Re: FAR FROM THE MADDING CROWD
Back in the late 1990s, when he had his studio in Ireland and wanted to do some literary period films, Roger Corman asked me to write a screenplay adaptation of FAR FROM THE MADDING CROWD.
I suggested that, since the Julie Christie version was only about 20 years old and considered to be a minor classic, he might be better off adapting a work that, if it had been previously filmed, had a much lesser reputation. Besides, on a Corman budget, we would never come close to the splendor of the earlier MADDING CROWD.
Roger saw my point, so I wound up adapting THE ASPERN PAPERS instead, setting it in Dublin, rather than Venice.
I know, but a paid writing assignment is a paid writing assignment.
Unfortunately (or perhaps fortunately), by the time I had finished the script, Corman had decided that he didn't want to make any more period films, since they were not selling in his key market. I was fully paid, but the script was shelved.
Although I had previously sold him two of my original screenplays (both produced), this was my first Corman "assignment". Others were soon to come.