old with me real fast."

Wow, I never mentioned it before because I thought I was the only one here who felt that way.
Title: Re:FASTER THAN A SPEEDING BULLET
Post by: François de Paris on November 06, 2004, 03:25:19 PM
Charles Pogue said:

"Dame Edna gets old with me real fast."

Wow, I never mentioned it before because I thought I was the only one here who felt that way.

No, Ben you are not alone!

Signed,
Stephen Sondheim! ;)

May I venture that RLP and Tomovoz would not agree with you!

Me, I never saw Dame Edna, but.... she can't be that... old! :D
Title: Re:FASTER THAN A SPEEDING BULLET
Post by: François de Paris on November 06, 2004, 03:27:53 PM
Now, what if... we were to combine La Cage and Follies!!

Hmmmmm....
Title: Re:FASTER THAN A SPEEDING BULLET
Post by: td on November 06, 2004, 03:28:56 PM
And I'd bet that had I seen the original production of Oklahoma, with its original cast, and in the context of its time, I, too, would be touting that as brilliant.  

I was damned close to calling OKLAHOMA! over-rated, after all, SHOW BOAT was earlier and successfully combined song and story with character.
I have only seen one production of OKLAHOMA! which I might call memorable, the first one I saw which featured Judy Knaiz (as in film's HELLO, DOLLY!) as Ado Annie.
Title: Re:FASTER THAN A SPEEDING BULLET
Post by: JoseSPiano on November 06, 2004, 03:42:54 PM
Good Afternoon!

Back at the hotel between shows... Just cooked dinner: Szechaun Chicken with Broccoli.  Tasty!  *I'm finally cooking some of the food I bought three and/or four weeks ago when I got here, so..  -At least I'm "saving" some money this final weekend by not eating out. ;)

Alas...

Eric, our Richie, ended up having a torn muscle in his leg, so he's out for the final shows.  And since his understudy is also out, the other swing went on.  Parker is doing a great job, and we all wish Eric a speedy and complete recovery.  -He'll be flying back tomorrow morning so that he can see his doctor back home in NYC first thing Monday morning.  -Oh, and Parker came in today at 10:00 and learned his new track.  Go!  *But it is quite interesting having a white Richie... "... and I'm white!"  -No, we didn't change that line in the "roll call".  :P

Thanks for the between show reading...  Great choices (good and over-rated) and great discussion.

OK - I need to wash some dishes and get some stuff together before tonight's show.  And after tonight's show, there's a reception being held for us at the Shell Oil headquarters. <puff-puff>  -So I might not be back until "tomorrow"...

Laters...
Title: Re:FASTER THAN A SPEEDING BULLET
Post by: Jane on November 06, 2004, 03:43:43 PM

I do have a question.  Forgive the ignorance but if I don’t ask I’ll never learn.  For my Jewish friends here on the board, is it ok to send you a Christmas card or would that offend you?  I bought some (C)hanuka (is that with a C or a H I see it both ways) cards but if I slip up and send you the wrong kind of card, will you be ok with it?
[i

Danise thank you for asking.  I have found different people have varied reactions to your question.

You may send me either since I celebrate both.  I send a holiday card unless, as it is this year, Chanukah is early.  Then I send two sets of cards.  There are certain people I only send Chanukah cards to but most of my Jewish friends and family receive the generic.  It does bother me to receive a Chanukah card for Christmas when Chanukah has come and gone.

I noticed the first night of Chanukah is my birthday.  So you can send me three cards this year. ;)
Title: Re:FASTER THAN A SPEEDING BULLET
Post by: Jane on November 06, 2004, 03:48:45 PM
We survived the first week of our project.  The workers are gone for the weekend and the house has been dusted and cleaned and my hair washed.  Now my throat doesn’t hurt anymore.   :D
Title: Re:FASTER THAN A SPEEDING BULLET
Post by: Jrand74 on November 06, 2004, 03:54:19 PM
Oh well....it's just that I liked ICE STATION ZEBRA....no need for celebration at HHW.  Really....really.

Title: Re:FASTER THAN A SPEEDING BULLET
Post by: Charles Pogue on November 06, 2004, 04:00:34 PM
Francois, I got the theme of La Cage okay.

But I have never understand why gay men who are attracted to men delight in seeing them dressed as women.  Just don't get it.

