Tammy and I just spent several hours discussing Plan B, and I left the decision to her, which she'll make first thing in the morning. We'll either do Plan B (which would be a LOT of work, but which would not be a problem, rights-wise), or the Neil LaBute play, which they DID give us not only the rights for, but tendered the contract, which was signed and sent back with payment. Our argument would be "tough beans" we have a contract, period, end of story. Tammy does open herself up for potential problems should Mr. LaBute, his agents, or the licensing service wish to pursue them. It's doubtful they would - they lady who rented us the Hudson said it's happened several times there, where the rights were suddenly withdrawn but the people went right ahead and did the play anyway. They got a cease and desist letter, but finished their run - without further notice or repurcusion. After all, we're only talking about eighteen performances - it would be hard to prove damages, especially in the face of the contract we received. But, if Tammy were to opt for that, she would be pissing off Mr. LaBute and I'm not sure that's what's best for her. We shall see - I'm comfortable with either decision, but if it's the play, we have to have casting sessions once again, and immediately.
