Reichenbach was good, but the native Brasilians hated the American drummers--the thing about Bossa Nova is it doesn't have even eighths, though Americans try to play it that way. If you listen to the best Brasilian drummers (and there are a ton of them), they play with the time so magically it's almost like it's super putty, or something similar. That's why the first Brasilians to hit it big in America (Mendes and Wanderley) tended to use Brasilian drummers, like my late friend Claudio Slon, or Rubens Bassini or Dom Um Romao......