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Author Topic: THE CRUX OF THE MATTER  (Read 22002 times)

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Jay

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Re:THE CRUX OF THE MATTER
« Reply #120 on: July 19, 2004, 06:57:53 PM »

...with red tassels.

The question of the moment, of course, is whether you can swing them, Dear Reader Panni, in opposite directions at the same time.
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Jane

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Re:THE CRUX OF THE MATTER
« Reply #121 on: July 19, 2004, 07:08:35 PM »

Gosh Panni, aren't you glad you mentioned them? :D
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Re:THE CRUX OF THE MATTER
« Reply #122 on: July 19, 2004, 07:22:35 PM »

Going to watch TWO MEN now.

Goodnight.
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Panni

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Re:THE CRUX OF THE MATTER
« Reply #123 on: July 19, 2004, 07:32:00 PM »

The question of the moment, of course, is whether you can swing them, Dear Reader Panni, in opposite directions at the same time.

That's so retro, DR Jay.
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Michael

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Re:THE CRUX OF THE MATTER
« Reply #124 on: July 19, 2004, 07:36:59 PM »

Canadian stage and TV actress Frances Hyland

TORONTO (CP) - Frances Hyland, the Saskatchewan-born actor described as the first lady of Canadian theatre, died Sunday. She was 77.

Hyland died at St. Michael's Hospital in Toronto of respiratory failure due to complications from recent appendix surgery, her son Evan McCowan said Monday. In a career that spanned more than 50 years, Hyland starred in and directed numerous productions at both the Stratford and Shaw festivals but was also known for her appearances in regional theatre, films and in CBC-TV shows including the internationally popular Road to Avonlea.

"She had been ill for a number of years," McCowan said, indicating she hadn't acted for the past six years. "This came on in the last little while, the respiratory (illness). Heavy smoker, just like my dad."

Hyland's former husband, pioneer stage director George McCowan, who moved to Los Angeles to direct series television in the 1970s, died of emphysema in 1995. Evan McCowan describes his mother as one of those Canadian talents who refused to leave Canada for the U.S. where they could have made a lot more money.

"It still holds true today about people leaving because we can't afford to put people in the business into a place where they can save money," McCowan added.

Richard Monette, Stratford's artistic director, said Hyland was "very courageous in her choices."

"She dealt with the world, and all its problems and joys, through her art," Monette said. "She was a great lady of the theatre."

Born in Shaunavon, Sask., in April 1927, Hyland displayed a penchant for acting at an early age, and after graduating from the University of Saskatchewan in 1948 won a scholarship to study at the Royal Academy of Dramatic Art in England. After graduation there with a silver medal, she made her professional debut in 1950 in a London production of A Streetcar Named Desire. She took an usher's job at the Regent's Park Open Air Theatre to study rehearsals and at 19 snagged a tiny role on the then-new medium of television.

"I don't think I'd ever seen TV and I certainly hadn't been in a studio," she said in a later interview. "We had to wear orange makeup and there were banks and banks of lights. We'd sweat like horses."

She also recalled the many ups and downs of that early career - "even a couple of times when I've had to phone the Actors' Fund and say I can't pay the rent."

Hyland had long been a champion of greater status and higher pay for Canadian actors. In a 1970s interview she remarked that it was a good year when she earned more than $10,000.

"We're now equal with policemen," she said in 1986. "Although they have a very difficult and dangerous job and are probably not as well paid as they ought to be."

In 1954 she was brought back to Canada by Tyrone Guthrie, founding artistic director of the Stratford Festival, to appear as Isabella opposite James Mason in Measure for Measure. She spent 10 seasons at the festival, co-starring, too, with John Colicos, Martha Henry, Douglas Rain and Bruno Gerussi in King Lear in 1964.

In 1969 at the Vancouver Playhouse she starred in the original production of George Ryga's The Ecstacy of Rita Joe with Chief Dan George as her father. It was a role written with her in mind and which she counted among her most meaningful achievements.

