Unfortunately, I don't think much of Previn's score to Coco or his "extra" songs for Paint Your Wagon (but don't blame him for their existence - he was HIRED to write them). I like some of Good Companions, but Broadway didn't seem to inspire him like the movies did. He wrote GREAT songs for the movies, especially Why Are We Alone from The Subterraneans, A Second Chance from Two for the Seesaw, Goodbye, Charlie, Valley of the Dolls (well, not ALL the songs were great), Daisy Clover, and his marvelous work on It's Always Fair Weather. And he wrote some really good stand-alone numbers not from anything, including the classic Like Love.