But then I don't get the European delight, regardless of sexual preference, for drag comedy either...Truthfully, I've never been as big a fan of Some Like It Hot as others are...and I'm a huge Billy Wilder fan.  Anytime I see a film or play touted with gender role switching...either men or women dressing as the opposite sex... I mostly just don't care.
Title: Re:FASTER THAN A SPEEDING BULLET
Post by: Jane on November 06, 2004, 04:01:23 PM
Does MOVIN OUT count?

WICKED
FIDDLER ON THE ROOF
THE MUSIC MAN
SECRET GARDEN

This list looks too small, but then I am only mentioning my favorites from live performances.  I'm sure I'm missing something but I'm super tired.
Title: Re:FASTER THAN A SPEEDING BULLET
Post by: François de Paris on November 06, 2004, 04:04:15 PM
We survived the first week of our project.  The workers are gone for the weekend and the house has been dusted and cleaned and my hair washed.  Now my throat doesn’t hurt anymore.   :D

So,

You Had To Wash That Dust Right Out Of Your Hair?? :D
Title: Re:FASTER THAN A SPEEDING BULLET
Post by: MBarnum on November 06, 2004, 04:08:47 PM
Oh, my personnally autographed Asturd Gilberto CD of her album The Shadow on Your Smile just arrived! I am very happy and am listening to it right now! Thank you BK for letting me know about this! Hurray...it is a beautiful CD!

"To Michael, affectionately Astrud Gilberto
Title: Re:FASTER THAN A SPEEDING BULLET
Post by: François de Paris on November 06, 2004, 04:10:50 PM
Francois, I got the theme of La Cage okay.

But I have never understand why gay men who are attracted to men delight in seeing them dressed as women.  Just don't get it.


I don't know either!
My guess is that a lot of gay men would like to be .... women in some way! They like the grotesque side of it too...

What I understand is that your not understand that makes you not liking shows based on cross-dressing! Right?

But that's ok! I know a few good shrinks who can help you! ;)
Title: Re:FASTER THAN A SPEEDING BULLET
Post by: Jennifer on November 06, 2004, 04:30:42 PM
Re: sending Jewish people X-mas cards

I think it might depend how religious they are.  I know I wouldn't be offended.  But most people I know would probably send a generic holiday/Season's Greetings card vs something that says "Merry Christmas" on it.
Title: Re:FASTER THAN A SPEEDING BULLET
Post by: Jennifer on November 06, 2004, 04:37:16 PM
DR Jane, thanks for letting me know that Chanukah is earlier this year.  I actually hate it when it turns out this way.  I find it really hard since many of my family members celebrate Christmas.

Oh, I feel crappy!  I just slept for 1 1/2 hours.   And I could easily fall asleep for the night for night I think.

Btw, I have another musical that I love: Jane Eyre!
Title: Re:FASTER THAN A SPEEDING BULLET
Post by: bk on November 06, 2004, 04:46:37 PM
Glad you're enjoying the Astrud album - a total beauty.  I am going to my beloved Musso and Frank this very evening with our very own Pogue and his very own Julieanne.  I'm so hungry, I can't wait.
Title: Re:FASTER THAN A SPEEDING BULLET
Post by: bk on November 06, 2004, 05:43:34 PM
No, no, no, we don't let one hour go by, do we?  You'd think this was a Saturday night or something.  Let us play, let us romp, let us have lettuce, let them eat fish, let the games begin.
Title: Re:FASTER THAN A SPEEDING BULLET
Post by: Sandra on November 06, 2004, 05:49:00 PM
I don't have much to report, except that I hurt my thumb fencing Thursday night. I kept on fencing after that, which probably wasn't the best idea. I was hoping it would get all swollen and purple, but it didn't.

Wasn't that a great story?
Title: Re:FASTER THAN A SPEEDING BULLET
Post by: Jrand74 on November 06, 2004, 05:50:22 PM
Has anyone bought The Invisible Man the Legacy Collection yet?  I didn't even see The Invisible Man on DVD yet!
Title: Re:FASTER THAN A SPEEDING BULLET
Post by: MBarnum on November 06, 2004, 06:10:10 PM
I did not buy the Invisible Man set. I thought about it, but didn't. It would be fun to see THE INVISIBLE WOMAN again.