Her Shaw Festival stage credits include Noel Coward's The Vortex in 1984, The Women in '85, Shaw's difficult masterpiece Back to Methusela in '86 and Major Barbara in '87. Also at Shaw, she directed Agatha Christie's murder mystery Black Coffee and in '79 directed the Stratford production of Othello.

On Broadway, she performed opposite Tony Perkins in Look Homeward Angel. In '89 after leaving the Shaw Festival, she played the curmudgeonly title role in Driving Miss Daisy in a Toronto theatre production.

Hyland played many great female characters onstage, including Elizabeth 1 (also in an episode of Patrick Watson's early '80s TV biography series The Titans), Portia in The Merchant of Venice, Stella in A Streetcar Named Desire and Ophelia in Hamlet.

When she won the Governor General's Performing Arts Award in 1994, then Gov. Gen. Ray Hnatyshyn called her the first lady of Canadian theatre. She was also an officer of the Order of Canada.

Prominent film and TV-movie roles include Moonlight Becomes You, I'll Be Home for Christmas, Never Talk to Strangers, Lives of Girls and Women, The Lotus Eaters, Glory! Glory!, Pygmalion, Hounds of Notre Dame, The Changeling and The Drylanders. Television appearances included co-starring with Leslie Nielsen in the miniseries The Albertans - a sort of Canadian version of Dallas - in 1979, and as Nanny Louisa in Road to Avonlea. There were also episodes of PSI Factor, Due South and ENG among others.

Critics wrote of her "glorious honey-whisky voice" and her surprisingly petite frame despite an often vivacious and commanding presence onstage.

"People who see me off stage are often surprised I'm so tiny," she once said.

Hyland is survived by son Evan and his wife Anne-Marie, two grandchildren and a great-granddaughter. As per her request there will be no funeral service, although her son expects there will be a memorial event in the next few weeks at Toronto's Performing Arts Lodge where she lived.

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elmore3003

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Re:THE CRUX OF THE MATTER
« Reply #125 on: July 19, 2004, 07:48:00 PM »

Going to watch TWO MEN now.

Goodnight.

Watch two men do what?
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Matt H.

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Re:THE CRUX OF THE MATTER
« Reply #126 on: July 19, 2004, 08:04:12 PM »

It was nice getting back in chat mode for awhile. Enjoyed spending time with some DRs. Leaned interesting stuff about Bruce Willis and also about the midwest.
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Matt H.

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Re:THE CRUX OF THE MATTER
« Reply #127 on: July 19, 2004, 08:07:29 PM »

Also have to say, just in counterpoint to DR Michael Shayne, that I liked HEARTBURN quite a lot. Not a terrific amount of plot, but Nicholson and Streep's characters were interesting, especially knowing they were based on real people.
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Jrand74

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Re:THE CRUX OF THE MATTER
« Reply #128 on: July 19, 2004, 08:36:20 PM »

DRJANE you have a message.

Thanks for the post about Frances Hyland, DRMS.  What a beautiful woman!

Can't twirl 'em?  "Maybe dere's sumpin' wrong wit chur bumper!"

SHOWGIRLS...ah yes.  So wrong in so many ways and so much fun.  How can something be tawdry and sparkling, ridiculous and pretentious, and well so WRONG HEADED?  As Walter Kerr said, in cases such as this, it is polite to say the actors were valiant....but in this case I think they were out of their minds.

