I'd have to include FUNNY THING HAPPENED ON THE WAY TO THE FORUM and LEND ME A TENOR to my farce list, as while as ONE, TWO, THREE for film farce.
I think it may be one of the best film farces. I don't think farce works particularly well on film. There is something about the all the door-slamming, close-calls, and double-takes that just looks more astounding on stage...where you the intimacy of the timing is everything. You always know in film that if they goof up, they can just do it over again...but not on stage.
I've only ever read BLACK COMEDY by Peter Shaffer (my favourite playwright along with Tom Stoppard), but I would love to see it staged sometime.
JRand54, Cyd was a very lovely lady, who was quite pleasant and professional to work with. While I wouldn't call her the greatest actress I ever worked with, her part in MOVE OVER, MARKHAM, was the sane one around whom all the madness revolved. So mostly, she only had to react to all the farceurs around her. (I also played my same part in this show with Yvonne DeCarlo...I preferred Cyd in the role).
Cyd was usually the one who could bail out anyone who went up on their lines...as long as they were standing where they were supposed to be. If the blocking was off, that's when she would get confused. Her entire orientation was through choreography and movement.
Some in the cast I think found her a bit cool and distant, but she was always nice to me...in fact, included me in the inner circle whenever she and Tony (Martin) decided to go out after a show, along with the director and his wife (who was also in the show) and the two older leading men she had brought with her, Bill Tregoe, and expert farceur, Peter Pagan (Peter was an Australian who briefly flirted with Australian movie stardom in THE OVERLANDERS and later became a staple on Broadway...he, as Mr. Markham, and I basically stole most of the reviews in the play. Together we really tore up the stage). Tony was also very nice.
An example of Cyd's class can be seen in this story: One of the supporting actresses (who was very good) was bitching (quite unfairly, I might add) about Cyd to her friend at lunch. What she didn't know was that Cyd was having lunch right behind her and overheard all this. As far as I know, the actress never found out. But the director offered to replace her. Cyd just fluffed it off and refused to have her dismissed, saying: "I've dealt with these types all my life; it's no big deal."