The statement,
I didn't like the show the first time I saw it, but after subsequent viewings, it grew on me
always bothers me.
It's very expensive to go to the theatre. And the successful show (or theatre artist) must entertain the first time out. Normally, writers don't get a second chance to convince an audience their work is worthwhile.
That's not to say I'm not pleased to find that some of you have found enjoyment in a show that you didn't like the first time around. I applaud you for your faith and perseverance.
Seems to me that human beings run a wide gamut of mental health. Some of us need to see shrinks regularly, and that's fine. Some of us are crazy enough to fire guns at presidents, and that's just not acceptable behavior. When I first saw Assassins, years ago, I was interested in what Weidman and Sondheim had to say about the collection of crazies they portrayed. The women who shot at Ford have a dialogue that's kind of a collegiate comedy sketch. Oswald, they suggest, was inspired by the assassins of the past (and future). I learned nothing new about Hinckly. Nothing I didn't already know about Czolgosz. Learned some stuff about the ones I haven't mentioned. I don't think there's any connection between me and any assassin. Sure, I have passionate political beliefs, but many of these people didn't. I would never fire a gun, own a gun, or touch a gun. So, nothing in Assassins indicts me, or makes me feel I've anything in common with the criminally insane.
To tell the truth, I'm at a loss to figure out what Sondheim and Weidman are saying about the American assassins, but I haven't seen this Broadway version yet.