Good morning, all! Another night of lousy sleep, and I think it's the meds. Oy!
So, today I work at home on a report about critical editions, do some laundry, run a few errands, tidy up the dump, and pack for what I hope will be my last trek to Ohio for some time.
DR Rodzinski, nice interview. I saw Mr Crofoot two or three times in BARNUM, Mr Holgate in the original cast of 1776 (as well as in LEND ME A TENOR and the KISS ME, KATE revival), and I worked with Andre in 2004 for the Chicago Humanities Festival). He's a wonderful gentleman, and I'm quite fond of him. Our DR WFO went to school with Andre, and I saw him several times in the original AIN'T MISBEHAVIN' and once in a dreadful version of JUST SO. I believe John Simon's review said "Just So is Just Awful." Andre wore some feathered headdress and looked like Eartha Kitt, and Jason Graae was also in it. JUST SO stank.
TOD:
Mathilde Pincus, the doyenne of music copyists was the lady who perfected the technique of contemporary Broadway music copying in New York in the early 1950s. She was also a wonderful earth mother to all the writers she worked with: Jonathan Tunick, Steve Sondheim, John Kander, etc. Everyone loved her, and with the excetion of one short, fat egocentric "conductor" of dubious ability, she loved everyone she worked for. Whenever I went to Mathilde's, I always stopped in the corner drugstore and brought her a bag of Hershey Kisses, since a large jar of them sat on her desk. She once tld me that her writers would send her expensive chocolates but she preferred Hershey Kisses.
I loves me my Godivas, but whenever I have a piece of a Hershey bar or a kiss, I remember Mathilde and what a great lady she was.