And then I hopped on the 217 bus up to Hollywood and Vine where I de-bussed, and then headed to the box office of the Pantage Theatre. And once at the Box Office, I managed to snag a pretty nice seat for tonight's/last night's performance of
Hairspray. I had originally planned to head over to the Arclight to catch a later showing of "Garden State", but, since I had just seen "Broadway: The Golden Age", I decided to finish my day off with some theatre. Live theatre.*
After purchasing my ticket, I walked around to the stage door to see if there was anyone there I knew standing outside, and, lo and behold, there was! I ended up running into Alan Childs, the drummer for the show - who was also the drummer for
Aida when I played the D.C. engagement. I had e-mailed him when I got into town, but schedules being what they were/are... In any case, it was just 7:30, so he walked me backstage so I could also catch up with Jodie Moore, another keyboard player and
Aida alumnus. It was great seeing both of them again, and I'll most likely be sitting in the pit tomorrow night or this weekend and getting to "see" the show from there.
As for the show itself...
This was my first time in the Pantages. Quite a nice theatre - and a nice ceiling. -Does any DR know exactly what style of architecture/decor the Pantages was done in? To me, it was not quite Art Deco, not quite Baroque,... I dunno. Just curious. The only quibble I had with the theatre was that the A/C did not seem to be working properly tonight - it was quite stuffy in there, and when I went down to orchestra level (I had a first row mezzanine seat) at intermission, it actually felt warmer down there.
*Oh, and what is the deal with $127 top ticket price for the VIP section (first 12 rows of the orchestra, center)?!?!?!?
I enjoyed the show very much. I missed Marissa Jaret Winokur when she was in New York, and I'm glad I got to see her here. I did miss Harvey Fierstein's Edna Turnblad - Harvey really seemed motherly, Bruce Vilanch just seemed to be "trying" to be motherly, imho. However, Bruce Vilanch's ad libs didn't bother me as much as I thought they would - and there were really only three of them (at least tonight) - and they were very topical and up-to-date. -If any DR would like for me to post said ad libs - to the best of my memory - I will do so.
The rest of the supporting cast was quite good, with the actor playing Seaweed particularly impressing me. The "tour Link" was back in the show since Matthew Morrison has moved onto another show. He was good too, but I wished he was taller. ?? I didn't care too much for the Corny Collins - he came off with a "touch of sleaze" to me, and the little Inez needs to work on her diction!
And speaking of diction... In general, the sound was good, but sometimes, the voices were so over-amplified that there words became unintelligible - or more unintelligible in some cases.
And as I sat there listening to the band... And listening to the singers...