Gene Tierney: "Leave Her to Heaven" and "The Razor's Edge" -- two amazing female "villainesses" and played to perfection without a false note. "Laura" -- absolutely perfect mystery heroine, again with no false note.
Bette Davis: "The Private Lives of Elizabeth and Essex," "Jezebel," "Now, Voyager," "The Little Foxes," "The Letter," "All This and Heaven, Too", "Dark Victory," "All About Eve," "The Virgin Queen," "Whatever Happened to Baby Jane" and "Hush, Hush Sweet Charlotte."
Joan Crawford: "The Women," "A Woman's Face", "Autumn Leaves."