I then went to the tape transfer place. I was there longer than I cared to be, and if I'm going to do this one project, which I really want to do, it's going to be a bit of a nightmare - the quarter-inch tape that has all the mixed music on it, and which would be the easiest to use, unfortunately is mono, 7 1/2ips, and distorted throughout. So, we have to transfer all the circled takes from seven reels of half-inch tape, but these include a lot of overdubs that are on different tapes (everything was click-tracked, but we don't have the bloody click) - so it's all going into pro-tools and I'll have that quarter-inch as a guide as to how it all gets put together. Hopefully everything we need is on the half-inch tapes - hard to know because the logs are very VERY confusing. Great score, though. Happily, one of the other two scores that would be paired with it had an album master prepared at the time of the film's release, but the album never came out - that one is in perfect shape and easy/breezy. I have to pick up the tapes for the other title - there are five of them, so I don't know what the story on that will be.
The other tapes were very straightforward and easy. Today's batch would be a total of three releases, one release having three scores.