Ver-say-sse.....eating dog food....the WORST movie choreography since A CHORUS LINE....gee...I think I will watch my regular DVD of SHOWGIRLS again.  I will have to make my own pasties and use regular playing cards!
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Jrand74

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Re:THE CRUX OF THE MATTER
« Reply #129 on: July 19, 2004, 08:37:47 PM »

I think I will have some pie now.
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S. Woody White

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Re:THE CRUX OF THE MATTER
« Reply #130 on: July 19, 2004, 08:42:47 PM »

I've mentioned this before here when we've talked about farce, but I'll repeat it. The Neil Simon farce RUMORS seem to be the play of his that gets the most productions around this area. I've actually never seen a production, just have read the script. Does anyone like RUMORS?
Seen it!  Great, when played well, particularly the several-pages-long speech at the end, explaining everything that's happened.  Also great, which no one gets when watching the show, is how all the character names are really the same.  Proof that reading a play can be just as entertaining as watching it, if the reader has the right imagination.
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There are worlds out there where the sky is burning, and the sea's asleep, and the rivers dream; people made of smoke and cities made of song. Somewhere there's danger, somewhere there's injustice, somewhere else the tea's getting cold. Come on, Ace. We've got work to do.

S. Woody White

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Re:THE CRUX OF THE MATTER
« Reply #131 on: July 19, 2004, 08:43:23 PM »

I'd have pi, but I'm too tired to do the math.
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There are worlds out there where the sky is burning, and the sea's asleep, and the rivers dream; people made of smoke and cities made of song. Somewhere there's danger, somewhere there's injustice, somewhere else the tea's getting cold. Come on, Ace. We've got work to do.

S. Woody White

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Re:THE CRUX OF THE MATTER
« Reply #132 on: July 19, 2004, 08:48:16 PM »

Most of my favorite farces have already been mentioned.  I will think about it and post more later.  I keep thinking of screwball comedies such as WHAT’S UP DOC, but those don’t count.
Since when isn't screwball a kind of farce?  Standard stage farce involves a set with a miriad of doors.  What's Up Doc? involves, instead, a miriad of similar overnight bags.  Seems like the same general state of mind to me!
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There are worlds out there where the sky is burning, and the sea's asleep, and the rivers dream; people made of smoke and cities made of song. Somewhere there's danger, somewhere there's injustice, somewhere else the tea's getting cold. Come on, Ace. We've got work to do.

Panni

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Re:THE CRUX OF THE MATTER
« Reply #133 on: July 19, 2004, 08:48:56 PM »

How sad about Frances Hyland. What a wonderful actress! As the obit said, her late ex-husband George McCowan was also a heavy smoker. He directed every episode of SEEING THINGS and I don't think I ever saw him without a cigarette.
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S. Woody White

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Re:THE CRUX OF THE MATTER
« Reply #134 on: July 19, 2004, 08:56:35 PM »

All right, I know, I'm catching up after a long day at work.  And I do mean L  O  N  G.  Started at noon, didn't get off until nine in the evening.  A thirty-minute lunch break.  And fairly busy the entire day.

That and I had to file a complaint against one of my co-workers, which wasn't satisfying.

A couple of days ago, said co-worker mouthed off at a customer for personal reasons, which said customer did nothing to deserve.  I took her aside, and told her it wasn't a good idea to do that, and she exploded back at me.  I figured I'd better tell the store manager about what happened, before she heard about it from someone else.  Store manager gave me a blank stare for several seconds, then a large sigh, and said "Not again."

Apparently, this isn't the first time the co-worker has caused problems.  Or the second.  Or third.  Or take a number and wait to be severed.

I don't have to work solo with the co-worker again until Friday.  If things aren't "interesting" before then, they will be very "interesting" that evening.

Two other co-workers have since told me that a) I was right to report the incident, and b) I'll survive.  I'm just planning on staying away from the cutlery section of the store Friday night.
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There are worlds out there where the sky is burning, and the sea's asleep, and the rivers dream; people made of smoke and cities made of song. Somewhere there's danger, somewhere there's injustice, somewhere else the tea's getting cold. Come on, Ace. We've got work to do.

Panni

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Re:THE CRUX OF THE MATTER
« Reply #135 on: July 19, 2004, 08:57:35 PM »

(I removed my post about RUMOURS because I had it mixed up with PROPOSALS - another one-word "P" and "R" Simon title. Sorry!)
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S. Woody White

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Re:THE CRUX OF THE MATTER
« Reply #136 on: July 19, 2004, 09:01:50 PM »

Question.  Has anyone here ever tried the Atkins shakes?
Are they anything like the shakes one gets when trying to quit cigarettes?
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There are worlds out there where the sky is burning, and the sea's asleep, and the rivers dream; people made of smoke and cities made of song. Somewhere there's danger, somewhere there's injustice, somewhere else the tea's getting cold. Come on, Ace. We've got work to do.

