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Author Topic: OF CABBAGES AND KINGS  (Read 29135 times)

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Jrand73

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Re:OF CABBAGES AND KINGS
« Reply #150 on: June 18, 2007, 10:58:02 AM »

New articles are up for Flyer Idol.  You can read the articles and vote for Amanda Mitchell here.

Scroll down.

And thanks for your continued support.

http://www.flyergroup.com/
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Jrand73

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Re:OF CABBAGES AND KINGS
« Reply #151 on: June 18, 2007, 10:58:59 AM »

Page Six Fantasticks Dance.

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JoseSPiano

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Re:OF CABBAGES AND KINGS
« Reply #152 on: June 18, 2007, 10:59:55 AM »

Lunch: A "small" (which was really not that small) mixed green salad, with grilled chicken, egg whites, broccoli and carrots.  Balsamic vinaigrette.  And all of that for just $5.50!
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Jrand73

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Re:OF CABBAGES AND KINGS
« Reply #153 on: June 18, 2007, 11:00:29 AM »

What...no frogs?
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JoseSPiano

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Re:OF CABBAGES AND KINGS
« Reply #154 on: June 18, 2007, 11:01:10 AM »

What...no frogs?

They didn't look fresh today.
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Jane

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Re:OF CABBAGES AND KINGS
« Reply #155 on: June 18, 2007, 11:02:11 AM »

Amanda has a bit of competition.  I have to admit voting before reading.  I didn't find the link to the articles, where is it?
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JoseSPiano

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Re:OF CABBAGES AND KINGS
« Reply #156 on: June 18, 2007, 11:05:53 AM »

Hmm... So... You're going to a dance call... One at which you know you will dance...  But you still want to "look good" and wear some big-ass earrings... Which keep hitting you in the face each time you turn and pirouette...  ???


-It's actually quite entertaining to watch.  But I'm also waiting for the time when the earrings go flying off of her ears... and into somebody else's face... eyes... :-\
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Dan (the Man)

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Re:OF CABBAGES AND KINGS
« Reply #157 on: June 18, 2007, 11:06:18 AM »

I have to laugh!  That ultra rare Beatles White Album that is up for bid on eBay is currently going for $16,000 and the reserve is not yet met!  How much do they expect to get for it?
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singdaw

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Re:OF CABBAGES AND KINGS
« Reply #158 on: June 18, 2007, 11:08:32 AM »

Hmm... So... You're going to a dance call... One at which you know you will dance...  But you still want to "look good" and wear some big-ass earrings... Which keep hitting you in the face each time you turn and pirouette...  ???

-It's actually quite entertaining to watch.  But I'm also waiting for the time when the earrings go flying off of her ears... and into somebody else's face... eyes... :-\

That must be quite a sight!  Especially since you said you've been playing men's auditions so far today!   :)
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Jrand73

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Re:OF CABBAGES AND KINGS
« Reply #159 on: June 18, 2007, 11:10:09 AM »

DR JANE - the articles on Gas Prices are the contestants...but it's hit or miss who you can read.  I can't find Amanda's article today either...GRRRRRRRRR
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Jrand73

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Re:OF CABBAGES AND KINGS
« Reply #160 on: June 18, 2007, 11:10:53 AM »

I think Big Ass Earrings is a whole section at Claire's Boutique.
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Jrand73

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Re:OF CABBAGES AND KINGS
« Reply #161 on: June 18, 2007, 11:11:11 AM »

Maybe they were bracelets and she didn't realize it.
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singdaw

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Re:OF CABBAGES AND KINGS
« Reply #162 on: June 18, 2007, 11:13:39 AM »

Maybe they were bracelets and she didn't realize it.

They double as handcuffs.

Versatile, no?   ;)
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Jrand73

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Re:OF CABBAGES AND KINGS
« Reply #163 on: June 18, 2007, 11:13:42 AM »

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Jrand73

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Re:OF CABBAGES AND KINGS
« Reply #164 on: June 18, 2007, 11:14:07 AM »

They double as handcuffs.

