Aren't we fortuate to have creative directors like John Doyle who can increase productivity by having the actors double as musicians!
Not to mention the cost effectiveness of replacing the whole instrument playing crowd with tape - thank you Susan Strohman.
der Brucer
Snarkiness aside, even productions which seem to adopt "cost-cutting" measures of any sort are also in trouble right now.
*And her last name is spelled: Stroman. -"Ballets" and "dance pieces", more often than not, rely on - use - taped "accompaniments. And since she had choreographed the three sections in
Contact to pre-existing music, well.. At least
Contact sounded better in the theatre, than the "it might as well have been canned" orchestra for
Fosse.
**And the word is spelled: fortunate.
***And I actually didn't mind the "doubling" in
Sweeney Todd and
Company, and the origin of that practice was also a "space-saving" one, not purely an economic one.