I don't think they're lying when they say why those two songs from Gypsy were cut. But, after cutting them, I'm sure the creators realized their show had evolved into a more-perfect form. Hence, no thoughts of restoration. Sometimes you have to see the show with the cuts to know.
I saw the Encores' On a Clear Day... One of my favorite scores, and an intriguing premise, and the conclusion is such a let-down. It's as if Lerner set up an impossible romantic problem and couldn't find the solution to it.
And I'd take the bet: I'd wager Tom o' Oz would not like Mamma Mia, given his enjoyment of musicals where songs are motivated by character and situation.
The panel at ASCAP tonight includes the musical theatre writer I admire most, Mr. Sheldon Harnick. They probably chose him because the opening number of the show had a narrator say "You may ask..." but no one seems to have noticed this. Also on the panel was a guy who'd musical directed a handful of shows. I couldn't believe he was on the same panel with Harnick. Hell HE couldn't believe he was on the same panel with Harnick. What qualifies John McDaniel, I wonder?