Larry, by some odd twist, I ended up with two Victor Herbert movies on DVD this week, "Naughty Marietta" and "March of the Wooden Soldiers" with Laurel & Hardy. I know the former, but I haven't seen the latter. They play up the Herbert connection on the case. Is it a good representation or is it a typical Laurel & Hardy?
Herbert's daughter and executor hated the Laurel & Hardy movie, but I'm sure she detested even more the Disney film version. She sold to MGM in the 1930s film rights to SWEETHEARTS, NAUGHTY MARIETTA, EILEEN, and THE ROSE OF ALGIERS, but only the first two got made. I have a CD of the MGM orchestra and singers performing the songs from THE ROSE OF ALGIERS as an "audition" for, I'd guess, Louis B. Mayer. The score is fantastic.
So, back to BABES. It's a funny movie but it bears as much resemblance to the stage show as I do to Eleanor Roosevelt. I like it, especially because the monsters are really frightening, but it's a little too sugary, although the cast is great. The original musical is a fast paced comedy about child abuse and murder, with a giant spider who nearly kills the babes, fairy tale and Mother Goose characters, demonology, and sex. The show needs a frightening gothic edge and Disney fails in that respect, along with the demonology, the spider, the murder, the sex, and the child abuse.
The Wikipedia synopsis of the 1903 plot is pretty accurate. The plot in the Bloom-Vlastnik book
101 Musicals is completely wrong, and I sent Ken Bloom an accurate synopsis for the book that he overlooked or misplaced. In 1903 there was no Forest of No Return; that's a Disney title. It was The Spider's Den. Curiously, the information about Old Mother Hubbard is a throwaway line over what a nasty creep Uncle Barnaby is in the first scene.
http://en.wikipedia.org/wiki/Babes_in_Toyland_(operetta)