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Author Topic: THE ME DAY THAT WASN'T  (Read 4964 times)

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ChasSmith

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Re: THE ME DAY THAT WASN'T
« Reply #30 on: July 08, 2019, 06:33:54 AM »

I never saw THE BURBS either. Sounds like a fun watch, with no higher expectations than that involved.
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ChasSmith

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Re: THE ME DAY THAT WASN'T
« Reply #31 on: July 08, 2019, 06:39:26 AM »

It’s funny — For me, Tom Hanks has always turned out to be well worth watching in just about anything, even when I haven’t thought I’d give a Wallenda (flying or otherwise) about a particular film going in. But he’s not one of those people for whom I have a “favorites” list in mind.
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elmore3003

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Re: THE ME DAY THAT WASN'T
« Reply #32 on: July 08, 2019, 06:45:46 AM »

Patrol was quite short. Stella escaped and ran to the second floor landing where I caught her, while Annabelle rolled around the linoleum.
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"There are two means of refuge from the miseries of life: music and cats" - Albert Schweitzer

elmore3003

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Re: THE ME DAY THAT WASN'T
« Reply #33 on: July 08, 2019, 06:46:33 AM »

I think I will pull more books today.
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"There are two means of refuge from the miseries of life: music and cats" - Albert Schweitzer

ChasSmith

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Re: THE ME DAY THAT WASN'T
« Reply #34 on: July 08, 2019, 06:57:14 AM »

So. Yesterday. A band reading, and sort of a run-through on stage of The Wizard of Oz.

Oy.

This one is strictly amateurville. In every respect. I like the venue, so that surprised me. And of course I’m getting paid. But the fun stops there. If anyone I know who has a pair of ears comes to this, I’ll be properly mortified. But like Pooh-Bah, I magnanimously humiliate myself for a paycheck. What are you gonna do?

One nice thing:  It was tech Sunday, so there was all kinds of food there. And it was good! I ate, shamelessly, like a pig, and still wished I could fill my pockets with more to take home.
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ChasSmith

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Re: THE ME DAY THAT WASN'T
« Reply #35 on: July 08, 2019, 07:04:39 AM »

Patrol was quite short. Stella escaped and ran to the second floor landing where I caught her, while Annabelle rolled around the linoleum.

That does it. There needs to be some sped-up silent movie footage of these patrols. I believe DR Elmore and family could give Harold Lloyd a run for his money.
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Jane

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Re: THE ME DAY THAT WASN'T
« Reply #36 on: July 08, 2019, 07:34:38 AM »

Bruce you did indeed miss the unexciting comments on Toy Story.  I had posted them on page 2.
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Jane

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Re: THE ME DAY THAT WASN'T
« Reply #37 on: July 08, 2019, 07:35:20 AM »

I finally had a half way decent night of sleep.
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Jane

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Re: THE ME DAY THAT WASN'T
« Reply #38 on: July 08, 2019, 07:36:04 AM »

I’m going to interview one of the original producers of La Cage Aux Folles who has a lot business and personal stories to tell, someone who worked with Carr and lives nearby  and one  of the original Cagelles who now lives in Orlando. Their stories were not in the Allan Carr documentary or the deleted material you can see on YouTube. The producer and the actor are my new connections to these people who I didn’t have prior to my play reading.

That sounds exciting!  Good luck, Michael!

Ditto.
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Jane

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Re: THE ME DAY THAT WASN'T
« Reply #39 on: July 08, 2019, 07:37:12 AM »

I will step out later to do some banking and have this CT scan of my sinuses.  With my luck, the rain will begin the moment I walk out of the apartment.

Good luck!
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Jane

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Re: THE ME DAY THAT WASN'T
« Reply #40 on: July 08, 2019, 07:37:46 AM »

I like NIAGARA with Miss Marilyn Monroe.....particularly how her dead body changes positions between shots......
;D
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Jane

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Re: THE ME DAY THAT WASN'T
« Reply #41 on: July 08, 2019, 07:39:30 AM »

Patrol was quite short. Stella escaped and ran to the second floor landing where I caught her, while Annabelle rolled around the linoleum.

Do you still have the cat harness Annabelle didn't like?  Maybe Stella will adjust to it.
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Jane

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Re: THE ME DAY THAT WASN'T
« Reply #42 on: July 08, 2019, 07:40:42 AM »

DR John my condolences to your friends on the loss of their father.
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Amy

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Re: THE ME DAY THAT WASN'T
« Reply #43 on: July 08, 2019, 07:45:52 AM »

TOD:
Castaway
You've Got Mail
Big
Forrest Gump
Sleepless in Seattle
Apollo 13
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John G.

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Re: THE ME DAY THAT WASN'T
« Reply #44 on: July 08, 2019, 09:01:35 AM »

I like NIAGARA with Miss Marilyn Monroe.....particularly how her dead body changes positions between shots......

