There aren't any. One of the joys of writing my play Deceit was to write in that form, and like the play or not, the audience reaction, especially before the unfortunate reviews came out, was fantastic - laughs, hushed silence, and vocal audience reaction at the end of act one when a rather brutal murder occurs. Once the reviews hit, the audiences had read them and believed them, or a few had, and the reaction was never quite the same. But, that first and second week of performances was really fun, save for opening night when my darling publicist filled the theater with critics who sat there sending the most negative energy toward the stage that I've ever experienced. It was palpable. Over HALF the audience were critics - really bad idea, and it hurt us quite a bit. Oh, we got about four raves from smaller papers, but the majors really had it in for us. I wonder if we did the exact same show (with a new leading lady) in the exact same way for different critics today if it would get a better critical reception.
But I love that sort of play, and there hasn't been a successful new one on B'way since Deathtrap. I had high hopes for Deceit - maybe someday I'll do it again.
