Good morning, all! I did sleep well last night, and I have no complaints for the Oaf this morning. I've got about 8 bars to write to finish the first of the two Indianapolis charts, and then I can begin pondering whst to do for the other one.
I've got some Victor Herbert work as well today along with some questions to answer for one of the copyists. The McGlinnventory is on hold this week.
TOD:
Christopher Fry: THE LADY'S NOT FOR BURNING
Harold Pinter: THE HOMECOMING, THE BIRTHDAY PARTY
Joe Orton: ENTERTAINING MR SLOANE, LOOT, WHAT THE BUTLER SAW
John Arden: SJT MUSGRAVE'S DANCE, THE BUSINESS OF GOOD GOVERNMENT
Edward Bond: THE SEA
John Whiting: THE DEVILS, PENNY FOR A SONG
I know I'm forgetting several here and omitting others like Tom Stoppard, whose ROSENCRANTZ and GUILDENSTERN ARE DEAD is a play I dislike although the original production was dazzling,
Best production may be the Williamstown Theatre Festival's "What the Butler Saw," a fiendishly difficult farce to pull off, and this was a really first-rate production and the best of around seven productions of the comedy that I've seen. How do we classify things like John Mortimer's wonderful versions of several Feydeau farces? What about Irish writers like Martin McDonagh? THE LIEUTENANT OF INISHMORE was also quite a brilliant production.
Larry, an excellent list of plays and playwrights.
Most of my favourite playwrights are British. Stoppard and Peter Shaffer are my gods. I love Stoppard's ARCADIA and THE REAL THING and just about anything he writes. Same with Shaffer, my favourites being AMADEUS, ROYAL HUNT OF THE SUN, and THE GIFT OF THE GORGON.
Like BK and Larry, I'm a fan of playwrights Christopher Fry and Terence Rattigan. Rattigan, I very happy to say, has been having a serious re-appraisal lately as one of Britain's great playwrights.
I'm currently on an angry young man/Royal Court theatre kick and reading lots of Osborne, Bond, Arden.
Larry, I was lucky to see a production a few years back of John Whiting's PENNY FOR A SONG. I also love Pinter, Orton, McDonagh (actually Irish), Hare, Brenton, Alan Bennett.
I adore Simon Gray and Howard Barker.
Of course, Shakespeare & Shaw get high marks. And I'm a big fan of John Webster and his two classics, DUCHESS OF MALFI & THE WHITE DEVIL.