I cannot tolerate ALW's PHANTOM OF THE OPERA. I saw it. I loathed it. Pretty stage pictures, though.
Never warmed to MISS SAIGON through either of the recordings, but I do love MADAMA BUTTERFLY - which is where the original "parental suicide" song stems from.
Che tua madre dovrà
prenderti in braccio ed alla
pioggia e al vento andar
per la città a guadagnarsi
il pane e il vestimento.
Ed alle impietosite genti
la man tremante
stenderà gridando:
Udite, udite
la triste mia canzon.
A un infelice
madre la carità,
muovetevi a pietà....
E Butterfly, orribile destino,
danzerà per te,
E come fece già.
La Chesha canterà!
E la canzon giuliva e lieta
in un sighizzo finirà!
Ah! no, no! questo mai!
questo mestier che
al disonore porta!
Morta! morta!
Mai più danzar!
Piuttosto la mia vita
vo' troncar! Ah! Morta!
My question would be why is right for Butterfly to express these feelings and not Kim? Anyone?
I know that mostly all of the DRs do not like BLOOD BROTHERS which I treasure.
Adore Trace Adkins, he's got a great voice and a wonderful sense of humor. He also appears on a cd of country gospel music singing "Victory in Jesus" and is quite good.
As for favorite c & w performers, tops on my list is Joe Nichols, who is repaving the path for traditional country.
I like Gretchen Wilson, Brooks & Dunn, Miss Loretta Lynn, Charlie Pride, Josh Gracin, SheDaisy, Buddy Jewell, Josh Turner and Loretta Hagers (or Mary Kay Place).
As for:
3. Anachronistic music, that rocks on with little or no feeling for time and place
Almost hate to say it but, say it I will.
To me, the scores to OKLAHOMA!, CAROUSEL, and ALLEGRO have always sounded like 1940s music. Odd, since only one of them has a setting in the 1940s.
FUNNY THING HAPPENED ON THE WAY TO THE FORUM sounds very 1960s, to me, nothing at all like music from ancient Rome.
I heartily believe that each show's sensibilities, musical and otherwise, are formed and reflect the time and space in which they were written MORESO than reflecting the time and place in which their books or libretti take place.