Then, I watched MARKED WOMAN. It's not as well known a Bette Davis picture as many others she did, but she's just as vital in it as she is in many of her other 30s melodramas: DANGEROUS, DARK VICTORY, JEZEBEL.
The transfer is fine though some shots are overly grainy, especially any time Mayo Methot is given a close-up or medium shot. Don't know exactly why her shots are so grainy when other parts of the picture aren't, but it did seem to work out that way.