On the other hand I should be getting the W.C. Fields set and the Marx Bros. set...which hasn't shipped yet :(
Title: Re:FASTER THAN A SPEEDING BULLET
Post by: PennyO on November 06, 2004, 06:11:13 PM
I'll ditto what many DR's say are their fave live musicals. Guys and Dolls is a fave of mine, and Sweeney, of course. And I have to add The Producers - gosh, I laughed and smiled and hummed and cheered... I totally LOVED it. One of the Fun-est evenings I've ever spent. The whole thing, every aspect of it - and I saw it without the original cast. Didn't matter to me. GREAT, every minute!!! I think Damn Yankees is a swell show! I love 1776 - even if it's not per se A Musical, but rather an historical drama with music. Still love it. I think Phantom is overrated...
Title: Re:FASTER THAN A SPEEDING BULLET
Post by: PennyO on November 06, 2004, 06:12:40 PM
And so, Good Night!
Title: Re:FASTER THAN A SPEEDING BULLET
Post by: bk on November 06, 2004, 06:27:22 PM
I think I got the Invisible Man collection on DVD, but the problem is it's invisible and I can't find it.  Damn them, damn them all to hell.  These Saturday night gadabouts (of which I'm about to be one) better get their butt cheeks in here when they return from gadabouting.
Title: Re:FASTER THAN A SPEEDING BULLET
Post by: MBarnum on November 06, 2004, 06:37:00 PM
I am not gadabouting...I am here...but I am all alone it would seem!  :-\
Title: Re:FASTER THAN A SPEEDING BULLET
Post by: MBarnum on November 06, 2004, 06:38:55 PM
Tomorrow I shall get letters out to three more cast members of WILD WOMEN OF WONGO whom I have just managed to locate, so as to interview them for my big WILD WOMEN OF WONGO article that I have been working on for a couple of years now. These people arent' easy to find (it is one of those independed made on location in Florida type movies from the 50s).

They can run, but they can't hide! Bawahahahaha!
Title: Re:FASTER THAN A SPEEDING BULLET
Post by: Jane on November 06, 2004, 06:43:52 PM
So,

You Had To Wash That Dust Right Out Of Your Hair?? :D

 ;D  I sure did.

We went out for dinner and had a very nice time.  I'm wearing a black turtle neck top and a very pretty butterfly necklace with a coordinating set of ear rings I purchased in Budapest.  :)
Title: Re:FASTER THAN A SPEEDING BULLET
Post by: td on November 06, 2004, 06:49:58 PM
These Saturday night gadabouts (of which I'm about to be one) better get their butt cheeks in here when they return from gadabouting.

I was a gadabout.  I was at, let's see. . .The Mars National Bank (no kidding), Wal*Mart, where I purchased three new shirts as well as the SHREK 2  Soundtrack, then at Borders where, appropriately enough, where I picked up the dvd of DAMN YANKEES.  (well, I also got WHAT EVER HAPPENED TO AUNT HELEN and MURDER ON THE ORIENT EXPRESS) as well as the special Biblical issue of U. S. NEWS & WORLD REPORT.  And that's the report of this gadabout.

Has any dear reader seen THE GRISSOM GANG?  I noticed that it was out on dvd and it's also an Aldrich film, but, I didn't know if it was worth a blind buy.
Title: Re:FASTER THAN A SPEEDING BULLET
Post by: td on November 06, 2004, 06:51:16 PM
PAGE FIVE DANCE!

(http://www.streetswing.com/histmai2/gif/1gverdon1.gif)
Title: Re:FASTER THAN A SPEEDING BULLET
Post by: Jane on November 06, 2004, 06:53:40 PM
Jennifer I personally enjoy a separation between the holidays, just not as much as we will have this year.