George

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Re:THE CRUX OF THE MATTER
« Reply #137 on: July 19, 2004, 09:03:05 PM »


Going to watch TWO MEN now.

Goodnight.

Watch two men do what?

And WHICH two men?? ;)
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S. Woody White

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Re:THE CRUX OF THE MATTER
« Reply #138 on: July 19, 2004, 09:06:55 PM »

Give me the word, Dear Reader Jose, and I will be happy to chauffeur you on the quintessential road tour of L.A.:  Sunset Boulevard from the heart of downtown to the ocean.
Oh, no, that trip simply HAS to be done by bus!  Driving that route cannot compare!

 :o :o :o
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There are worlds out there where the sky is burning, and the sea's asleep, and the rivers dream; people made of smoke and cities made of song. Somewhere there's danger, somewhere there's injustice, somewhere else the tea's getting cold. Come on, Ace. We've got work to do.

Tomovoz

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Re:THE CRUX OF THE MATTER
« Reply #139 on: July 19, 2004, 09:07:06 PM »

I notice that there is someone Taking Care of Business. I do hope the DR gets the chance to post as well as read. Special thoughts and vibes to Tacoma from the land of OZ.
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TCB

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Re:THE CRUX OF THE MATTER
« Reply #140 on: July 19, 2004, 09:09:36 PM »

Guess it will be along wait DR Panni - my betting is about March 2005.

I remember years ago when visiting our State Prison facility's maximum security centre where the murderers were housed, being told that most of the inmates were in fact quite normal people who had gone ouotside the square and done something outside perceived possibilities - murderers were on the whole not "criminals" except for the one act! Irrational behaviour in specific circumstances that triggered off an unlikely response.

Why was I there? A friend was directing their play "Royal Hunt Of The Sun".  I went to a few rehearsals and to the production.


Lucky he wasn't directing FORTUNE AND MEN'S EYES, or you might both still be there.
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S. Woody White

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Re:THE CRUX OF THE MATTER
« Reply #141 on: July 19, 2004, 09:11:29 PM »

I feel so strange today.

Doing things I've no business doing plus being totally out of sorts.

Adjustments toward getting things done are coming along.  I am slow and I hate typing with only one hand.

Thanks for the well wishes and vibes.

You'd think I could use this time for reading or DVD viewing but I haven't the patience.  I find myself sorting through things and cleaning.

It's so unlike me.

One-handed litter-box cleaning is NOT pretty!
Vibes
[move=left,scroll,6,transparent,100%]~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~[/move]
And wishes for patience sent in your direction.  It's a learned skill, and not an easy one.

PS: Litter box?  You make me glad I've always been a dog guy!  Ouch!
« Last Edit: July 19, 2004, 09:12:57 PM by S. Woody White »
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There are worlds out there where the sky is burning, and the sea's asleep, and the rivers dream; people made of smoke and cities made of song. Somewhere there's danger, somewhere there's injustice, somewhere else the tea's getting cold. Come on, Ace. We've got work to do.

Tomovoz

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Re:THE CRUX OF THE MATTER
« Reply #142 on: July 19, 2004, 09:16:26 PM »

Which reminds me TCB - I keep forgetting  to set the VCR for more episodes of "OZ". I really do need subtitles for much of the dialogue. Lovely to see you here.
« Last Edit: July 19, 2004, 09:16:59 PM by Tomovoz »
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"I'm sixty-three and I guess that puts me with the geriatrics, but if there were fifteen months in every year, I'd only be forty-three".
James Thurber 1957

Panni

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Re:THE CRUX OF THE MATTER
« Reply #143 on: July 19, 2004, 09:17:25 PM »

Good to see you, TCB!
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TCB

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Re:THE CRUX OF THE MATTER
« Reply #144 on: July 19, 2004, 09:17:44 PM »

The boxset of SHOWGIRLS sounds deevine. I would love it. Although I already own showgirl pasties. There's a provocative statement for you.

