Okay, break's over. Back to the programming. I'm one-third of the way through the score, and would like to achieve two-thirds by this evening.
BK referenced this yesterday, and I've been thinking that the sound of the original ANNIE pit must have been pure magic. I probably posted this a few years ago, but since I'm reviewing it... This a note from a friend who conducted it on Broadway for a while, I think during Sarah Jessica Parker's reign:
Hi Charles -
Yes, it WAS an RMI - which had only 2 basic sounds, each was available as 8' and 4'. The closest sound to the opening of "Hard Knock" would be a mix of 8' harpsichord and 8' lute.
Have fun - it's a good score.
BTW, the show was originally written for 3 reeds, 2 trumpets, 1 trombone, guitar, bass (doubling tuba), Piano (doubling RMI and celestette (a terrible "clangy-sounding" miniature keyboard made by Jenco), 2 percussion, 1 SOLO violin, and 1 SOLO cello. Any parts beyond those were added for subsequent productions, and are unnecessary doublings. (All the flute was originally on Reed 1, but I understand that there is a separate flute book included with the rental, which is nothing more than a copy of the flute parts on reed 1.
Arnie