Those who've read the Kritzer books know my feelings on How the West Was Won. I should have loved it, thought I would love it, and didn't. I still saw it many times, but it just didn't work for me, other than as an extravaganza. I may have already been just past the age where EVERYTHING that was big was something I instantly loved. What I love about Newman's score is the main title. The rest is okay, but doesn't touch Tiomkin's High Noon, Bernstein's Magnificent Seven and Katie Elder (one of his greats), Tiomkin's Red River, Newman's own Nevada Smith (not really a western, though), Steiner's The Searchers, and even Duning's 3:10 to Yuma. I must have been on some sort of weird wavelength when I made this the topic, because I just picked up a whole slew of new Columbia western DVDs, including Delbert Daves' Jubal, The Violent Men, The Texican, Texas (with Holden and Glenn Ford), Good Day for a Hanging (with Fred MacMurray), and The Deperados. Most of which I've never seen.