Bryan’s birthday is Dec. 23rd and one year it fell on the first night of Chanukah-too close to Christmas for my liking.  Maybe Chanukah and birthday gifts don’t belong under a Christmas tree but that is where they were.  The kids arrived for his birthday party and kept commenting it looked like Santa had arrived already.  I still remember how exhausted I was by the 26th.  ;D
Title: Re:FASTER THAN A SPEEDING BULLET
Post by: S. Woody White on November 06, 2004, 06:54:10 PM
I don't like the word "hate" so I won't mention what I don't care for; waste of time and not constructive!
How can anyone "hate" a musical, anyway, unless it offends decency and intelligence?
AT LAST!  Someone who also doesn't like the word "hate," which has to be one of the most over-used (and abused) words in the English language.
Title: Re:FASTER THAN A SPEEDING BULLET
Post by: Jane on November 06, 2004, 06:58:19 PM
François & SWW I can’t recall hating a musical – bored, or extremely bored works.  Now love, yes I have loved some.  The problem is we don’t have enough words in the English language to express different levels of love.  How many do you have in French?
Title: Re:FASTER THAN A SPEEDING BULLET
Post by: Jane on November 06, 2004, 07:04:54 PM
Off to change into my comfy new pair of pj's, cuddle with the guys and watch VANITY FAIR.
Title: Re:FASTER THAN A SPEEDING BULLET
Post by: S. Woody White on November 06, 2004, 07:21:26 PM
I've seen Follies twice - original London production and that Roundabout revival from the balcony.  I've read the book and played through the score.  A lot of people I respect say that the original Broadway production, directed by both Michael Bennett and Harold Prince, was among the greatest musicals ever.  And I still doubt it, because, no matter how you dress it up, it's still about middle-aged dweebs regretting their life choices.  If it's entertaining, it's entertaining in SPITE of that.
Noel, I think you've missed the point of Follies entirely.  Of the entire cast of characters, only the central four regret their life choices.  Everyone else celebrates how their lives have gone.  Sally, Ben, Buddy and Phyllis are all in stark contrast to their peers, who have all gone on with their lives, through their ups and down, and are satisfied with the results.  What Follies is about, and what the Loveland sequence points out, is the folly of regretting what has past instead of living in the present.  I'm surprised you missed that.

I would probably put Follies in my second tier of favorite shows, both because of it's score and it's complex book.  While I doubt anyone will ever be able to mount it as magnificently as Prince did originally, and I therefor won't be able to enjoy a physical production to the degree that I've enjoyed my readings and listening to the score, that doesn't diminish my love of the show one whit.
Title: Re:FASTER THAN A SPEEDING BULLET
Post by: S. Woody White on November 06, 2004, 07:25:34 PM
Adore, cherish, appreciate, prize, delight in, dote on, worship, treasure, revere, idolize, exalt, admire...
Title: Re:FASTER THAN A SPEEDING BULLET
Post by: S. Woody White on November 06, 2004, 07:31:35 PM
Maybe my indifference to La Cage is that I have never really understood the whole gay fascination for drag and drag queens.
Neither do some of us who are gay.  
Quote
I've never seen much talent displayed in dressing up as a woman and lip-synching to records.  
I suggest you not watch Saturday Night Live, then.   ;)
Title: Re:FASTER THAN A SPEEDING BULLET
Post by: S. Woody White on November 06, 2004, 07:34:58 PM
Now, what if... we were to combine La Cage and Follies!!

Hmmmmm....
I think it's been done more than once, on gay motorcycle club runs.
Title: Re:FASTER THAN A SPEEDING BULLET
Post by: S. Woody White on November 06, 2004, 07:40:56 PM
Eric, our Richie, ended up having a torn muscle in his leg, so he's out for the final shows.  And since his understudy is also out, the other swing went on.  Parker is doing a great job, and we all wish Eric a speedy and complete recovery.  -He'll be flying back tomorrow morning so that he can see his doctor back home in NYC first thing Monday morning.  -Oh, and Parker came in today at 10:00 and learned his new track.  Go!  *But it is quite interesting having a white Richie... "... and I'm white!"  -No, we didn't change that line in the "roll call".  :P
This is bringing on Lend Me a Tenor resonances.

Vibes to Eric and his understudy, and to Parker to "break a leg."
Title: Re:FASTER THAN A SPEEDING BULLET
Post by: S. Woody White on November 06, 2004, 07:45:29 PM
I don't know either!
My guess is that a lot of gay men would like to be .... women in some way! They like the grotesque side of it too...
The second reason is far more likely.  In every survey I've come across, gay men do NOT want to be women, other than a significantly small minority.

For that matter, lesbians do not want to be men, either.
Title: Re:FASTER THAN A SPEEDING BULLET
Post by: François de Paris on November 06, 2004, 07:52:20 PM
François & SWW I can’t recall hating a musical – bored, or extremely bored works.  Now love, yes I have loved some.  The problem is we don’t have enough words in the English language to express different levels of love.  How many do you have in French?

I guess SWW has answered you partly; both languages, I guess, have the same amount of words and expressions for human feelings; it's just that we don't seem to care to use them!
In a negative form, we can say; I don't care for, I abhor, I detest, I dislike....
Just "hate" in connection to a work like a play, a book, a film, a musical seems a little excessive to me, in general!
I can hate people but something static?!
I'm being picky, I know!

