Oh RLP you are NO fun!
But I think MATTH has a valid point....those of us who want to see the film and know Porter's music really would prefer it be done as written....those who DON'T know the music will not be attracted to it because it's sung by someone they know...how do "they" know that young people wouldn't enjoy the music as it was originally presented? They won't even give it a chance.
Personally I probably won't see it on the big screen, unless the Evil Kurt wants to go...I am not a Kevin Kline fan...but I will watch it on a pay service and maybe even buy the DVD.
I am not sitting in judgment on the film itself (although Jay gave us a nice review of it a few weeks ago) - just of the attitude of those in charge of the MOST IMPORTANT part of any musical biopic...the MUSIC.
I find it highly amusing that folks think there is only one way to present a song.
Cole Porter never seemed to mind that different artists performed his work at different tempi. If he didn't mind, who the heck are "we" to mind?
And until the film is released and the use of the music is deemed wrong somehow, it's totally premature to make such judgments.
We get this type of thing every once in a while on this forum, and I find it disheartening because I think most of us generally love the music. Is it so terribly wrong to wait and see? Nothing I've reac that was "quoted" seems at all foreboding or horrid. Yet the reactions seem knee-jerk and totally skidmark anal.
It may well be horrendous. My point is, no one here KNOWS that to be true. Stephen Endelman is an experienced composer/conductor. It's probable that Porter experts were consulted, as well.
Think back to the orchestral scoring for "Evil Under the Sun" -- all Porter, all instrumental, some of it at different tempi from that which the songs were originally performed on Broadway or in movies (or both). And it worked beautifully.
What's FUN about trashing something before it's even released?