Damn!  I almost ordered that SHOWGIRLS boxset, but I thought they said it came with pastries.
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S. Woody White

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Re:THE CRUX OF THE MATTER
« Reply #145 on: July 19, 2004, 09:19:50 PM »

O Joy! O rapture!  Had me some credit to use up at my local DVD place, and I got me my Showgirls box set (not due out for a few weeks, I think).  Showgirls is truly one of the worst movies in the history of the cinema but I want it as a lesson in bad everything.  Also, the box, which is limited, includes your Showgirls shot glasses, Showgirls playing cards, a tutorial on lap dancing, a pin the pasties on the Showgirl game, including the pasties, and ever so much more.
And you're telling DR Noel's Dear Wife all this because...?
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There are worlds out there where the sky is burning, and the sea's asleep, and the rivers dream; people made of smoke and cities made of song. Somewhere there's danger, somewhere there's injustice, somewhere else the tea's getting cold. Come on, Ace. We've got work to do.

Panni

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Re:THE CRUX OF THE MATTER
« Reply #146 on: July 19, 2004, 09:21:10 PM »

I'm going to try to do a tiny bit more writing, so there's something to start with in the morning...
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George

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Re:THE CRUX OF THE MATTER
« Reply #147 on: July 19, 2004, 09:23:36 PM »

Now I must hie myself to the Wilde of Tangle (housing development) where my parents live and eat the dinner that they will be serving.  I don't know what it will be, but more than likely, it won't be something that I like.  She does that.  Oh, well.  It's free.

Well, I got to my parents' house at about 6:30 and no one was home!  My sister wasn't even there yet.  About 10 minutes later my parents came home.  My mom had taken my dad to the hospital (not the emergency room) because his back has been hurting for a while.  He said something about the discs between the vertebrae being squished, but that it wasn't that serious at this point.  He'll have to take it easy for a while until they can figure out what will be done...or what can be done.  Anyway, they had been gone since about noon-thirty and my mom didn't make anything to eat.  We (my sister, my niece and I) said that she shouldn't worry about starting to cook that late after being at the hospital for so long, so we'd go out.  My parents didn't want to come with us, so my sister, my niece and I went to Applebee's.  I love Applebee's.  I had the Baja Chicken Roll-Up and both my niece and my sister had the Veggie Patch Pizza.  For dessert, I had the White Chocolate and Walnut Blondie and the girls had the Triple Chocolate Meltdown.  I think I had the better dessert. :D A good meal was had by all!!
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S. Woody White

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Re:THE CRUX OF THE MATTER
« Reply #148 on: July 19, 2004, 09:23:50 PM »

The boxset of SHOWGIRLS sounds deevine. I would love it. Although I already own showgirl pasties. There's a provocative statement for you.
Fresh, or used?
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There are worlds out there where the sky is burning, and the sea's asleep, and the rivers dream; people made of smoke and cities made of song. Somewhere there's danger, somewhere there's injustice, somewhere else the tea's getting cold. Come on, Ace. We've got work to do.

George

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Re:THE CRUX OF THE MATTER
« Reply #149 on: July 19, 2004, 09:23:54 PM »

George have you tried making requests?

This is never a problem when it happens, it's just that on Mondays (before my mom retired, two weeks ago, she always had Monday's off), my mom will say, "I'm making [so and so] for dinner.  Come on over."  If it's something that I absolutely don't want, I'll either not go (they don't take offense if I don't go) or I'll get something to eat before I go and just visit.
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Voldemort is basically a middle school girl: he has a locket, a diary, a tiara, a ring, and is completely obsessed with a teenage boy.
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