In Jose-Is-New-York-Bound News...
-I sort of alluded to this the other day... I received a phone call from one of the guys in John Miller's office in New York. John Miller is one of the big two - well, there is a third, it's still up and coming - contractors for Broadway shows and tours. They take care of hiring the orchestra members for the shows. He was checking to see if I was available to sub in for
Movin' Out here in DC next week on the synth book. Alas, due to
Hallelujah, Baby!, I had to turn him down. Then two nights later, I received a call from the conductor of
Movin' Out again asking if I was available. Again, I had to turn him down, but he mentioned that he got my name and number from the New York office.
So... I'm already on file in the New York office!
People literally beg to get on file with John Miller. There was even a letter in the Musicians' Union newsletter last year from a slightly puzzled musician who just could not seem to "break in" to Miller's office. He offered to audition, he offered to come in for an interview, he sent in his resume and a tape, but still no response. And for "us" in the know, the letter was/is kind of funny. The only way to get into Miller's files is to be recommended by someone, usually a conductor. So... Now I'm wondering who recommended me? I have my suspicions, but it would be really nice to know. I did get a call from the office when I was called in to sub for
Beauty & the Beast, but I think I was referred by one of the contractors in DC since the original sub was not available.
I also went ahead and e-mailed the contact I have with
Mamma Mia!, to see if she could get me on the sub list for the Broadway production since I sub in for their Second National tour from time to time. Well, it turns out the Broadway company is not handled by her office, rather it is contracted by... -you guessed it - Miller Music Services, and that she'd be more than happy to give them a call once I get up there to inform them of my previous experience with the show and my availability. Oh, and the office I'm speaking of is the "up and comer", Music Services International. They're handling the tour of the Theatre Deaf West
Big River. -Which I happened to play auditions for last week here in DC...

They contract a couple of other things, but their current brass ring is the incoming
Chitty Chitty Bang Bang. -Or
Chitty Chitty BANK BANK as some actors I know are already calling it.

Oh, and I'm already on file with the other big contractor in town, Keller. -I'm drawing a blank on the first name right now. Keller contracted for AIDA, and since I played two months in DC...
So... Now I just need to get my housing in order, and I'll be all set!