The dead will do that.
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“Let us read, and let us dance; these two amusements will never do any harm to the world.”
― Voltaire

John G.

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Re: THE ME DAY THAT WASN'T
« Reply #45 on: July 08, 2019, 09:03:27 AM »

Vibes for a good run, JRand.
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“Let us read, and let us dance; these two amusements will never do any harm to the world.”
― Voltaire

Jane

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Re: THE ME DAY THAT WASN'T
« Reply #46 on: July 08, 2019, 09:10:19 AM »

Ditto!
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Jane

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Re: THE ME DAY THAT WASN'T
« Reply #47 on: July 08, 2019, 09:16:52 AM »

An excellent list DR Amy.
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Jane

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Re: THE ME DAY THAT WASN'T
« Reply #48 on: July 08, 2019, 09:19:37 AM »

TOD:

Bosom Buddies
Bachelor Party
Bridge of Spies
Big
The Toy Story movies (I’ve seen 1-3)

My top pick from your list:
Bosom Buddies
Bridge of Spies
Big
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Jane

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Re: THE ME DAY THAT WASN'T
« Reply #49 on: July 08, 2019, 09:21:50 AM »

We just watched Tom Hanks in CAPTAIN PHILLIPS, which was a goodie.

I expected him to be nominated for an Oscar. 
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Jane

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Re: THE ME DAY THAT WASN'T
« Reply #50 on: July 08, 2019, 09:23:35 AM »

A favorite not mentioned, A League of Their Own.
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elmore3003

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Re: THE ME DAY THAT WASN'T
« Reply #51 on: July 08, 2019, 10:12:24 AM »

Patrol was quite short. Stella escaped and ran to the second floor landing where I caught her, while Annabelle rolled around the linoleum.

Do you still have the cat harness Annabelle didn't like?  Maybe Stella will adjust to it.

I never had a cat harness.
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"There are two means of refuge from the miseries of life: music and cats" - Albert Schweitzer

elmore3003

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Re: THE ME DAY THAT WASN'T
« Reply #52 on: July 08, 2019, 10:15:41 AM »

I stepped out at noon for the bank and Stella escaped again and again I caught her on the landing between two and three.  I did my banking and caught a taxi to the radiologist.  I was about 45 minutes early and they saw me immediately.  The CT scan took all of five minutes and now I'm home at the time of my origfinal appointment.
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"There are two means of refuge from the miseries of life: music and cats" - Albert Schweitzer

elmore3003

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Re: THE ME DAY THAT WASN'T
« Reply #53 on: July 08, 2019, 10:16:24 AM »

It is hotter than hell and humid in my apartment.  It's got to be 10-20 degrees cooler outside.
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"There are two means of refuge from the miseries of life: music and cats" - Albert Schweitzer

Laura

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Re: THE ME DAY THAT WASN'T
« Reply #54 on: July 08, 2019, 10:30:14 AM »

Good morning.
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“They’ll range in value from maybe 60% or 70% tariffs to 10% and 20% tariffs, but they’re going to be starting to go out sometime tomorrow. We’ve done the final form, and it’s basically going to explain what the countries are going to be paying in tariffs.”

Laura

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Re: THE ME DAY THAT WASN'T
« Reply #55 on: July 08, 2019, 10:30:43 AM »

TOD: David S. Pumpkins
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“They’ll range in value from maybe 60% or 70% tariffs to 10% and 20% tariffs, but they’re going to be starting to go out sometime tomorrow. We’ve done the final form, and it’s basically going to explain what the countries are going to be paying in tariffs.”

bk

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Re: THE ME DAY THAT WASN'T
« Reply #56 on: July 08, 2019, 10:32:12 AM »

I'm up, I'm up - seven hours of sleep.  Kritzerland titles will be live at noon, but here's the blurb for them:

Kritzerland is proud to present two great new releases – one world premiere soundtrack and another in our ongoing Ben Bagley series of reissues:

DEMENTIA
 
Composed by George Antheil
Conducted by Ernest Gold
Featured Voice: Marni Nixon

and

ERNEST GOLD’S PIANO CONCERTO

Conducted by Leon Barzin
Marisa Regueles, piano

Has there ever been a film that could actually cause Dementia?  Well, some would say that the film known as Dementia, a completely one-off, nightmarish journey into the netherworlds of Expressionism, noir, horror, and sexual psychosis, might just fit the bill.  Filmed in 1953 but not released until December of 1955 due to censorship battles in New York (the censor board averring the film indecent, inhuman and would tend to corrupt morals and incite to crime).  When it finally premiered in New York, the film was reviewed thusly by Variety: “May be the strangest release ever offered for theatrical release.”  Dementia features no dialogue at all, just some sound effects here and there and occasional background laughing and chatter. It runs a terse 55-minutes.   At some point, producer Jack H. Harris bought the film, made a few changes, and added portentous almost non-stop narration by the one and only Ed McMahon.  He also retitled the film, Daughter of Horror, and that version was released in 1957.   

