Good morning, all! Igot a lot of sleep last night, so I'm feeling good, and I'm ready to tackle more DEAREST ENEMY, THE ONLY GIRL, and ROBERTA today.
Yesterday had its positive and frustrating moments: I had a nice meeting with the rental agent of the building housing Toyland, and things are looking quite promising. Our paralegal Geri, whom I adore but whose family and Connecticut emergencies can cause scheduling problems, canceled our date at the McGlinnventory this morning, which was most frustrating since I'd already redone my schedule to accommodate this. While I am quite happy to have the morning for other madness, we've got an auction to finish up and things to deal with.
My goal this morning is a vocal layout for that big hit from ROBERTA, "Clementina," which was part of the finale of the out-of-town preview performances, proof several full scores forROBERTA andcontinue tearing out my hair over these scores for THE ONLY GIRL. Oneof the problems with allthese music programs like Sibelius and Finale is that many have them and few know what to do. My standards are much hgher than that of the work on some of these scores.