I'm back from CAMELOT, which was mediocre and not very classy; Moss Hart was a classy director, and the show has elegance. I remember seeing the National Company with Arthur Treacher as Pellinore whenI was in high school, and the show was beautiful and very elegant. Lonny Price gave one of the best performances I ever saw in MERRILY WE ROLL ALONG, but he's not a tasteful director and the show is too busily directed. Scenes that should be slow fly by too fast, and I don't know if the laughs land because of the comedy timing of the actors or the director. I suspect the former.
I think the dancers prance way too much, that someone should have checked out how well the wonderful actor Gabriel Byrne could sing or speak rhythmically (it's painful), and that the best performance is Mr Gunn's who acts the role with a wonderful French accent and sings magnificently. I also loved Fran Drescher, who should have been given all of "The Persuasion" and not tonight's cut down version, Stacy Keach, and Christopher Lloyd. Marc Kudisch, Will Swenson, and Chris Sieber were wonderful and deserved a second act "Fie On Goodness" and Bobby Steggert in a frighteningly misdirected choice played Mordred as a pissy, prissy flaming queen who thought she was playing the first scene of MAME. God, he was awful, and I've seen him be wonderful.
As for Marin Mazzie, I loved her in RAGTIME and KISS ME, KATE and I thought she was a good choice for the role of Guenevere. Tonight thought she wasn't patrician enough. She was less River Avon and more Avon Lady.