The cast had last night off, and we enjoyed the relatively rare luxury of a solid followup orchestra rehearsal in which we nailed all the places that needed work or tightening up. It's too bad the orchestra gets "piped in" (nice theater, no pit) because even though some stuff is lacking from the original orchestration, it's still so much more satisfying to these ears than the new one.
My suggestions for fixing mistakes and discrepancies have, happily, all been taken. And as some of the piano book is derived from the original harp part, I've been given free range on what I play and how I play it so as to better the sound. (I'm NOT throwing in a harp patch. It's still just piano and celesta, just somewhat improved from what's on the page. IMHO, of course.)