P.S.: I hope you don't hate me for saying that!? ;)
Title: Re:FASTER THAN A SPEEDING BULLET
Post by: François de Paris on November 06, 2004, 07:57:14 PM
cuddle with the guys

Hmmm...

I should have known you were one of those women!
Such a flirt! :o ;)
Title: Re:FASTER THAN A SPEEDING BULLET
Post by: S. Woody White on November 06, 2004, 08:03:14 PM
I prefer to use "hate" in the context of people like the "Reverend" Fred Phelps, people who actually preach hatred and get a sickening joy out of that emotion.  To say something like "I hate sweet potatoes" takes the reality out of the word.

We've had enough of the real thing during this past election, I think.
Title: Re:FASTER THAN A SPEEDING BULLET
Post by: Matt H. on November 06, 2004, 08:06:34 PM
Had no interest in THE INVISIBLE MAN or MUMMY Legacy sets. I had already bought the films in those series that I wanted when they were first released, and I don't care for some of the sequels. I'll keep what I've got with them.

Watched TV tonight instead of a DVD since I was catching up on reruns that I hadn't seen - especially LAW & ORDER: SPECIAL VICTIMS UNIT.
Title: Re:FASTER THAN A SPEEDING BULLET
Post by: Matt H. on November 06, 2004, 08:11:13 PM
Looks like I will finally get to STAR WARS (IV) tomorrow (and possibly THE EMPIRE STRIKRES BACK as well). Looking forward to seeing and hearing what's been done with them since I last saw the laserdiscs (which were the original films, of course). I never saw the revamped reissues in the late 1990s that made so much money.
Title: Re:FASTER THAN A SPEEDING BULLET
Post by: bk on November 06, 2004, 09:32:09 PM
I'm back and to prove it, I'm here.  I am so full it's not even funny.  We had a lovely time.  As we were placing our drink orders, Miss Leelee Sobieski and friend (girl) walked down our aisle.  She's so cute - and TALL, really really tall.  Now, here's the thing: She happens to be the star of the Hercules mini-series, upcoming on NBC, that our very own Pogue wrote.  But he'd never met her.  I suggested we grab her and the lovely Julieanne was all for it.  Then she walked back down our aisle and apparently out of the restaurant.  Perhaps the wait was too long, although there were several empty tables when she arrived.
Title: Re:FASTER THAN A SPEEDING BULLET
Post by: bk on November 06, 2004, 09:33:17 PM
Welcome ten GUESTS.  My goodness, apparently there are quite a few Saturday night denizens - come on in, the posting's fine.  We'll be friendly, promise.  
Title: Re:FASTER THAN A SPEEDING BULLET
Post by: bk on November 06, 2004, 09:34:50 PM
Isn't that funny?  The minute I post that there are ten GUESTS, three of them disappear.  We don't bite here, really.  Unless we like you.
Title: Re:FASTER THAN A SPEEDING BULLET
Post by: bk on November 06, 2004, 09:36:54 PM
I am my own frenzy.  Oh, and after a long absence, the merry searchers have returned - apparently we're right up their ALLEY.
Title: Re:FASTER THAN A SPEEDING BULLET
Post by: TCB on November 06, 2004, 09:39:00 PM
My, my, my, what an invigorating topic for a Saturday!  Is it possible that it is Sweeps Month here at HHW???  I must confess that by the time I had read through the first two pages of posts, there were so many variations on a theme (Musicals seen on tour only, Musicals originally hated before being seen, Musicals first listened to after a bottle of scotch) that I had to reread the notes just to remember what the original topics were.

Well, anyway, risking life and limb, my list of favorite musicals (in no particular order):

1)   SWEENEY TODD
2)   SHE LOVES ME
3)   HELLO DOLLY
4)   TITANIC
5)   CAROUSEL
6)   A LITTLE NIGHT MUSIC
7)   RAGTIME
8 )   GYPSY
9)   FIDDLER ON THE ROOF
10)   A FUNNY THING HAPPENED….

FOLLIES would definitely be on my list, if it weren’t for the last half of the Second Act.  I love the score, I even love the characters, but when the show hits Loveland, it falls apart.  Granted, I never saw the original Broadway production, or even the London revival, but I completely fell out of the mood of the show when it reached that point.

