It does sound like the formula has worked for what NYMF seems to feel are its objectives, and I guess we have to accept that NYMF's objectives (like those of any festival) have to be about promoting NYMF, so that it can continue and crucially be there for developing musicals in future years. I hope it's not controversial to say that a festival probably has to care about having a few shows a year that go on to lives outside the festival, and can't really concern itself with which specific ones do have those lives. I'm sure they're touting the later life of Brain from Planet X when they have the info, and they've also given Last Starfighter good publicity when we had our further development in Seattle (OK, actually Issaquah) - the cumulative effect of lives-beyond-NYMF are helpful for NYMF, but they need one or two big ones a year - and even if they only have two shows a year flourish in a notable way, that's seen as a successful festival by the public, by donors, and by others wanting to be part of the festival in the future.