Versatile, no?   ;)

Mais oui.
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Dan (the Man)

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Re:OF CABBAGES AND KINGS
« Reply #165 on: June 18, 2007, 11:16:06 AM »

All I ever needed--
[CLANK! CLANK!]
Was the music--
[CLINK!  CLANK!]
And the mirror--
[CLANK! CLINK!]
And the chance to dance for you!
[...jingle...]
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Jrand73

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Re:OF CABBAGES AND KINGS
« Reply #166 on: June 18, 2007, 11:20:04 AM »

Or perhaps she just wanted to be noticed....which she was....and commented on by strangers ACROSS the U. S. of A!
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Dan (the Man)

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Re:OF CABBAGES AND KINGS
« Reply #167 on: June 18, 2007, 11:21:17 AM »

Except that, unlike YOU'RE THE ONE THAT I WANT, our vote doesn't count.
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And the day came when the risk it took to remain tight in the bud was more painful than the risk it took to blossom.
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singdaw

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Re:OF CABBAGES AND KINGS
« Reply #168 on: June 18, 2007, 11:22:14 AM »

Or perhaps she just wanted to be noticed....which she was....and commented on by strangers ACROSS the U. S. of A!

That's always been my aspiration!   ::)
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singdaw

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Re:OF CABBAGES AND KINGS
« Reply #169 on: June 18, 2007, 11:22:45 AM »

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singdaw

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Re:OF CABBAGES AND KINGS
« Reply #170 on: June 18, 2007, 11:24:01 AM »

There's more than corn in Indiana.

But of course... [in my best French accent]

There's Gary...

and there's our own DR JRand56...soon to be 57    ;)
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FJL

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Re:OF CABBAGES AND KINGS
« Reply #171 on: June 18, 2007, 11:33:43 AM »

Time to generate some buzz for the new Kritzerland release.

So here's a song list:

Song list For TAKING A CHANCE ON LOVE: MILLA ILIEVA LIVE ON VALENTINE'S DAY
 
What A Night This Is Going To Be (Baker Street) - Marian Grudeff & Raymond Jessel
and
Night of My Nights (Kismet) - Alexander Borodin, George Forrest & Robert Wright
 
A Cockeyed Optimist (South Pacific) - Richard Rodgers & Oscar Hammerstein
 
When Does The Ravishing Begin? (Lock Up Your Daughters) - Laurie Johnson & Lionel Bart
 
Where’s That Rainbow? (Peggy-Ann) - Richard Rodgers & Lorenz Hart
 
I Found Him (All In Love) - Jack Urbont & Bruce Geller
and
I Could Have Danced All Night (My Fair Lady) - Frederick Loewe & Alan Jay Lerner
 
Do What You Do - John Jennings
and
Do It Again (The French Doll) - George Gershwin & Ira Gershwin
 
Tess’s Torch Song (Up In Arms, film) - Harold Arlen & Ted Kohler
 
Time Heals Everything (Mack and Mabel) - Jerry Herman
 
Sara Lee - John Kander & Fred Ebb
 
Everybody’s Girl (Steel Pier) - John Kander & Fred Ebb
 
The Only Game In Town (cut from The Act) - John Kander & Fred Ebb
 
I’d Rather Wake Up By Myself (By The Beautiful Sea) - Arthur Schwartz & Dorothy Fields
 
Taking A Chance On Love (Cabin In The Sky) - Vernon Duke & John Latouche
 
Half a Moment (By Jeeves)  - Andrew Lloyd Webber & Alan Ayckbourn
 
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FJL

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Re:OF CABBAGES AND KINGS
« Reply #172 on: June 18, 2007, 11:36:33 AM »

Some reviews:

"Milla seems on her way to joining the ranks of cabaret royalty. Her latest show...pllayed a special one-nighter on Valentine's Day and it was indeed a sweetheart of a performance. She can glide from an elegant soprano to chocolatey deep tones in the time it takes to wink at the ringside customers; something she does frequently and irresistibly." -- Michael Dale BROADWAYWORLD.COM

 

"Those planning cabaret acts should be given a conference with Milla Ilieva. Too many singers choose material that's been done to death, but for her new show, the fetching Ilieva found some songs that your rarely or never get to hear. Thanks to Ilieva for reminding us of that!" -- Peter Filichia, THEATERMANIA.COM
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Sandra

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Re:OF CABBAGES AND KINGS
« Reply #173 on: June 18, 2007, 11:38:40 AM »

SECOND FLOOR DUNGEON

The dreaded Dr. C's Chamber of Horrors.
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FJL

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Re:OF CABBAGES AND KINGS
« Reply #174 on: June 18, 2007, 11:39:22 AM »


From David Finkle in Backstage:

"If you can imagine one of the full-bodied ladies on a vast Peter Paul Rubens canvas doing a cabaret act, then you have some idea of how full-bodied Milla Ilieva of the full-bodied voice appears during [her show] at the Encore . The rosy-cheeked (and I mean all four cheeks) Rubens women are innocent and voluptuous at the same time, bursting with good health and good cheer. And that’s Ilieva all over.

