Greetings, Hainsies and Kimlets.
I do not have any specific questions for BK today. At least none that I can think of right now.
As I mentioned yesterday, last night the Dear Partner and I went to see Sandy Duncan in THE KING AND EYE (think about it, dear readers.....).
In a nutshell, the production was lovely. Not spectacular, but certainly not as chintzy looking as some tours can be. The physical production seemed to have been cobbled together from the Donna Murphy revival (costumes), and other K&I's (sets).
As K&I is my favorite R&H show, I have always held it close to my heart. And I am not afraid to say in these environs that I was not thrilled with the Donna Murphy production. But this was a lovely production, overall. Did I say that already?
Miss Duncan brings her usual perkiness to the role, as well as her dancer's background. She positively flitted about her bedroom during "Shall I Tell You What I Think of You?," which might not have seemed proper, but it was animated. However, her readings of some of the lines during that scene/song were also the way I had always imagined them being said/sung, but never have heard them done that way. Her voice is also much lower than I am used to hearing for Mrs. Anna's songs.
The King was essayed by Mr. Martin Vidnovic (estranged father of Laura Benanti), who I saw as Lun Tha almost 30 years ago (!). For one, Mr. Vidnovic should find a better agent. Not only is he billed below the title (a rare occurrence for a King these days), but his billing size was the same as the rest of the ensemble's, though at least on his own line. Having worked with Mr. Yul Brynner as much as he had (he was also in HOME SWEET HOMER), there are defnitely Brynner-like nuances to his performance. And to say that Mr. Vidnovic has too much voice for "A Puzzlement" would be an understatement.
The Tuptim was fine, though her performance of "My Lord and Master" was only serviceable, IMHO (in my humble opinion, in internet parlance). Her sections of her duets made me think that she might be better suited for Kim than Tuptim.
The Lun Tha was in fine voice, and in fine chest. If you know what I mean. And I think you do.
I am happy to say that the polka brought down the house. As well it should.
I should also add, however, that some misdirection by Miss Baayork Lee (the once and future director of A CHORUS LINE, including DR Jose's current assignment) made a mish-mash of the final deathbed scene, especially after the King actually passes.