Most over-rated show it would have to be either RENT or CATS.
Title: Re:FASTER THAN A SPEEDING BULLET
Post by: bk on November 06, 2004, 09:40:58 PM
I say, we're right up their ALLEY.
Title: Re:FASTER THAN A SPEEDING BULLET
Post by: Noel on November 06, 2004, 09:48:34 PM
Noel, I think you've missed the point of Follies entirely.  Of the entire cast of characters, only the central four regret their life choices.  Everyone else celebrates how their lives have gone.  Sally, Ben, Buddy and Phyllis are all in stark contrast to their peers, who have all gone on with their lives, through their ups and down, and are satisfied with the results.  What Follies is about, and what the Loveland sequence points out, is the folly of regretting what has past instead of living in the present.  I'm surprised you missed that.

You think I've missed something?  Whatever do you think I missed?

I missed the grandeur of the original production, and the brilliance of the original Broadway stars.

Follies spends most of its time on four characters.  I'm well aware that they stand in marked contrast to the minor characters like Hattie, Carlotta and Dmitri who don't regret their lives for a moment.

But Ben, Sally, Phyllis and Buddy do.  At length.  Loudly and often.  Have they learned anything by the end?  It's doubtful, but open for interpretation.

I don't go to the theatre to see characters whine at me.  It's why I loathed The Secret Garden.  It's a main reason I couldn't get in to Rent.  The whining thing is not my idea of a good time.

I'd rather see characters learn from each other, overcome whatever adversities they can, and move on.  If Follies focussed on Carlotta and Hattie and put the regretful quartet in the background, I'd have liked it a whole lot better.

And do not misinterpret me as saying everything should be happy.  Tragic things can happen.  Look at Porgy.  He gets Bess to love him and then she runs off with a drug dealer.  Do we have to listen to him whine about it?  Nope.  He's On His Way, ever-faithful that the Lord will lead him to her.  It breaks my heart, and I love it.

Now, really, what terrible tragedies do the Follies four endure?  Well, one should have worn green.  And they're in troubled marriages they don't bother to leave.  Boo-hoo, I say!  Boo f-ing hoo!
Title: Re:FASTER THAN A SPEEDING BULLET
Post by: Noel on November 06, 2004, 09:57:44 PM
I'm with Pogue - the joys of drag have always eluded me.  For some, La cage aux folles was a revelation: men being affectionate with each other on stage.  But hadn't The World's Sexiest Man sung the gay love duet Why Can't the World Leave Us Alone a few years earlier?  And, the gay relationship I absolutely loved seeing, years before La cage, was March of the Falsettos.  Real, tender, compelling.  And there's only drag in the nightmare of the title song.  La cage aux folles seemed like old hat when it premiered, and I don't have high hopes for its revival now.
Title: Re:FASTER THAN A SPEEDING BULLET
Post by: TCB on November 06, 2004, 09:59:36 PM
You think I've missed something?  Whatever do you think I missed?

I missed the grandeur of the original production, and the brilliance of the original Broadway stars.

Follies spends most of its time on four characters.  I'm well aware that they stand in marked contrast to the minor characters like Hattie, Carlotta and Dmitri who don't regret their lives for a moment.

But Ben, Sally, Phyllis and Buddy do.  At length.  Loudly and often.  Have they learned anything by the end?  It's doubtful, but open for interpretation.

I don't go to the theatre to see characters whine at me.  It's why I loathed The Secret Garden.  It's a main reason I couldn't get in to Rent.  The whining thing is not my idea of a good time.

I'd rather see characters learn from each other, overcome whatever adversities they can, and move on.  If Follies focussed on Carlotta and Hattie and put the regretful quartet in the background, I'd have liked it a whole lot better.

And do not misinterpret me as saying everything should be happy.  Tragic things can happen.  Look at Porgy.  He gets Bess to love him and then she runs off with a drug dealer.  Do we have to listen to him whine about it?  Nope.  He's On His Way, ever-faithful that the Lord will lead him to her.  It breaks my heart, and I love it.

Now, really, what terrible tragedies do the Follies four endure?  Well, one should have worn green.  And they're in troubled marriages they don't bother to leave.  Boo-hoo, I say!  Boo f-ing hoo!


So, how do you really feel, Noel?
[/b]
Title: Re:FASTER THAN A SPEEDING BULLET
Post by: Charles Pogue on November 06, 2004, 10:04:04 PM
Woody, I've never thought it took much talent for so-called rock stars to lip-synch either.  I did see the gaffe on Saturday Night Live and was greatly amused.  It's amazing to me what today's audiences will accept as entertainment.  

