He then asked me about the original camera negative. When Paramount gave us back the movie, all the elements with to MGM for storage. We have tried many times over the years to find what MGM labs said they couldn't and just had no luck. Well, Harris picked up the phone and called Paramount. And guess what? They never sent it to MGM, only the CRI and prints went there. So, all this time Paramount has had it in their vault and they told Robert they will happily give it back to me, so I'll be e-mailing them as soon as he sends me that information. This is amazing news and we'll really be able to do a proper 4K now and I have our Blu-ray as reference for the color timing and reframing of certain scenes. I can't pay for the transfer, of course, but that's why I'm hoping to license it to someone - they can do all the work and then all I'll need to do is approve it. And when we have the 4K we can really do a proper screening from that.