Here are the blurbs for the two releases:
Kritzerland is proud to present a world premiere release, one of the most sought-after film musicals:
CENTENNIAL SUMMER
Music by Jerome Kern
Lyrics by Leo Robin, Oscar Hammerstein II and E.Y. Harburg
Music Direction by Alfred Newman
In 1944, Meet Me in St. Louis captivated moviegoers the world over. The unbridled nostalgia for a simpler time was very appealing in the turbulent war years. Two years later, Twentieth Century-Fox made its own film to appeal to that same audience – Centennial Summer. With an excellent screenplay by Michael Kanin and elegant and stylish direction by Otto Preminger, Centennial Summer takes a colorful, fun and even touching look at the 1876 Philadelphia Exposition and one family’s trials and tribulations and follies and foibles. Like Meet Me in St. Louis, Centennial Summer was a love letter to a bygone era and like Meet Me in St. Louis, Centennial Summer was a musical, with some wonderful musical numbers by the brilliant composer Jerome Kern and lyricists Leo Robin, Oscar Hammerstein and E.Y. Harburg.
Centennial Summer was Jerome Kern’s final score – he died in November of 1945 at sixty years of age, a great loss to the world of musical theatre and film. In Centennial Summer, Kern’s music could not have been in better hands than that of Fox’s music director extraordinaire Alfred Newman, who also adapted Kern’s tunes and created the beautiful underscore for the film. The songs are charmers and several went on to become staples of the Great American Songbook – “Up with the Lark,” “All Through the Day” and “In Love in Vain.” There is also a magical specialty number called “Cinderella Sue” performed by Avon Long that is one of the highlights of the movie. And Alfred Newman’s underscore for the film is classic Newman. The film received two Academy Award nominations, one for Best Song and one for Best Score.
This is the official world premiere release of the complete Centennial Summer, transferred from the 1/4” archival elements in the Twentieth Century-Fox vaults and lovingly restored by Mike Matessino. It just doesn’t get better than Jerome Kern, Leo Robin, Oscar Hammerstein, E.Y. Harburg and, of course, Alfred Newman. It is a thrill to bring this under-appreciated musical to CD and we hope you enjoy this delightful, tuneful and beautiful score, sounding incredible over sixty years later.
Centennial Summer is limited to 1000 copies only and is priced at $19.98, plus shipping.
CDs will ship by the first week of September, but we’ve been averaging three to five weeks early in terms of shipping ahead of the official ship date. To place an order, see the cover, or hear audio samples, just visit
www.kritzerland.com.
Kritzerland is proud to present two great scores on one CD – one a world premiere release and the other a first U.S. release on CD :
WON TON TON: THE DOG WHO SAVED HOLLYWOOD
and
OH DAD, POOR DAD, MAMMA’S HUNG YOU IN THE CLOSET AND I’M FEELIN’ SO SAD
Composed and Conducted by Neal Hefti
In 1976, Paramount had an interesting slate of releases featuring dramas, comedies, and even two musicals. Two of the comedies and both musicals were spoofs, but this was several years before Paramount would hit it big with the spoof to end all spoofs, Airplane (the big hit comedy from Paramount that year – The Bad News Bears – wasn’t a spoof). The musical spoofs that came and went were The First Nudie Musical and Bugsy Malone, both of which would go on to cult film status. The two comedy spoofs were The Big Bus, a send-up of disaster movies, and Won Ton Ton: The Dog That Saved Hollywood, a send-up of the silent film era and canine movie heroes like Rin Tin Tin and Lassie.
Won Ton Ton seems almost the end of an era. The cast included a huge number of cameos by an amazing array of Hollywood veterans, over fifty of them. The leading cast featured Bruce Dern, Madeline Kahn, Teri Garr and Art Carney, and a brilliant performance by Augustus von Schumacher as Won Ton Ton. To the filmmakers, it must have seemed like a film that could not lose.
The film came out, received middling reviews, and disappeared until the advent of home video and cable allowed people to find it and enjoy it for what it was – a fun, celebrity-filled lark with some truly amusing sequences. And the producers could not have made a better choice of film composer than the great Neal Hefti.
Hefti’s style was breezy and melodic, but he was also an expert dramatic composer – even in his comedy films – and such is the case with Won Ton Ton. The flavor of the main title music, which evokes the 1920s, continues throughout the score for the upbeat cues, but Hefti also has several beautiful themes running throughout the film to underscore the sweet affection the dog feels for the Madeline Kahn character. It’s a truly delightful score, both in and away from the film, and it’s classic Hefti all the way.
This is the world premiere release of Won Ton Ton, taken from the multi-track tapes stored in the Paramount vault and newly mixed especially for this release, in wonderful stereo sound.
Our second feature is Hefti’s infectious score to the 1967 comedy Oh Dad, Poor Dad, Mamma’s Hung You in the Closet and I’m Feelin’ So Sad, an adaptation of Arthur L. Kopit’s 1962 play. For the film, Neal Hefti created another melodic and fun score, including a bouncy main title song and several classic Hefti tunes along the way. Our source for this CD was the original three-track album master.
Won Ton Ton/Oh Dad, Poor Dad is limited to 1000 copies only and is priced at $19.98, plus shipping.
CDs will ship by the first week of September, but we’ve been averaging three to five weeks early in terms of shipping ahead of the official ship date. To place an order, see the cover, or hear audio samples, just visit
www.kritzerland.com.
