Well, I lost a long post on the TOD this morning due to "connection problems".
I'll try again:
I loves me some Noel Coward. My first encounter with The Master was doing HAY FEVER at The Globe of the Great Southwest, playing patriarch David Bliss, when I was way too young for it, at the tender age of 23. Nevertheless, I was very good in the part, if I may immodestly say so, and garnered excellent reviews.
In 1982 in London I saw a delightful production of DESIGN FOR LIVING with Ian Ogilvy, Maria Aitken, and Gary Bond (interesting side note: the programme cost 40p; now they cost somewhere between 2-3pds)
In LA at the Huntington Hartford, I saw a nice production of Coward's first big hit, THE VORTEX, starring Stephanie Beacham and either Rupert Everett or Rupert Graves, I can't remember and I'm not digging out the programme to find out.
I saw the terrific Peter Bowles as Gary Essendine (a Noel Coward surrogate) in the very funny PRESENT LAUGHTER. The always-wonderful Fecility Kendall and the equally always-wonderful Frances DeLaTour were marvelous in the hilarious FALLEN ANGELS. The second act drunk scene was one of the funniest things I've ever seen.
I saw Corin and Vanessa Redgrave in one of Coward's last plays, SONG AT TWILIGHT. He was better than she. At one point, as the character, Vanessa hummed a snatch of "I Wonder What The King Is Doing Tonight" from Camelot. I doubt The Master would have been amused by this little "in" joke.
Probably the best Noel Coward I ever saw was the 2001 London production of PRIVATE LIVES starring Alan Rickman and Lindsay Duncan, directed by Howard Davies. A shimmering, elegant production!
The worst production I ever saw was BLITHE SPIRIT with Penelope Keith playing Madam Arcati. You would have thought it a perfect match of actor/role. Sadly not so. I also thought the play had not aged well; but it could have just been the production. Also saw Ms. Keith in a disappointing stage adaptation of a Noel Coward short story, STAR QUALITY, that just laid there and she was not right for the role (There is a wonderful film adaptation of the same story with Susannah York). I really like Ms. Keith as an actress; but she missed badly in both of these.
I heartily recommend the BBC boxed set of Noel Coward, which has productions of many of the aboved-mentioned plays (notably a great production of PRESENT LAUGHTER with Donald Sinden) and also the playlets from TONIGHT AT EIGHT-THIRTY. There are also several fascinating interviews with The Master himself.
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