Correlating to fake singing, we were going through Hotspur's hand-me-down t-shirts (for those cold winter nights) for Tewkesbury and came across one we had made up that said:  "I sang for Milli Vanilli".  Another one said:  "I killed Laura Palmer."  Who'd have thunk I'd find bygone cultural references on old dog shirts.

Dinner was swell and fun as always at Musso's and it's always wonderful to watch Mr. BK down about three bowls of Thousand Island dressing with his meal.  One day he should make it just his meal.  (In fairness to him, it is the best Thousand Island dressing in the world...which is why it must be 8,000 calories a bowl.).  But he was as ever witty and droll and more charming dinner companion I and The Lovely wife could not ask for.

He also showed us a copy of his handsome new book!  Very Stylish!
Title: Re:FASTER THAN A SPEEDING BULLET
Post by: DearReaderLaura on November 06, 2004, 10:10:31 PM
Good evening, all. I have been having some severe allergies lately, hence my being e&t.

Tonight I went for a walk, and I heard some owls Hoo-hoo-ing. I looked up and saw them sitting on a phone pole in the ALLEY. Isn't that exciting?

I will define my favorite musicals as those for which I would buy tickets again if I saw them advertised:
Phantom of the Opera
Lucky Stiff
She Loves Me
Will Rogers Follies
Scarlet Pimpernel
Forever Plaid
Guys and Dolls
Crazy For You
Les Miserables
Beauty and The Beast
La Cage
Damn  Yankees
Arturo Braccheti (or something like that)

Tickets I would give away if they were part of my season ticket package:
Cabaret (and I have)
RENT
The Graduate (I have some -- anybody want them?)
Starlight Express
Title: Re:FASTER THAN A SPEEDING BULLET
Post by: François de Paris on November 06, 2004, 10:32:34 PM
I'm with Pogue - the joys of drag have always eluded me.  For some, La cage aux folles was a revelation: men being affectionate with each other on stage.  But hadn't The World's Sexiest Man sung the gay love duet Why Can't the World Leave Us Alone a few years earlier?  And, the gay relationship I absolutely loved seeing, years before La cage, was March of the Falsettos.  Real, tender, compelling.  And there's only drag in the nightmare of the title song.  La cage aux folles seemed like old hat when it premiered, and I don't have high hopes for its revival now.

My, dear reader Noël, for someone who doesn't care for characters who WHINE in musicals, you're very good at whining yourself in this site environment!
We do know now what you don't like and I gather there's more in store!

La Cage is traditional French farce -- the musical, a little less!
It's meant for ENTERTAINMENT! For fun! OK, you don't like men in drags, but this is not a serious issue!
The music is happy; the characters are silly, happy and gay!
It's for joy -- maybe for Joy too!

Cheer up, Noël!
I know you're a pleasant man yourself -- Larry M. has confided that in me!
 ;)
Please, stop your complaining!
One would think Dubya still is the President of your country! :D
Title: Re:FASTER THAN A SPEEDING BULLET
Post by: S. Woody White on November 06, 2004, 10:36:05 PM
I'm with Pogue - the joys of drag have always eluded me.  For some, La cage aux folles was a revelation: men being affectionate with each other on stage.  But hadn't The World's Sexiest Man sung the gay love duet Why Can't the World Leave Us Alone a few years earlier?  And, the gay relationship I absolutely loved seeing, years before La cage, was March of the Falsettos.  Real, tender, compelling.  And there's only drag in the nightmare of the title song.  La cage aux folles seemed like old hat when it premiered, and I don't have high hopes for its revival now.
"Years" before La Cage?  Try just two.  March of the Falsettos opened in '81, La Cage in '83.

As for the success of the revival, it should be more timely now, with it's defense of gay marriage by example in the face of eleven states passing anti-marriage legislation just three days ago.
Title: Re:FASTER THAN A SPEEDING BULLET
Post by: S. Woody White on November 06, 2004, 10:37:39 PM
Correlating to fake singing, we were going through Hotspur's hand-me-down t-shirts (for those cold winter nights) for Tewkesbury and came across one we had made up that said:  "I sang for Milli Vanilli".  Another one said:  "I killed Laura Palmer."  Who'd have thunk I'd find bygone cultural references on old dog shirts.
;D :D ;D :D ;D :D ;D :D ;D
Title: Re:FASTER THAN A SPEEDING BULLET
Post by: S. Woody White on November 06, 2004, 10:41:19 PM
For a Page Six Dance, how about a

[move=left,scroll,6,transparent,100%][size=20]Bolero d'Amore[/size][/move]
Title: Re:FASTER THAN A SPEEDING BULLET
Post by: JoseSPiano on November 06, 2004, 10:58:40 PM
Good Evening!

