I have the Playbills from every show I saw from "Pipe Dream" in 1956 through "Golda's Balcony" from last Friday. In my youth, I got many autographed. In 1957 or so, when I was really young, I remember getting Edie Adams, Peter Palmer and Charlotte Rae to sign my "Li'l Abner" Playbill. I also used to cut the Hirschfeld drawings out of the NY Times and attempted to also get those autographed. Some of those that I have include the Lansbury-signed "Mame" and the Merman-signed "Annie Get Your Gun" (revival). I have the OBC LPs of every B'way musical from the year of the flood. In the Hirschfeld arena, I also have signed limited edition etchings of his Mostel Tevya, and BS's TV "Belle of 14th Street". I also have the original Hirschfeld pen and ink drawing that ran in the NY Times of BS and RR from "The Way We Were", which was also autographed by BS. One of these days I'll make it my business to try to get RR to also sign it.
We have a collection of Norman Rockwell signed limited edition lithographs, two of which are theatre-related: "The Charwomen" shows two cleaning ladies sitting in the theatre looking at a Playbill. The Playbill is for "Carousel" (the original production), but the title is somewhat obliterated, so unless you knew what it was, you wouldn't know it to be "Carousel." The other theatre-related Rockwell lithograph is "The Gaiety Dance Team," a forelorn couple sitting back-to-back on a theatre trunk.
Tonight we see "The Producers" again. Last Friday, on a lark, I logged into Telecharge and was able to get a pair of decent orchestra seats at regular price and decided that we should see it again. I'm convinced that a lot of the seats that were being held for premium $480 and $240 per ticket sales will be made available at regular prices as they don't sell at the inflated prices.