One of the biggest contributing factors to the film’s uniqueness was the score by George Antheil, who, in addition to his classical music had written many notable scores for films, including The Buccaneer (1938), Specter of the Rose (1946), Knock on Any Door (1949), House by the River (1950), In a Lonely Place (1950), Sirocco (1951), The Sniper (1952), Not as a Stranger (1955), and post-Dementia, The Pride and the Passion (1957). Antheil’s score for Dementia is almost wall-to-wall music.  It’s weird and wonderful, perfectly suiting all of the nightmarish goings on.  In fact, one could not imagine a more perfect score for this film.  Giving the music an especially eerie texture is the vocal oohs and aahs of Marni Nixon.  She was about to become the go-to singer to dub major actresses in film musicals, most notably Deborah Kerr in The King and I (and also An Affair to Remember), Natalie Wood in West Side Story, and, of course, Audrey Hepburn in My Fair Lady.  The score was conducted by Ernest Gold, at the time married to Marni Nixon, and a fine composer of both classical works and film music.

As a companion piece, we’re delighted to include Ernest Gold’s wonderful Piano Concerto, written in 1943.  Although not critically well received at the time, the concerto is really terrific, filled with wonderful Gold tunes, some jazzy bits, and sounding every now and then like his film music. 

Dementia is appearing for the first time on CD, mastered from a 7 1/2 ips tape.  The Gold piano concerto is also mastered from an archival 7 1/2 ips tape.

DEMENTIA is limited to 500 copies only and priced at $19.98, plus shipping.   This is a PRE-ORDER – CDs will ship by the third week of August, but never fear, we’ve actually been averaging three to five weeks early in terms of shipping ahead of the official ship date.  To place an order, see the cover, or hear audio samples, just visit www.kritzerland.com.  Also note that your PayPal receipt is the only receipt you get – we don’t send out confirmations beyond that.

Our second title is another in our ongoing reissues of the Ben Bagley Revisited albums:

JEROME KERN REVISITED VOLUME II

Music by Jerome Kern
Lyrics by Guy Bolton, Anne Caldwell, Dorothy Fields, Oscar Hammerstein, Otto Harbach, Gus Kahn, Herbert Reynolds, Harry B. Smith,  P.G. Wodehouse

This is the second volume of Jerome Kern we’ve released and it’s another complete delight, with a great cast including Joanne Woodward, Kaye Ballard, Sandy Stewart, Jerry Stiller, Anne Meara, lyricist Sheldon Harnick, Sarah Rice, Arthur Siegel, and more.  The musical arrangements and musical direction are by long-time Bagley regular, Dennis Deal.  There are, as always, lots of great Ken rarities, a treasure trove of great tunes with great lyrics by some amazing lyricists, from shows such as Sitting Pretty, Oh! Boy!, Love O’Mike, High, Wide and Handsome, Nobody Home, The Canary, and others.  That is the joy of these albums, not hearing the tried and true, but hearing the neglected and unknown.   There are two bonus tracks from a revival of Show Boat, too, and as always, we’ve really spruced up the sound, and we of course give you the great Harvey Schmidt artwork.

JEROME KERN REVISITED VOLUME II is limited to 500 copies only and priced at $19.98, plus shipping.   This is a PRE-ORDER – CDs will ship by the third week of August, but never fear, we’ve actually been averaging three to five weeks early in terms of shipping ahead of the official ship date.  To place an order, see the cover, or hear audio samples, just visit www.kritzerland.com.  Also note that your PayPal receipt is the only receipt you get – we don’t send out confirmations beyond that.
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bk

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Re: THE ME DAY THAT WASN'T
« Reply #57 on: July 08, 2019, 10:32:48 AM »

This volume of Kern features two arrangements by someone named Larry Moore.
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elmore3003

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Re: THE ME DAY THAT WASN'T
« Reply #58 on: July 08, 2019, 11:14:55 AM »

This volume of Kern features two arrangements by someone named Larry Moore.

Two?  I only recognize the one for Joanne Woodward!  When this album was first released on LP, it was Kern Revisited, Vol. 4, but some of those tracks are now on the first Jerome Kern Revisited, and there are a few I don't think Ben ever put on CD.  Ben liked "the Bullfrog Patrol" orchestration that he added part of the instrumental track without the voices to the front of the track.  You can hear the sudden slow down where the original track begins with the vocal.  I've always wished he hadn't done that.

The recording also was the conducting debut of John McGlinn on the SHOW BOAT tracks.
« Last Edit: July 08, 2019, 11:28:32 AM by elmore3003 »
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"There are two means of refuge from the miseries of life: music and cats" - Albert Schweitzer

bk

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Re: THE ME DAY THAT WASN'T
« Reply #59 on: July 08, 2019, 11:40:19 AM »

McGlinn is credited as an arranger for one track, and you are for two.
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