What a view of the city of Houston there is from the 49th floor of the Shell One building's Plaza Club!  WOW!  So many lights.  So many "small" buildings.  And a very clear night tonight, too!  A perfect backdrop for a wonderful reception.  -And the food was pretty good too.  -As was the champagne and the other refreshments from the open bar(!). ;)

-Although we all could have done without the cocktail pianist muzak-ing selections from the show... Eh...

But it was a very nice gathering, and some of the young ladies in cast used it as an opportunity to show off their latest purchases from the Galleria.

Tonight's show with the "Super Swing" in for Richie went very well... Just one more to go tomorrow afternoon...
Title: Re:FASTER THAN A SPEEDING BULLET
Post by: JoseSPiano on November 06, 2004, 11:13:14 PM
OK... Let me give this a shot... finally...

Favorite musicals (in no particular order, off the top of my head, at this moment (with a few glasses of some very good champagne in my system):

Sweeney Todd
Sunday In the Park with George (and, yes, I like both acts)
Guys and Dolls
Avenue Q
Pacific Overtures
Violet
A Chorus Line
She Loves Me
The King & I
Gypsy
Title: Re:FASTER THAN A SPEEDING BULLET
Post by: JoseSPiano on November 06, 2004, 11:19:43 PM
Favorite composers and/or lyricists (with the same disclaimer as above):

Stephen Sondheim
Frank Loesser
Dorothy Fields
Leonard Bernstein
Bock & Harnick
Comden & Green
Rodgers & Hammerstein
Rodgers & Hart

-I've never been much of a Jerry Herman fan - either of his shows or of his music in general.  I will admit, it's a generational thing with me - he just seems very old-fashioned.  -And, god forbid, I ever have to play "Ribbons Down My Back" at an audition... the song just truly grates my nerves.  *Oh, however, I do love the score for Mack & Mabel - and I saw a beautifully done community theatre production of it many years ago.  They ended with a black and white "home movie" of Mack and Mabel and company doing "home movie stuff".  Very touching.. not a dry eye in the house.
Title: Re:FASTER THAN A SPEEDING BULLET
Post by: JoseSPiano on November 06, 2004, 11:28:10 PM
Over-rated shows (at least overrated in my opinion):

Annie
Phantom of the Opera*
The Producers**
Rent***
The Lion King****

*I've seen POTO a couple of times in New York mainly because I have friends in it from time to time.  It's definitely not my first choice now for a "must-see again" show, but I will say it's very "safe".  However, if the cast is a bit "bored" that night... ugh...  I mentioned in a previous post that I had seen the show back in March right after they had done some sprucing up of the set, costumes and the actors (so to speak), and the show actually had a freshness to it.  Go figure.

**Yes, I laughed when I saw THE PRODUCERS.  I laughed a lot.  But I thought - and think - all those "this show will save Broadway" feelings that were all over the place when it opened were a bit over the top.  Funny?  Yes!  Because it's Mel Brooks!  What's really "new" about Mel Brooks?  And I thought THE FULL MONTY should have shared some of the Tonys that year.

***I base my opinion on the over-ratedness of RENT on the cult surrounding the show, those "RENTHeads".  However, I'd rather be a "RENTHead" than a "Jekky" - or however they spell that.  But I do like the show.  I just don't get all the hype.

****Other DRs have pointed this out before too... Some beautiful stuff to look at... But after the opening...
Title: Re:FASTER THAN A SPEEDING BULLET
Post by: JoseSPiano on November 06, 2004, 11:33:45 PM
And since some other DRs have posted their guilty pleasures:

Pippin
Big
Baby
Passion (warts and all, and I'm not talking about the ones the would occasionally fall off of Donna Murphy's nose) ;)
Aspects of Love

And the revues that find their way to my CD player every now and then:

Ain't Misbehavin'
Closer Than Ever
'And the World Goes Round
Title: Re:FASTER THAN A SPEEDING BULLET
Post by: S. Woody White on November 06, 2004, 11:47:42 PM
I've got Bernadette Peters in Concert on the DVD player right now.  More listening to it than watching, I'll admit.