Directed with animation by Margery Beddow and with Paul Trueblood playing tasteful notes and chords at the piano, Ilieva has great fun–carefully prepared–chatting about her up-and-down love life and then backing up her confessions with appropriate songs. Unwilling to play the coquette, she suggests a rather active amorous past (and present) in a medley of “Do What You Do” (John Jennings) and “Do It Again” (the Gershwin sibs). To substantiate her declarations further, she’s delved pulled up “When Does the Ravishing Begin” from the obscure “Lock Up Your Daughters.” Her thoughtfully-arranged version of Jerry Herman’s ‘Time Heals Everything” may be the best rendition yet she gets giggles (and emits a few) on the Fred Ebb-John Kander “Sara Lee.”

Incidentally, this is the same Milla Ilieva who has campaigned for MAC (The Manhattan Association of Cabarets and Clubs) to do right by its membership. For her pains, she’s endured some offensive retaliation by small-minded members of the often petty local cabaret community. The reason I bring this up is that in the sole digression from her making-whoopee theme, she sings “The Only Game in Town” (Kander-Ebb), which was cut from “The Act” and includes a phrase about dealing with lies. She introduces the song by saying that what happens to a woman isn’t what matters. It’s how the woman handles it that counts. Let’s just say that while cabaret is an increasingly shrinking game, Milla Ilieva is winning it hands down against nose-thumbers who haven’t a modicum of the talent or gumption she displays here with effortless effort. - David Finkle, Backstage
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FJL

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Re:OF CABBAGES AND KINGS
« Reply #175 on: June 18, 2007, 11:41:47 AM »


Critics Barbara & Scott Sigel wrote about Milla:

"In her saucy new show...cabaret artist Milla Ilieva enriches and expands the parameters of her considerable skills as a cabaret artist. Commanding the stage with both presence and poise, she builds upon her southern roots to establish a playful persona that is part southern belle, part New York sophisticate, and all woman. In her opening number she promises, "What A Night This Is Going To Be," and she is true to her word.

A tongue-in-cheek performance by a woman with an appetite for the sensual and the sexual, her colorful tour of the many and varied dimensions of love ranges from her sly take on the dicey "When Does the Ravishing Begin?" to her consummate and consummated rendition of "Do it Again." A soprano whose most beguiling notes seem to come from the middle to the lower part of her register, and an actress with expressive, big flirty eyes, Ilieva has the tools to make a powerful impression and the skill to put those tools to work. She covers "Sara Lee" with comic icing, and turns "Everybody's Girl" into the show-stopping centerpiece of her show.

This is a particularly well-crafted act with careful attention paid to song selection. Her show is anchored by strong, emotionally charged standards like "Time Heals Everything" and given additional verve by virtue of its cleverly chosen obscure gems such as "Tess's Torch Song." She sets up each number with patter that is delivered with a refreshing economy, and then she puts them over with an impressive veneer of professionalism. She is aided and abetted in her pursuit of excellence by her director, Broadway veteran Margery Beddow, and her much-admired musical director Paul Trueblood who is among the elite few who know how to support a singer without overplaying.

Despite the sexual innuendos and bad girl bantering, at the heart of Ilieva's show is a warm-hearted optimism. If she tips her hand by singing a sincere version of "A Cockeyed Optimist," she deepens the sentiment with her buoyant rendition of "Taking a Chance on Love." - Barbara and Scott Siegel ~ The Two of Clubs ~ TalkinBroadway.com
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FJL

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Re:OF CABBAGES AND KINGS
« Reply #176 on: June 18, 2007, 11:46:35 AM »

Spoo, that's Siegel, not Sigel.
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Rodzinski

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Re:OF CABBAGES AND KINGS
« Reply #177 on: June 18, 2007, 12:03:59 PM »

But of course... [in my best French accent]

There's Gary...

and there's our own DR JRand56...soon to be 57    ;)

I myself was born in Gary, Indiana. As were most of my siblings. Then I was spirited away to nearby Crown Point. The city that let Dillinger escape.
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Dan (the Man)

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Re:OF CABBAGES AND KINGS
« Reply #178 on: June 18, 2007, 12:04:04 PM »

Milla Ilieva isn't do-re-milla by any chance, is she?
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Ron Pulliam

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Re:OF CABBAGES AND KINGS
« Reply #179 on: June 18, 2007, 12:05:32 PM »

Fa sol la ti?
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