Good morn ing, all! I slept way too long this morning, and I am very glad I did.
BK, I see that the LA Opera is doing THE BARBER OF SEVILLE this season with a really good set of leads. Ask your friend to get you into the production: Juan Diego Florez, Joyce Didonato, and Nathan Gunn. You will know the big aria for Figaro, "Largo al factotum," because it's been parodied from THE LITTLE RASCALS to Warner Brothers cartoons, and it's a very funny comedy.
Today I've been tossing out a lot of CDs from my colection for space. I have a huge number of classical, popular, and jazz going to Miami University Library. The cleanout will probably continue for most of the week. A lot of them I am downloading into iTunes before tossing, so it's taking me some time.
I will shortly run down to Toyland for some work there.
TOD: I like ballet, and I'm very partial to Tchaikovsy's big 3: SWAN LAKE< SLEEPING BEAUTY, and NUTCRACKER, which is the most dependent on the whims of its choreographers who often destroy the intentions behind Tchaikovsky's score because the original libretto is not very sound dramatically. My two favorite versions are Balanchine's for NY City Ballet, which made the ballet a popular one for every ballet company in the USA and inspired a book, NUTCRACKER NATION, and Peter Wright's first version for the Royal Ballet, which he choreographed in collaboration with Roland Wiley, author of the major book on Tchaikovsky's ballet scores; Mr Wright has done several rethinkings of the ballet which get further away from the original ballet.
I'm also very fond of Delibes' two ballets for Paris of the 1870's, COPPELIA - a comedy about a young man enamoured of a doll he thinks is real sitting on Dr Coppelius' balcony, to the dismay of his fiancee - and SYLVIA, a bit of pseudo-Greek mythology. I was lucky to see the Joffrey Ballet in the 1970s perform a duplication of Stravinsky's wonderful PETRUCHKA, and I find it sad that there is no performance of PETRUCHKA in its original desings and choreography on video.
My favortie contemporary ballet is 30 years old, Jerome Robbin's fantastic DANCES AT A GATHERING, one of the most glorious theatrical pieces I have ever seen.